TVTropes Now available in the app store!
Open

Follow TV Tropes

Toggling Setpiece Puzzle

Go To

Toggling Setpiece Puzzle (trope)
On and off you go!

"Hm? Hm! Hmm... The ON/OFF Switch. No one knows how it actually works. Wireless protocols? Ancient magic? Get to the end of this course, and I'll reward you handsomely, hm?"
Doctor Gizmo, Super Mario Maker 2

Sister Trope (and, in practice, an opposite) of Control Room Puzzle.

A Toggling Setpiece Puzzle is, as the name suggests, a type of puzzle that is based on manipulating setpieces or mechanisms whose states (active and inactive, usually abbreviated as on and off respectively) can be alternated during gameplay. This is usually done by pressing switches (or pulling levers) that make all associated setpieces exchange their current states: Those that are toggled on will turn off and vice versa. What makes this trope different from a Control Room Puzzle is that, instead of having multiple switches that need to be pressed in a specific order (or, alternatively, each of them a corresponding number of times) in order to activate a single setpiece (often opening a door so you can continue your progress), here you only need to press one switch to trigger multiple setpieces. Even if there are multiple switches, pressing any of them will do the job all the same.

Most importantly, the setup isn't necessarily restricted to one room. Depending on the game, the state exchange may be carried over to all setpieces in the whole level or dungeon. So if you're in a building and cannot access a path on a specific floor because a certain wall or fence is blocking it, you may later find a switch on another floor that opens it; just keep in mind that some of the paths you traversed to get there may now be closed due to previously-inactive obstructions being switched on, thus requiring you to figure out an alternate path. Conversely, in some cases not all setpieces may be altered by pressing one switch (meaning the wiring isn't global). Instead, the setpieces may be identified by color or a symbol, so you can still tell what switch is controlling them.

If you're playing a co-op game (or a single-player game where you have an AI-controlled sidekick) and this trope is present, expect each character to help the other progress by pressing some switch to open up a path to the other. It's possible, though not mandatory, that this culminates with activating a Two-Keyed Lock.

Since Tropes Are Flexible, this type of puzzle isn't limited to using toggleable physical obstructions. If you're in an Eternal Engine level with lots of conveyor belts, there's the possibility that pressing a switch will reverse their respective directions. Or, if there are visible electric wires and surfaces, the switches will toggle the junctions that control where the electrical charge goes; and so on. The possibilities are endless.

If the puzzle's complexity requires it, it's possible that the setpieces can be alternated across more than two states (think, for example, of a cistern or reservoir where you can change the water's level between empty, half-full, and full; or a moving element that can alternate between moving fast, moving slowly and stopping). In these cases, the player will need to stay concentrated on the puzzle or obstacle at hand, or else they'll be at loss easily. It's easy to meet That One Puzzle this way.

Can be combined with other types of puzzle, such as Block Puzzle, Light and Mirrors Puzzle, or even Trick Shot Puzzle, to provide truly formidable brainteasers. Not to be confused with Set Piece Puzzle, which is based on manipulating a single setpiece in some way to solve a riddle. Compare Four-Seasons Level, which operates on a similar basis as this trope, but features changing seasons within the same level to introduce environmental gimmicks; in some cases, it may overlap with this trope. For games where the setpiece you can change between states is the entire overworld (or, alternatively, you're travelling across two versions of said overworld, be it dimension-wise or time-wise), see Dual-World Gameplay. For bosses that are clever enough to swap between their elemental and/or physical strengths and weaknesses during battle (thus forcing the player to figure out what kind of attack to perform next), see Barrier Change Boss.


Examples:

