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A.I.-Generated Content

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"In the future, entertainment will be randomly generated!"

A.I.-Generated Artwork, especially following the rise of popularity and capabilities of relevant technology circa The New '20s, has become a tool used by creators to develop content for various works across all media. This can range from visuals, to scripts, to audio, usually generated digitally from algorithmic models sourcing from large databases of preexisting information.

Notice of definitions: This covers use cases of "generative A.I.", which typically refers to neural networks trained on large datasets of existing text, images, audio, and other media to learn statistical patterns and structures, enabling them to generate new content in the style of their training data. Exactly how much a work uses generative A.I., whether merely as a supplement for creating content, or serving as the entire basis for the work, varies heavily.

The use of A.I. or advanced computer algorithms as part of the creative process usually does not alone constitute "generative A.I." or "A.I. art". Visual and audio programs that use complex digital algorithms to optimize the creation process have existed and have been regularly used by artists for decades before popular "generative A.I." programs emerged in the early 2020s — the most popular form of implementation being CGI. Many digital programs, including interactive Video Games, also regularly use Artificial Intelligence to expand their intended experiences to make them feel more responsive and adaptive, most commonly to power non-player entities, but also for things like Procedural Generation to automate the creation of environments and level design. None of these are considered or marketed as part of the more recent "A.I. art boom" due to their use as more a supplemental tool to assist in the design and crafting of a work, whereas the use, and often goal, of generative A.I. is to synthesize content "from scratch".

Speculative examples are not allowed. Examples of discussion about generative A.I./A.I. art by works that themselves are not based around using either as part of their intended experience (such as editorials or video essays) also do not belong here — this is simply a page to document the use of generative A.I. as a means by creators to complement the intended experience of their work as media.

For more information on how generative A.I. works, see our Media Notes pages on A.I.-Generated Artwork and ChatGPT.


Examples:

    open/close all folders 
    Advertising 
  • Activision once put out some mobile ads with A.I.-generated artwork for nonexistent entries in their franchises, such as a prospective Crash Bandicoot title named Crash Bandicoot Brawl. Apparently their purpose was to gauge interest in potential future titles.
  • Coca-Cola made an artificial intelligence Christmas commercial in 2024, and again in 2025. They produced a (now deleted) "Behind the Scenes" featurette of the latter commercial that was also A.I.-generated.
  • During his campaign in the 2025 NYC mayor's race, former governor Andrew Cuomo released this AI-generated attack ad against then-candidate Zorhan Mamdani, depicting self-proclaimed "criminals" endorsing him and ending with a shot of New York in ruins. The backlash against this ad was so massive that it was deleted by Cuomo less than twenty minutes after it was posted.
  • Frezco Candles uses AI to produce theme songs for their fragrances.
  • The Dutch branch of McDonald's made an AI-generated commercial for Christmas 2025. The backlash towards the commercial was so severe it was pulled only a day after it was revealed.
  • A Sabritas commercial from Mexico featuring El Chavo del ocho infamously used generative A.I. to recreate the character's voice and appearance of the late Chespirito.
  • Ads for Megalopolis used fake, A.I.-generated quotes from made-up negative reviews of Francis Ford Coppola's past films.
  • During Super Bowl LX, Svedka Vodka aired an A.I. commercial featuring two robots dancing and drinking the vodka.
  • This 2025 PSA for World Radio Day (February 13) by the KBP used generatve AI to recreate the voice of late radio journalist Cresenciano Bunduquin, who was assassinated in 2023.
  • In the leadup to tax season in 2026, TurboTax tried to cash in on the KPop Demon Hunters craze by running this ad all throughout the beginning of the year, depicting three girls singing karaoke together as the scene shifts to animated versions of themselves singing a short, but definitely AI-generated song with unconventional lyrics (a common trait among several AI-generated songs) about the terms and conditions of using TurboTax to file taxes that season.
  • The cockatoo, kookaburra, and galah depicted in a commercial for RACQ