    open/close all folders 

    Action-Adventure Games 
  • Drawn to Life: One of the puzzles in the Gearworks is a switch puzzle where flipping the switch makes one colored platform move and turns the others off. You have to backtrack and flip the switches multiple times to find out where all the platforms go and complete the stage.
  • The Legend of Zelda:
    • The Legend of Zelda: A Link to the Past:
      • The third dungeon (Tower of Hera) features color-coded barrier blocks (blue and pink) whose states can be swapped by hitting luminous crystal orbs; by default, the pink ones are lifted while the blue ones are receded. Depending on the case, Link can either hit the orbs with his sword to swap the blocks' states and make his way through the dungeon, or shoot at them from a distance with an arrow in case the active and inactive blocks are placed back-to-back (if he cannot hit them with arrows, he can drop a bomb near one and then run onto the part where he has to go before it explodes). Later dungeons bring back these blocks, and there's a room in Ice Palace that requires a clever use of them to solve a difficult Block Puzzle.
      • Though less frequent, there are also yellow-colored panels (first seen in Tower of Hera as well) which shift the locations of holes in the ground when stood on (the classic achievement jingle is heard each time they're used). These become useful when trying to fall onto parts from lower floors that would be impossible to access otherwise. There's also a room in Skull Woods that makes up for a maze of sorts where Link has to stand onto these panels to relocate the surrounding holes (which, in that case, are just Bottomless Pits meant to be avoided) as he makes his way to the next room.
    • The Legend of Zelda: Link's Awakening: Like its predecessor, the game features toggleable cubical barriers in some dungeons, as well as crystal switches that swap their states (and the wiring is always dungeon-wide); their most prominent use takes place in Eagle's Tower, where Link has to work around them as he aims to collapse the highest floor to make it part of the third by destroying the pillars that hold it up. Due to palette limitations, the barriers aren't color-coded (not even in the Game Boy Color rerelease, where all barriers are colored blue in Bottle Grotto and red in the other dungeons), though you can still tell visually which ones are lifted and which ones are receded (this is no longer a problem in the Switch remake, where they're color-coded).
    • The Legend of Zelda: Ocarina of Time: The Water Temple has two examples, one that is central to its overarching theme and a more specific instance in one of its rooms:
      • The water's level in the entire dungeon is full by default, so only the highest floor is relatively dry. However, as explained by Princess Ruto when Link meets her, there are three areas in the dungeon where Link can play Zelda's Lullaby to modify the water level: The first one empties it almost completely, leaving only the basement and certain higher areas with their own sources of water wet; the second restores the water to the middle, and the third one restores the water to the original full level. Since each of the major parts of the dungeon can only be accessed when its entrance door or path is reachable with a specific water level, it can become difficult to keep track of the progression (as failing to visit a certain area holding a required key will force Link to restart the level-changing cycle). Luckily, the game's Nintendo 3DS remake adds luminous marks in the walls that remind the player where Link can find the spots that modify the water's level (which, alongside the added ability to change between Kokiri and Iron Boots in real-time, makes the dungeon more manageable).
      • In the room preceding the illusory hall where Dark Link is, there's a red-colored crystal at the top of a pillar in the center. When it's hit (either with an arrow or with the Hookshot), it will turn blue, and as a result, the room's water will raise and certain dragon-headed statues with Hookshot targets will erect. This allows Link to make his way around the room by latching onto the statues with the Hookshot, but at one point he has to shoot the crystal once again to lower the water's level and the statues, allowing him to climb one of the statue's dragon heads and keep moving. He has to repeat the procedure until he finally arrives at the other end and reaches the famous room where he fights his doppëlganger.
    • The Legend of Zelda: Majora's Mask: The Stone Tower Temple features a gold-colored emblem that, upon being hit with a Light Arrow, flips the entire dungeon and the surrounding physical space, turning the ceilings into floors and vice versa, and the sky into an abyssal pit. Later in the dungeon, Link finds similar emblems that only flip their respective rooms: In the first such room, he hits the emblem to simply traverse a lava pond to reach the other side; but in the second, he has to do it frequently to solve a Block Puzzle (since both the ceiling and the floor feature parts onto which the block cannot be pushed).
    • The Legend of Zelda: Oracle Games:
      • Ages features dungeons with toggleable cubical barriers that can have their states swapped by pressing switches, continuing the trend from previous 2D installments. Unlike in Link's Awakening, the barriers are color-coded, thanks to the games' improved palettes as they were worked upon the other's DX engine. Interestingly, the color-coding is inverted in relation to A Link to the Past, where the crystal's current color matched that of the blocks toggled off, and here it matches the color of the ones toggled on.
      • Ages also features specific instances with other puzzles that involve toggleable setups, like a room in Mermaid's Cave where a crystal switch rearranges the placement of the floor's tiles, a couple rooms in Moonlit Grotto that have crystal switches which protract bridges above a bottomless pit while retracting others, and floor switches in Jabu-Jabu's Belly that toggle the current level of the water. The crystal switch will often be placed in distant or inconvenient spots that call for the use of the Seed Shooter (sometimes even requiring the Seeds to ricochet with adjustable seesaw-like pieces, thus overlapping with Trick Shot Puzzle).
    • The Legend of Zelda: The Minish Cap: The early parts of the Palace of Winds feature switches that, upon being hit, extend nearby bridges while also retracting others, and Link has to hit them accordingly to make his way through the dungeon. At one point, he has to hit one of the switches via a trick shot (whether with the boomerang or a bomb), since it's placed alongside an obstruction that is preventing a direct shot necessary to extend the next bridge.
    • The Legend of Zelda: Twilight Princess: In the room within the Temple of Time where the Compass can be found, there are mid-sized walls that have to be moved back and forth several times by shooting at a color-coded crystal switch with the arrows, so Link can gradually make his way forward. The crystal switch is located at the center of the room's frontside, so Link can shoot at it from the center of further spots thanks to the round openings in the gold bars.
    • The Legend of Zelda: Phantom Hourglass: Red and blue barrier blocks are present in the Temple of Fire, and as usual only the red blocks are active by default. Once Link collects the Boomerang, he can guide it onto seemingly impossible-to-hit orbs with the help of the touch screen of the Nintendo DS, thus overlapping with Trick Shot Puzzle.
    • The Legend of Zelda: Skyward Sword: In the present time, some areas of Lanayru Desert may be difficult to run across due to the quicksand, and certain doors may be sealed shut due to thorny wires. When a Timeshift Stone is hit, the surrounding area regresses dimensionally to the past time, getting rid of the quicksand in favor of solid ground as well as removing the thorny wires. But as a tradeoff, other parts may now be obstructed by electric fences (which makes sense, since reviving the decayed machinery will also bring back the protection measures), as well as pillars of solid ground that had eroded or crumbled prior to the present. As the game progresses, Link has to frequently interact with both eras to overcome the obstacles present in each, and sometimes make the Timeshift Stone (or even a carriable Timeshift Orb) move so he can remove any incoming obstacle as he and the Timeshift object move forward.
    • The Legend of Zelda: A Link Between Worlds:
      • The Tower of Hera from A Link to the Past makes a return in this game, and so does its gimmick of featuring the barrier blocks that change their states when pressing the crystal orbs. The game also has the conveyor belts from Thieves' Hideout, whose direction can be inverted when hitting a nearby orb; doing this is the only way to make them transport a bomb (or a living explosive enemy known as Bawb) into an orb that is unreachable otherwise.
      • The Swamp Palace features faucet-like mechanisms that modify the water level on its floor. Their sides have levers that can be pulled with the Hookshot; pulling the one on the right will make the mechanism spin clockwise and raise the water level while pulling the one on the left will make the mechanism spin counterclockwise and lower the water level. The icon at the central top of the machine will tell the current level: One blue rectangle if the room is almost completely dry, two if the room is half-full, and three if it's full. There are platforms and areas that can only be accessed at certain levels, as well as rafts that can be used as bridges.
    • The Legend of Zelda: Tri Force Heroes: The Fortress stages feature crystal switches that swap the states of color-coded blocks like in previous 2D Zelda games; and due to the game's focus on teamwork, each Link has to cooperate in the puzzles involving these setups. In this case, however, the blocks are colored purple and yellow instead of red and blue (likely to prevent visual confusion with the respective colors of the Links' outfits, which are red, green and blue).
    • The Legend of Zelda: Breath of the Wild: The four Divine Beasts have a very advanced design that allows the carrier of the Sheikah Slate to alter the placement or position of major parts, or even the position of the Beast as a whole, in order to solve puzzles of this type. In all cases, this can be done by accessing the map menu, and mastering this usage is the only way to access and activate all terminals that allow Link to regain control of the Beasts, freeing it from Calamity Ganon's influence.
      • Vah Naboris: Link can move the large cylinders inside the big central room, which not only opens certain sideway exits while blocking others but also controls the upper circuitry. Certain doors and mechanisms will only trigger when you arrange the cylinders in the way that connects the wires properly, allowing the green-colored electric charge to reach the required areas.
      • Vah Medoh: Link can toggle the angle of the Beast's wings, though both at the same time and not individually. This allows the young hero to move certain gizmos inside that are too heavy to push manually, as well as allow wind to activate mechanisms when they're positioned at certain angles.
      • Vah Ruta: Link can adjust the angle and height of the Beast's elephant-like trunk, which is permanently expelling water, so he can bring said element onto specific parts and make the aimed gizmos move or operate as soon as they receive it.
      • Vah Rudania: The toggle command is the simplest in terms of execution, but also the most significant in its outcome. The Beast, due to its lizard-like shape, can either stay positioned in the pool of lava at the heart of Death Mountain or cling onto one of the claw-like rock peaks surrounding that center. Shifting into the latter position will make the whole dungeon tilt itself 90 degrees, thus rearranging certain objects due to gravity and allowing Link to use the walls as floors and vice versa, granting access to parts that would be unreachable from the default position. However, there will also be parts that can only be reached when what you're walking onto is the floor, so you'll have to know when to make the Beast revert to the basic position.
      • The Final Trial dungeon, accessed during the climax of the Champions' Ballad DLC, allows Link to toggle the direction of all moving setpieces (clockwise or counterclockwise), which becomes important as several individual mechanisms will only work when the moving setpieces are rotating in either direction. This also influences how Link deals with the four elements (each previously present in one of the Divine Beasts), thus also invoking All the Worlds Are a Stage.
    • The Legend of Zelda: Tears of the Kingdom: In the Tenbez Shrine, there are switches that toggle the gravity of the surroundings. These take the form of small pillars shaped like dragons facing each other, between which lies a stone component that brights orange when gravity is at its normal value, and green when Link hits it and makes gravity reduce its intensity (other visual cues include light-blue particles appearing in the atmosphere and the stone component hovering). Fittingly, all gravity-controlling switches present will show the current state of the surroundings, even though only one of them is hit at a time. Changing the gravity back and forth will be important to solve puzzles, since doing so will alter the weight of objects as needed.
    • The Legend of Zelda: Echoes of Wisdom: There are several mechanisms in Lanayru Temple that allow Zelda to use special stones to shift the state of water in certain rooms between liquid (warm) and solid (frozen). This is done by placing said stones in the mechanisms' entry slots so the targeted rooms are ventilated with hot or cold air (depending on the used stone's temperature). In turn, the stones can be shifted to hot if they're exposed to leaking fire, or cold if they're exposed to leaking icy air.
    • Cadence of Hyrule:
      • In the first floor of the Temple of Storms, there are fans which blow either upward or towards a side (depending on whether they're positioned in the floor or the walls), but some of them are turned on while others are turned off. The player's character of choice has to make their way around the second floor so they can get back to the first via an alternate staircase and reach a switch that swaps the states of the fans, with those currently off turning on and vice versa; doing this will allow the character to reach parts they couldn't before (as a drawback, previously-accessible areas will be now blocked due to the wind of the fans that are now turned on, at least until the Iron Boots are collected).
      • In the Frozen Grotto, there's a switch that freezes the tiles of warm water but also melts the tiles of ice. Due to the effect of Super Drowning Skills present with the water as well as the effect of Frictionless Ice with the ice tiles, navigation will be greatly affected depending of the current respective states of the tiles.
  • Ōkami: The Ghost Ship allows Amaterasu to, in a certain room with a crack that grants a view of the skies, transition between day and night with the Sunrise and Crescent brush techniques. During day, the tide level of Ryoshima's sea rises, flooding much of the ship's interior; this allows her, Issun, and then-accompanying Rao to reach upper parts of the vessel that were previously inaccessible during night. At one point, however, they reach a crucial area that is flooded and cannot be entered in that state (since they don't know how to swim), so they have to enable a shortcut to the area with the crack and turn day into night, lowering the tide and granting access to the desired area (which has a Magic Mallet that grants access to the next dungeon).
  • Prodigal:
    • A lot of dungeons have floor tiles that switch between flat and raised, or bridges that you have to make appear to cross over with, and sometimes you're required to time their movements when completing puzzles that involve rolling barrels or reflected flames.
    • In the Crystal Caves, you have to switch the water in the entire area between thawed and frozen in order to access certain parts of it.
  • Unsighted: The final meteor shard is contained in a lava factory built around a switch that can raise or lower the lava level when activated. Raising the lava will allow Alma to pilot the heat-powered Mini-Mecha in the level and create platforms in the lava filling what would otherwise be an impassable Bottomless Pit, but it also makes the oily enemies in the dungeon much more dangerous, turns on a turret system, and activates fire-spitting floor ducts that block passage. Completing this dungeon will involve toggling the lava on and off.
  • An Untitled Story: Two late-game areas in the game feature red and blue blocks alongside buttons which can be divebombed to toggle their colour, turning blocks of one colour solid and blocks of the other passable outlines.

    Gacha Games 
  • Honkai: Star Rail: Some platforming puzzles in the Herta Space Station require you to toggle between orange and blue Hard Light platforms in order to reach an objective. A gray platform can also be activated to provide a shortcut to a previously-used control panel, which then mandates you to toggle between the blue and orange platforms again.

    Hack and Slash 
  • Bayonetta 3: The Game Within a Game that is unlocked after completing the last Jeanne-centric chapter features an area in the first level which has red laser beams that block the way and are also harmful upon contact. Pressing any of the toggle switches in the area will turn those beams off but also turn others on. Since the level's progression is based on Kill Enemies to Open, Jeanne can use the switches to stealthily kill some of the surrounding enemies by swapping the states of the beams right when they're passing by a part which has a beam turned off (since the beams also harm them).

    Party Games 
  • Mario Party 1: The biggest challenge in the board Luigi's Engine Room comes from the color-coded doors (red and blue) that either obstruct or open paths. In each turn, one colored set of doors will be closed whole the other will be open; but when the turn ends or a character lands on certain Event Spaces, the doors will swap their states, making it so the open ones close and the closed ones open. Cleverness (and, in some cases, also luck) will be important for a player to work around these doors and reach the current position of the Star to buy it.
  • Super Mario Party Jamboree: In the minigame "On-Again, Off-Again", a lone character is in a top platform with an ON/OFF Switch above them. Grrrols appear from the stage's middle borders and initially roll forward across a middle path with red and blue blocks, but only one colored type is solid at a time. The solo character's three rivals are on the ground at the bottom. The solo character has to hit the ON/OFF Switch to swap the states of the colored blocks in an attempt to make the Grrrols fall strategically to the ground so they pinch the rival trio, while the rivals have to run and jump to evade the incoming enemies.

    Platformers 
  • 30XX: Penumbra features switches which, when shot, alter which blocks are active. They're used as light puzzle elements.
  • Aro II: Many levels, specially if you're playing in hard mode, require the player to push levers to open doors, deactivate electricity beams, or activate elevators. In many levels though, the player is required to backtrack as pulling some levers will also toggle other levers that are close by.
  • Astro Bot (2024): The cymbal monkey powerup in "Final Encore" allows Astro to switch the states of certain blocks on or off, extend accordion platforms, and rotate walls that are found inside of tambourines.
  • Bulbo's Belief System: One character, Wally, teaches Bulbo about the existence of walls, and those walls only exist as long as Bulbo believes in them. This effectively turns any level with Wally into one of these, as Bulbo must repeatedly learn and unlearn the concept of walls as needed.
  • Conker's Bad Fur Day: During the Uga Buga chapter, Conker eventually gains access to the Rock Solid nightclub, and notices that Berri is trapped in a stone jail, being forced to dance for the present public. Beneath the jail are three doors, of which the second is open and the other two are closed. The open door leads to a path above the jail that has some dancing strippers and leads to a switch that opens the closed doors while closing the open one; and the closed doors lead to the ceiling right above the jail. The problem? The switch is a Pressure Plate, so the doors will only alternate their states as long as the switch is kept pressed. Conker has to get drunk and urinate onto a male Rockman to push it like a boulder to the open central door, and then push it normally across the upper path to the switch (while avoiding the moving strippers) so it's kept pressed. Then, with the closed doors now open (and the central one closed), Conker has to urinate onto two more Rockmen to push them respectively into the doors and make them fall onto Berri's jail, breaking it to free her.
  • Crash Bandicoot 4: It's About Time: Lani-Loli is the Quantum Mask of Space, and his main ability in the levels is to swap the physical state of objects, crates and obstacles, allowing Crash and Coco to interact accordingly with them (for example, when jumping between such platforms to avoid falling down). The objects that are phased out have their positions marked with hologram-like replicas, while those currently phased in have ghostly blue wisps floating around them. The toggling can be done by pressing a specific button in the controller, since Lani-Loli is accompanying the characters as a sidekick (like Aku Aku and the other Quantum Masks do), so employing the power is a matter of good timing.
  • Curse Crackers: For Whom The Belle Toils: There are levels with blocks which, when active, manifest like solid white-and-grey tiles, and when inactive they're absent and one can only see white dots marking their would-be positions. However, when Belle or Chime interacts with holes surrounded by purple octagonal borders, all blocks will swap their states, activating the blocks that are inactive and vice versa. Toggling these blocks will be essential to successfully navogate through the levels.
  • Donkey Kong:
    • Donkey Kong (1994): Some levels feature levers that control multiple mechanisms, thus requiring the player to make clever use of them to make their way to the exit (which is a Locked Door by default needing to be opened). For example:
      • Stage 4-9 features a lever which, upon being pulled or pushed, retracts the wall guarding the key to open the door but also extends a bridge next to the platform where some pole-carrying Monchees roam. Mario cannot make his way back to the key on his own due to some Spikes of Doom placed ahead, so he has to trick at least one of the Monchees into falling to the platform above the spikes by moving the lever again to retract the bridge at the right time (allowing Mario to hang on the Monchee's pole and cross the spikes); before leaving, the lever has to be moved one more time to keep the wall guarding the key retracted.
      • In Stage 6-7, there are several levels which, upon being pulled or pushed, invert the direction of all conveyor belts in the game. Mario has to take advatnage of this so he can take the key to the bottom of the stage and, from there, head to the exit which is located in a high spot at the left. He has to act quickly as he manipulates the belts, as letting them move the key offscreen will force him to retrieve it from its original spot, wasting a lot of time. And at the same time, he has to quickly grab the key every time he goes down one floor in order to prevent it from vanishing, or else the same thing as the other situation will happen.
    • Donkey Kong Country: The level Stop & Go Station features uniquely-labeled barrels, called Stop & Go Barrels, whose use is vital to properly navigate through the path. By default, all barrels are turned on (marked with the word "GO" written in luminous green), which makes all lights in the otherwise dark cavern turn green and all resident Rock Krocs move relentlessly. When one of these barrels is touched by Donkey and/or Diddy, it and all other toggle-based barrels will change their states to off (marked with the word "STOP" written in luminous red), turning all the light sources in the level red and making the Rock Krocs fall asleep; after a while, the Stop & Go Barrels will revert to the default state, causing the light sources to turn green again and waking up the Rock Krocs. Because those enemies are invulnerable, the Kongs must make sure to touch all Stop & Go Barrels they find along the way so they can safely run past them, both in corridors and in hovering platforms above pits, and reach the exit.
    • Donkey Kong 64: In the large underwater rocky pillar onto which the Lighthouse in erected in Gloomy Galleon, there are two switches: one marked with an Up arrow and another marked with a Down arrow. These switches control the entire world's water level, and by default the Down switch is pressed (hence why the water's level starts off being low). Pressing the Up switch will raise the water in all areas of the world, while pressing the Down button will revert it to the default low level. There are Golden Bananas that can only be obtained while the water is at a particular level.
    • Donkey Kong Country Returns: The World 7 level Switcheroo lives up to its name by featuring luminescent switching walls, colored red and blue. Only one colored group of them (the red ones by default) will be active at a time, acting as walls that impede DK's progress while the other group will be inactive and turned off. But by passing by spherical switches in the walls, their states will reverse, with the red ones retracting and the blue ones brightening and protracting. Later walls can be used as platforms to reach upper areas, and in some cases, DK and Diddy must avoid passing by the switches to avoid falling into a pit by removing supporting ground.
    • In the Mario vs. Donkey Kong games, Mario (as well as the Mini-Marios in all games minus the first) can jump on color-coded switches (red, blue, and yellow) to activate objects (such as blocks, ladders, and bridges) of their corresponding colors. The catch? When you're pressing a switch to toggle on its associated setpieces, those of the other colors are toggled off (for example, pressing the red switch will enable the red objects but disable the blue and yellow ones), so you have to learn how to use each element in the right moment to make your way to the levels' exits.
    • Donkey Kong Bananza:
      • The game features "Swap Harps", lyres with two cube symbols representing different materials. Hitting them makes all instances of the two materials in the area transform into the other (for example, gold becomes rubber and rubber becomes gold).
      • In the last sub-area of Radiance Layer, DK can hit switches which turn an artificial sun on while turning the other one off. This has the effect of changing the physical state of certain platforms in the area. Those that receive sunlight will become inert and cannot be stepped on, while those in the dark or under a big object's shadow become solid and are walkable.
  • Gimmick! (1992): In the second game, there are levels which feature star outlines. When the star lands on them, they reverse some of the stage elements, such as switching some platforms on/off, or reverse the direction of some of the moving platforms.
  • Jill of the Jungle: While switches usually only control individual mechanisms, there are levels in the second episode (Jill Goes Underground) featuring switches which swap the states of certain groups of platforms or walls. For example, early in the level "The Red Puzzle", Jill has to press a switch to swap the state of two platforms (a ceiling that is active and a floor that is inactive) in order to cross a gap with Spikes of Doom (while also keeping an eye on the boulder that falls from above); and later on, she has to press a switch repeatedly to swap the respective states of five platforms (with three being actuve by default and the other two inactive) so she can lure a boulder downward and make it press another switch to open the way forward.
  • Jumper Two features panels which Ogmo can crouch on to toggle their colour between blue and red, changing which blocks and spikes are touchable by Ogmo and which ones are simply intangible outlines.
  • Klonoa: The handheld platformers feature levels where you have to hit switches that move brown blocks from the background into the foreground (and vice versa for the ones initially placed in the foreground), allowing you to walk on them (or, depending on the case, pass through an area obstructed by one). Several instances include the third world's Vision levels in Klonoa: Empire of Dreams.
  • Mega Man:
    • Mega Man 8: The Astro Man stage features two Wrap Around mazes whose corridors have color-coded walls that can be moved (whether upward or downward) by pressing the switches that match their color: Red and green. The catch is that, when a switch is pressed, the wall that is wired to it will move to make way for a passageway, but then obstruct the one it's moving to (for example, in the first maze, the exit is obstructed by a green wall that can be moved with a green switch, but the wall then moves downward and obstructs the passageway that would lead to the part above with the exit). In both mazes, Mega Man has to work around the toggling walls as well as the wrap-around mechanic to make way to the exit.
    • Mega Man Maker has ON/OFF Switches, which are shaped like orbs. You can put them so they have to be hit to activate or you can put them to toggle through an automatic timer. The toggleable elements include blocks, spikes and ladders; and they're color-coded (red and blue, with the former ones being active by default).
  • Mighty Switch Force!: The key mechanic of these titles is block shifting: you're able to shift certain blocks in each level in and out of the foreground to transverse the level, solve puzzles, and occasionally redirect or defeat enemies (or yourself, if you aren't careful) with the press of a button.
  • Outland (2011): A major component of the gameplay revolves around the main character switching between the respective auras of the Sun and Moon sisters, which are color-coded with red and blue respectively, in order to match the colors of the surrounding elements and interact accordingly with them. Examples include jumping between platforms (those matching the current color of the character's aura can be stood on, and those that don't will be untouchable until a color switch is performed), bypassing hazards and enemy/boss attacks (those matching the current color of the character's aura will be harmless, and those that don't will hurt or even be deadly unless, again, the character switches his aura to the other color) and defeating enemies (those matching the character's current color of the aura will repel his attacks, requiting him to switch to the opposite color so he can defeat them). It's a rare case of the toggle button being one from the player's controller, and in many cases timing and reflexes will be key.
  • Pizza Tower: There are switch blocks that activate and deactivate face blocks. While most of the time they're used to direct player's progress, at the end of Deep Dish 9, there is a minor puzzle where player has to figure out when to press the switch block.
  • Prison City: In Power Plant, shooting a lever makes it flip, altering the stage hazards. Some need to be set in certain way in order to proceed.
  • Shantae and the Seven Sirens: In the Sea Vent Lab, there's blocks that turn from outlines to solid and back if an invincible monster in the same room as the blocks are struck.
  • Sonic Colors: Levels with the blue square wisp allow Sonic access to a set of blue platforms that can be interchanged with the blue rings at any time with a dedicated player input. Beware: any blue rings Sonic passes through vanish, meaning levels may become Unintentionally Unwinnable, forcing you to lose a life.
  • Super Kiwi 64: The fifth level features crystal switches that swap the states of various contraptions like color-coded barriers (green and red), the level of a toxic liquid in one pool, the height of solid platforms in another, and the respective positions of a room's floor and ceiling. The switches, by default, are colored green when they're toggled off, and red when they're toggled on. Working around the contraptions and their states will be necessary to reach the most treasured part of the level, where five gems await.
  • Super Mario Bros.:
    • Super Mario World: There's a level in the second world (Donut Plains 3) where you ride a platform that travels across a rail. At certain points, you'll find ON/OFF switches that toggle the incoming junctions, and you have to press them so the platform goes through the right path and avoid falling upon reaching a dead-end. A later level, "Way Cool" in Special Zone, has a much more complex network of rails and junctions, and figuring out whether or not to press the surrounding ON/OFF switches will be key to reach safe ground and avoid falling into the pit.
    • Super Mario World 2: Yoshi's Island: The castle level of World 1 features, in one of its rooms, platforms that are spiked on one side but not on the other. Some of these platforms are safe to stand on because their spikes are facing down, but other platforms have their spikes facing up. The platforms with green dots can be flipped by hitting green blocks, while those with red dots have to be flipped by hitting red blocks, and to successfully traverse this room (and get all optional items in the process) it'll be necessary to make clever use of these switches.
    • Super Mario Bros. 1 Deluxe: The Vs. game, and its single-player variant You vs. Boo, include red and white blocks that appear throughout the levels. Each of these blocks are solid for one player but not the other, and can be toggled by hitting blocks with faces on them. In the more advanced Vs. levels, there are blocks that become damaging spikes instead of disappearing, as well as levels in which the blocks flip automatically on a timer rather than solely when a player hits a face block (though the timer blocks can be hit to flip them early).
    • New Super Mario Bros. 1: The first castle of World 8 features rails whose platforms (lifts) can have their positions switched with red-and-yellow switches. For example, if a lift is placed on an upper rail, pressing a switch will teleport it to the lower rail. Therefore, before you stand onto a lift (which will make it move forward), you have to decide its position (and potentially grab the castle's Star Coins, including the last one which requires a not-very-obvious way to spawn a lift into the rail right below the Boss Room's door).
    • Super Mario Galaxy: There are levels where Mario (and later Luigi) can find green arrows that point at the current direction of gravity. When one of these arrows is hit with a spin attack, they turn red and lean 90 or 180 degrees (depending on the case) to a new direction, shifting the gravity at it. In the case of Gusty Garden Galaxy, this is best illustrated by the color and brightness of the gizmos with toggleable gravity: When a planetoid is being pointed at by a green arrow, its biggest tiles are colored yellow with big red exclamation marks; when the arrow is hit and becomes red, those tiles turn off and become deep-green with clear-green question marks, indicating that their gravity has been turned off (Mario and Luigi then fall onto a previously-weightless planetoid that is now turned on, pointed at by the hit arrow). Using these arrows is important to make way into one of the level's stars.
    • Super Mario Galaxy 2:
      • The Red-Blue Panels are unique in that they're not controlled by switches, but by Mario's and Luigi's Spin Jump. By default, they'll face upward with the red sides, but performing a Spin Jump will make all of them flip 180 degrees into an adjacent position and face upward with their blue sides. This proves vital in the level Flip-Swap Galaxy, where you have to time carefully the Spin Jumps to land onto a panel and avoid falling down. The presence of moving electric barriers and spawning round Chomps (which will roll forward if the nearby panels are placed properly in front of them) adds to the complexity.
      • The final regular level, Flip-Out Galaxy, uses color-coded walls whose states can be controlled with Spin Jumps. By default, the red walls are protracted from the standard mortar walls and can be used for a Wall Jump, while the blue ones stay retracted; but with a Spin Jump, the red walls will retract and the blue ones will protract, and vice versa with the next Spin Jump. To complete the level, it'll be necessary to not only time the wall jumps, but also the spins to swap the walls' states whenever necessary; the last part in particular is very devious for this reason, and the Comet Mission requires you to tackle it while fleeing from Cosmic Clones.
    • Super Mario 3D Land: The Red-Blue Panels from Super Mario Galaxy 2 make a return. In the absence of motion controls and the Spin Jump, the panels (which as usual face up with their red sides by default) will flip with a single jump, greatly increasing the difficulty due to how you have to keep in mind where the panels will move onto so you know where the landing spot will be. Their debuting level attempts to provide an Antepiece by placing at the start a couple panels above solid ground so you can practice the jumps and their timing, but it's still difficult to get used to them. These panels are used the same way in the sequel Super Mario 3D World.
    • Super Mario Maker 2: The ON/OFF Switches are added to the list of Gizmos that can be implemented in the courses, and to this end, there are multiple course parts whose states can be alternated by pressing these switches.
      • The Dotted-line blocks. They're colored red and blue, with the former being solid by default; the blue ones are initially absent, but their intended location is indicated by blue outlines. When you press an ON/OFF Switch, their states will swap: Red blocks will disappear but their locations remain traced with red outlines, while blue ones will appear and become solid. All sorts of puzzles and contraptions are possible with them, and several levels of Story Mode demonstrate it (for example, there's one where you have to guide a 1-Up Mushroom into you by making it move over these blocks).
      • Conveyor belts set to red will reverse their current directions and change their color to blue when an ON/OFF Switch is pressed.
      • Rail junctions, shaped like Y, will take all platforms, enemies, and terrain at one branch by default; when an ON/OFF switch is pressed, that branch is cut and the other will open, taking the aforementioned elements into an alternate path.
      • The 3D World-exclusive Spike Blocks, instead of appearing or disappearing, will have the states of their spiky shells swapped upon pressing an ON/OFF Switch: The red ones, which by default have their spikes protracted, will retract them and become safe to walk on; the blue ones, meanwhile, will then protract theirs and become harmful upon contact. The yellow ones act independently, protracting and retracting their spikes on their own periodically.
      • The 3D World-exclusive Rail Blocks work differently. Both the red and blue blocks can be moved by default (the red ones do it all the time, while the blue ones only move when you stand on them). What the ON/OFF Switch does is to stop them completely upon being pressed, and will remain immobile even if you stand on them; they will only resume their functionality when the ON/OFF Switch is pressed again.
      • The 3D World-exclusive ON/OFF trampolines, added post-release via an update. The active ones will be colored purple with blue dots, and act like typical Springy Spores, while the inactive ones will be generic colorless platforms. When an ON/OFF Switch is hit, the trampolines with swap their states, with the colored ones becoming monochrome and losing their bouncing properties, and the monochrome ones becoming purple (with blue dots) and being able to give a boost to the players' (and enemies') jumps.
      • A post-release update added the P Blocks, whose states are controlled by P Switches instead of ON/OFF Switches. All these blocks are colored yellow, but the currently-active blocks are visibly solid while the inactive ones only show their outlines. When a P Switch is pressed, their states are swapped, but only for as long as the effect of the Switch lasts. When it expires, all P Blocks in the level revert to their corresponding states.
    • Super Mario Bros. Wonder: Certain levels feature toggleable mechanisms that have to worked around to either solve a navigation puzzle or simply overcome an obstacle. As usual for the Mario series, the ON/OFF Switches can be pressed to swap their corresponding states. The mechanisms in question include the classic red and blue blocks, the Zip Tracks used for fast navigation, and the radius of light for objects in dark rooms.
    • Wario Land 4: In many levels, there are blue blocks (marked with a frog face) that Wario can step on as long as they're solid, but some of them are physically inactive (only their outlines can be seen) and cannot be used. When Wario presses the level's Switch (marked with the figure of a blue frog), all associated blocks will swap their states, so he has to reach the exit within the time limit while working around a new path (as the state switcheroo will make some previously-accessible parts off-limits and vice versa); for extra challenge, a few collectible items will only be available by then. On other levels, the Switch can toggle other types of setpieces (such as freezing the whole area of Fiery Cavern to turn all fiery elements into ice ones, or opening frog-marked doors in Hotel Horror).
    • Wario: Master of Disguise: As Wario explores Blowhole Castle in Episode 8, he'll find ghostly enemies that are harmless at first, as well as certain seemingly-useless blue flames located near areas with spots that are out of reach. However, when Wario presses a Spirit Switch (with the Cosmic Wario Laser), the ghostly enemies become actual threats and the blue flames solidify to transform into blocks. Pressing the Spirit Switch again (or simply pressing another one) will revert the states to default. Wario has to make use of this feature to solve navigation-based puzzles (for example, some blocks may help him reach previously-inaccessible spots, while others may obstruct usually-open areas; and in both cases, the ghostly enemies have to be accounted for) and make his way to the end of the level and meet the boss (Stuffy the 64th).
    • Wario Land: Shake It!: The Shake Blocks, which are marked with the face of the Shake King, operate in a similar way to the frog-marked blocks in Wario Land 4. At the start of a level, the blue-colored blocks will be transparent and marked with dashes (indicating that you cannot interact physically with them), while the red-colored blocks are fully solid and you can use them like platforms. However, after Wario frees Merfle from its cage, the blocks will swap their states, with the red ones turning transparent and immaterial and the blue ones becoming fully solid. As a result of the toggling, areas that Wario was able to traverse at first become inaccessible and vice versa, thus requiring to devise an alternate path to return to the level's entrance and clear it.
  • Sutte Hakkun: Pressing a color pad in a floor will change the color of the painting in all jars present in the level, alternating between red, blue and yellow. This becomes important to figure out which color is to be used to paint the blocks (and if necessary, which color to use to repaint them), as that will dictate how the blocks will move: Red makes them move up and down, blue makes them move left and right, and yellow makes them move diagonally.
  • Touhou Luna Nights: Some parts of the Extra Stage feature solid metallic barriers. Some of them are colored white and obstruct the way, while others are colored brown and are open. Shooting at nearby switches swaps their states, opening the white barriers while closing the brown ones, and vice versa when they're shot at again. Sakuya has to interact with them so she can progress through the stage's areas (and in certain cases, she has to use her time-stopping ability while pressing the switches so she can bypass double obstructions where both types of barriers are used).
  • Treacherous Trials: Starting with the second level, you can "shift" to enable and disable certain blocks and spikes by pressing the down arrow while on ground. Yellow orbs also shift blocks when you dash through them. You need to figure out what should be enabled at what point to make it past certain parts.
  • Yellow Taxi Goes Vroom: Arcade Panik world has magenta and green blocks with only one type being solid at a time. The player has to press buttons that act as springboards to switch which blocks are solid. Often these puzzles involve trying move bowling balls from point A to B.

    Puzzle Games 
  • Baba Is You:
    • The original game's overarching mechanic consists of alternating the physical properties of all present setpieces in the levels so you can reach the goal (or even create one). In each level, there are special blocks that identify the setpieces present (walls, rocks, lava, water, flagpoles, etc.), blocks that provide the potential effects of said setpieces (solid, pushable, harmful, goal, etc.), and connecting blocks that link the setpieces with the effects ("IS"). So if the level has a three-block connection showing "WATER-IS-SINK", it means water is unsafe to cross; but if you manage to move any of those three blocks from its position, the effect will no longer be active and the setpiece (water, in this case) is perfectly safe to cross. Cleverness is vital to take advantage of these special blocks to alter the effects and properties of all setpieces, and in certain cases you can not only stack more than one effect to a specific setpiece, but even turn multiple setpieces into Babas and play as all of them at the same time.
    • Mobile Suit Baba: The core mechanic of Baba is You is still present, although given the drastically different format its presence is downplayed somewhat. Units and terrain (except the playable cast, which have certain predefined attributes) have no innate properties until a rule is formed somewhere on the map by combining a noun, a preposition, and an adjective. Using your team's movement abilities to push the text pieces into place to enable and disable rules is a key element of completing objectives.
  • Blobun: Blocks with heart symbols, blue triangles and green squares change between passable and impassable states by collecting respective tokens.
  • Chip's Challenge:
    • The Toggle Wall is a tile surrounded by green-colored outlines. Some of these walls are inactive and can be traversed as regular ground, while others are active and will act as walls. When a green button is pressed, all Toggle Walls will alternate their states, making it so the ones previously acting as impassable walls are toggled into passable ground, and vice versa. Also, the connection is global, so pressing any of the green buttons present in the level will yield the same effect. The game requires you to use them in all sorts of ways, and sometimes it's a mook that is pressing the button(s) (in one case, you even have to lure a mook into doing this).
    • By default, the blue-coloured tanks will face forward onto a specific side and stick there, but pressing a blue button will make them turn around to move at the opposite direction until they hit a wall. Some levels, like Lesson 4 (level 4) and Firetrap (level 124) take advantage of this, as the local passageways are obstructed by tanks and you have to make them move by pressing the blue buttons so you can proceed. The level Memory (103) combines tanks and toggle walls, making up for an intricate (but pretty-looking) maze.
  • Deadly Rooms of Death: Navigating through the dungeons requires the player to work around solid barriers that can be toggled on or off by pressing switches. Since some of the barriers are lifted and others are receded, the switches will swap their states, so it'll be important to check what routes are available in each case and which ones aren't. For extra complexity, the connection between the barriers and the switches isn't always global, which means some of the barriers are only toggled by specific switches.
  • Escape Goat: There are rooms with switches that swap the states the certain contraptions, like hovering platforms and crushing objects. In some cases, they can also toggle on or off the electrical barriers. Since the main character is a One-Hit-Point Wonder, it's crucial to work around these contraptions to avoid dying.
  • Isles of Sea and Sky: The Tidel Reef has switches that can lower and raise the water level in certain areas, changing what areas are accessible.
  • Layton's Mystery Journey: Katrielle and the Millionaires' Conspiracy: One of the main minigames you can play revolves around Sherl escaping from the dog pound where he's captive. The exit is in plain sight, but along the way there are several color-coded plates that are obstructing Sherl; for each colored group of plates, there's a button that swaps their states (lowering the active ones while elevating the inactive ones. Because Sherl cannot stop moving in each turn until hitting a wall or an elevated plate, the player has to think carefully about which colored plates to keep active or inactive, and when to swap their states. And in each level of the minigame, Sherl has a limited number of turns to reach the exit.
  • Mario & Wario: Starting from Level 6-1, Wanda has to guide the chosen character along the way by manipulating red and blue blocks whose state of activity are mutually exclusive (pressing an outlined red block will activate all blocks of that same color and deactivate all the blue ones, and vice versa). The difficulty further increases if the player is aiming to get all stars in each level as well.
  • Royal Match: In levels past 850, you'll find lunch boxes that have dog cookies whose collection is necessary to clear their levels, but some are open and others are closed. Every time you spend a move (which doesn't count the usage of auxiliary powerups like the cannon and the bow's arrows), the open boxes will open and those that are open will close; the key to clear levels having them is to always use matches and powerups that aim at the open boxes, and wait until the closed ones open to aim at them next. Depending on the boxes' placement and how the open and closed ones are arranged, this may be easier said than done.

    Real-Time Strategy 
  • Pikmin:
    • Pikmin 2: The Ranging Bloyster in Shower Room is a slime-like creature whose eyes and backside bud, which are all connected to the main body via antennae, are colored yellow when the boss is in a docile state. When one of the playable Captains approaches the boss, the latter's eyes and bud detect his presence and glow into the color matching the Captain's helmet bulb, enticing the boss to chase him for an attack. If the Captain is Olimar, the parts in question will glow red; if it's Louie or the President, they'll glow blue. When the player switches control between Captains, the Bloyster will stop chasing the one who is no longer active, and after a couple seconds its eyes and bud will accordingly swap colors to match that of the now-moving Captain so it begins chasing him instead. The strategy to win the fight is to use one of the Captains as a distraction to lure the boss and, upon proximity, switch to the other Captain and make him attack the bud with Pikmin; the two Captains have to swap roles (bait and attacker) periodically to efficiently defeat the boss. This video showcases the battle with this tactic in mind. An extra detail is that, as the Bloyster moves onto the active Captain, the sound it makes is also dependent on its current target.
    • Pikmin 4:
      • The first floor of the cave Industrial Maze features conveyor belts whose directions can be toggled with a pair of switches located not too far from Oatchi's initial position. Pressing one of them will invert the current direction of each belt, while the other reverts back to the default state. Making use of these switches is not only important to navigate through the area successfully, but also to help Pikmin transport objects and raw materials to the pod (as they cannot carry something and struggle against a conveyor belt's opposing orientation at the same time). Later caves feature conveyor belts whose directions can be swapped as well, including one case where they have to be toggled while the Pikmin are continuously traveling across an enclosed circuit of conveyor belts and trampolines so they can be rerouted to a part that is inaccessible otherwise.
      • The second floor of Doppelgänger's Den features metallic barriers marked with color-coded luminous lines, some red and some blue. By default, the barriers with the red lines are erected while the ones with blue lines are receded. By pressing a panel's switch, the states of these barriers are swapped, and pressing the panel's other switch will revert to the previous state. Manipulating these barriers is important to help Pikmin transport the treasure items to the pod; it is advised to have Oatchi next to the panel so he can help the main character and the Pikmin in their exploration at all times.
      • In Hero's Hideaway, there are pairs of switches that toggle certain ventilation devices on and off. The switches' color indicate which fans they control, and knowing which ones to keep active is important to reach all possible parts of this zone. In particular, to reach the Dandori Challenge cave located in the northernmost area, Oatchi has to stay next to a panel placed above the kitchen's table and press the switches whenever necessary to help the player's captain and the Pikmin reach the aforementioned cave (since the path to it requires being blown by two fans whose respective activation states are mutually exclusive).

    Role-Playing Games 
  • Cris Tales: The angel statues in Kestora provide a six-state example. When Crisbell and her friends start making way through the dungeon, Adri explains that the surrounding mechanisms can create angel statues which, depending on how Crisbell applies the Time Rewind Mechanic when interacting with them, can serve a specific function as well as how it affects nearby elements. In their default form, the angel statues can be pushed like blocks, though this by itself doesn't alter any element around. In their gate form, they create two-way vertical portals which allow the characters to teleport into the ceiling, being able to walk through it. In their ventilation form, they can use their fans to dispel poisonous fumes expelled from leaking sources. In their nature form, they trigger certain hovering platforms above pits so they can be crossed. If turned into their explosive form, they'll detonate instantly, which is good to break certain walls but will inflict field damage to the party (thus requiring a heal, whether with Crisbell's skills or with items). Finally, in their energy form, they create electric force fields that can dispel obstructing Hard Light barriers upon contact (similar to the energy blocks present in Crystallis). Note, however, that the statues cannot be pushed in any of the nonstandard forms, and the arrangement of their state toggles has to be adjusted from the panels that create the statues in the first place (this is because the statues can only carry up to three states at a time: one for the Restored form, one for the present form, and one for the Decayed form), so doing a clever use of these statues as well as adjusting their pool of available states will prove crucial to navigate through the dungeon successfully.
  • Etrian Odyssey:
    • Etrian Odyssey IV: Legends of the Titan:
      • The game features a Mini-Dungeon (Underground Lake) that consists of a large maze made of ice walls, and some of the walkable tiles have Frictionless Ice. At first, nothing can be done in this area, but when the character party acquires the Black Flame from another mini-dungeon, they can light a large chalice at the center to warm up the whole area. When this happens, all ice walls will thaw and become walkable tiles... but the previous slippery tiles will thaw as well and become impassable moats; as a result, the maze will change its configuration and layout, and the FOE that used to be frozen will warm up and come back to life. Extinguishing the flame from the chalice will return the maze to the previous form. The party has to work around both shapes of the maze in order to fully explore it and complete the sidequests that involve it (finding a piece of primeval ice and finding the fossils of a long-deceased monster).
      • Much later in the game, you'll reach the Hall of Darkness, whose last floor features large ice walls and slippery (but passable) ground tiles. The principle is the same: Turning a furnace on with the Black Flame will warm up the whole floor, thawing the ice walls to open paths but melting the ice floors to make them impassable; the party has to figure out the right navigation procedure with these perks in order to find the color-coded chemicals and put them into their canister in the proper order so they can weaken the True Final Boss before facing it in battle.
    • Etrian Odyssey V: Beyond the Myth:
      • The higher floors of the first stratum (Tutelary Forest) have ancient statues that are connected to toggleable pillars. The connection isn't global, since each statue controls two pillars (one that is erected and is being looked at by the statue, and one that is buried and is placed at the left or right of the statue); but by touching the statue, you'll make it turn 90 degrees into the side where the buried pillar lies, making it rise; meanwhile, because the other pillar isn't being looked at by the statue anymore, it'll descend into the ground and pave a previously-obstructed way. There are multiple statues (each with their associated pair of pillars) on the fourth and fifth floors of the stratum (as well as the hidden part of the third), so you have to figure out how to advance by making the statues look at certain directions and open new ways.
      • In the fifth stratum (Untamed Garden), there are several devices that disable the gravity of the whole area, and it's only necessary to touch one of them to trigger this effect. In the absence of gravity, your character party can hover rapidly across the rooms, bypassing gaps and pits; as a downside, you cannot stop moving at the current direction until you hit a wall (effectively replicating the effect of Frictionless Ice), and there are areas that can only be accessed by detouring along the way, so eventually you'll have to restore gravity. Most importantly, the behavior and motion patterns of the local FOE will change depending on whether or not gravity is active, so you'll need to think sharply to take advantage of the two forms of the stratum and successfully navigate through it and reach the Final Boss.
  • Final Fantasy XII has Draklor Laboratory, where pressing switches variably opens red or blue doors and closes the other.
  • Genshin Impact: Several switches are found across Enkanomiya which control its artificial day and night cycle via the Dainichi Mikoshi tower, and whether it is day (Whitenight) or night (Evernight) will determine the accessibility of barrier puzzles. For example, some barriers will only be active during the day but disappear during the night, and the same applies vice versa as well, prompting the player to cleverly use the day/night switches to their advantage in order to progress through the puzzles for rewards.
  • Guardian Tales: First debuting in World 7, color switches can either be toggled to blue or red. If blue, then associated pillars of the same color will be raised while red pillars will be lowered, and vice versa.
  • HyperRogue: The Alchemist Lab land is a maze of red slime and blue slime tiles, and the player can only walk on one colour at a time, initially the colour on which they entered the Alchemist Lab. To change the colour on which they can walk, they must kill a Slime Beast of the new colour.
  • Ikenfell: The Spirit Oval features a lot of floor tiles that you have to keep switching between flat and raised to progress through rooms.
  • Last Scenario has a variant where the switches have colors as well. Hitting a switch of a color will close the doors associated with that color while opening doors of the other colors.
  • Mario & Luigi:
    • Mario & Luigi: Bowser's Inside Story: Three levels inside Bowser require Bowser to interact with an object from the outside world to access and alter the level geometry:
      • The Pump Works is located within Bowser's esophagus. By drinking from a statue, Bowser can flood the level, which allows the Bros. to swim, moves some obstacles, and rehydrates Bubble Bloopers. This can be reverted by having Bowser step away from the statue.
      • The Energy Hold is located within Bowser's torso. By activating the Boo-ray machine (pun on X-Ray), Bowser can toggle certain platforms on and off based on the presence of the machine's light (or lack thereof).
      • The Airway is located within Bowser's lungs. By inhaling from a source of cold air, Bowser can freeze the water in the area, allowing platforms to stay put and blocks of ice to form, at the cost of blocking some areas off.
    • Mario & Luigi: Dream Team: While most Luiginary Works are more akin to a single action, a few of them are, effectively, on/off switches for level navigation.
      • Luiginary Ice allows Luigi to freeze an area, holding certain platforms in place. In-universe, this can be undone at the press of a button.
      • Luiginary Gravity allows the direction of a level's gravity to change alongside Luigi's orientation in the regular world. The level cannot be completed without rotating Luigi several times.
      • Luiginary Antigravity turns gravity in the Dream World off entirely. This allows Mario to float freely, though at the cost of his typical moveset.
  • Mega Man Battle Network 1 has the Traffic Network, where various paths are red or blue. Running through colored orbs on permanent paths switches if either the red or blue paths are currently active, and the other is inactive.
  • Paper Mario:
    • Paper Mario 64: At one point during Mario's infiltration through the Koopa Bros. Fortress in the first chapter, he'll come across a passaegway in the second floor with many pitfalls that lead back to a room in the first floor. With the help of Kooper, Mario can press out-of-reach switches that protract several platforms from the wall to cover up the pitfalls and make traversal possible, but this will also protract small walls that obstruct the way. Pressing a switch again will retract all elements, including the obstructing walls but also the platforms that were covering up the pitfalls. It will be necessary to continuously press the switches (whether directly or by sending Kooper to them) to reach the other end.
    • Super Paper Mario: To climb the Dotwood Tree, Mario has to use blue and pink platforms. Hitting switches causes the blue platforms to disappear, and the pink ones to appear, and vice versa.
  • Pokémon: Various gym puzzles involve switching between states of something, which usually results in blocking off some areas and making others accessible until you're allowed to get to the gym leader. These include:
    • Pokémon Ruby and Sapphire:
      • Alternating electrical currents in the Mauville City Gym. As the player's character makes their way to the leader, they not only have to challenge the local trainers but also toggle the electrical barriers by pressing switches. Namely, when a switch is pressed, the current barriers turn off while others turn on, shifting the layout of the maze.
      • The Trick House, although not a gym, has a maze of red doors and blue doors; which are open and which are closed can be toggled by hitting any switch.
    • Pokémon Diamond and Pearl:
      • Raising and lowering water levels in the Pastoria City Gym. To reach the leader, you have to navigate a maze designed around staircases, rafts that serve as bridges, and switches that control the water level. The color of the switch indicates the exact level it will shift the level into; the order from lowest to highest is: Yellow, green, blue.
      • Pressing color-coded switches to rotate large clockwork cogs to reroute path junctions in Sunyshore City Gym. Each switch is in the center of a clockwork cog, and pressing it will make both its cog and all others; some will rotate clockwise and others counterclockwise. Also, green and blue switches make the cogs rotate 90 degrees (the difference between both colors is that the green switches will make each cog rotate in a specific orientation while the blue ones make them rotate the other way), while red ones make them rotate 180 degrees. The player has to work around these setups to navigate through the junctions and reach the gym leader.
    • Pokémon Black and White: Raising and lowering parts of giant dragon statues in the Opelucid City Gym is done by stomping on switches from upper parts (since Ground Pound isn't a thing for humans in the game); the dragon statues will raise or lower their claws and bend their necks to reroute the paths, allowing the character to make their way to the leader.
    • Pokémon Sword and Shield: Turning on and off different water spouts in the Hulbury Gym. The sources of the spouts are color-coded pipes that can be seen in the ceiling. The switches toggle the pipes that match their color (yellow, red, blue), and it's necessary to work around them because the spouts are too strong for the player's character to simply pass through them.

    Shoot 'em Ups 
  • Mythical Mirror has two Spell Cards with gimmicks that care about whether you're in focus mode or not:
    • In the final Spell Card of the stage 4 Dual Boss battle, both bosses have a rotating laser wheel centred on them. However, one set is only active if you're in focus, and the other is only active if you're not in focus. You have to switch between the two modes at the right time to get past the lasers.
    • The Final Boss has one attack where she fires dense, rotating streams of black bullet spirals. It's impossible to avoid unless you take advantage of the fact that it rotates clockwise if you're in focus, and anti-clockwise if you're not.

    Simulation Game 
  • Lonesome Village:
    • The Crow Luxury puzzle revolves around eye markings that can make platforms appear/disappear.
    • The floor in Surfing Bird can be switched between the vertical pink paths and the horizontal blue paths.
    • The paths in the Beach Shrine change as you flip switches.
  • In Roots of Pacha, the Monkey Totem's challenge has you hopping across platforms as Monkey to reach the specially marked instruments and play them to raise or lower all platforms with the same markings as them in order to reach the exit.

    Other 
  • Find the Chomiks: Reversemik's 2D obby contains On/Off switches that toggle between red and blue platforms, with either the red platforms appearing and the blue platforms disappearing or vice versa. You have to time your jumps while hitting or avoiding the switches to reach the Chomik without falling.

 
Feedback

Video Example(s):

Top

Mario vs. Donkey Kong is a 2024 puzzle-platform game for the Nintendo Switch, serving as a remake of the 2004 Game Boy Advance title of the same name. The game follows Mario as he travels to various locations to reclaim a bunch of Mini-Mario toys that were stolen by Donkey Kong. To do so, players must utilize Mario's moveset to either jump and climb through stages or guide the Mini-Marios to the goal, all while toggling pieces of the level design to progress. In addition to the improved visuals, the remake also includes two new worlds: Merry Mini-Land and Slippery Summit.

How well does it match the trope?

4.88 (8 votes)

Example of:

Main / PuzzlePlatformer

Media sources:

Report

Morty Proxy This is a proxified and sanitized view of the page, visit original site.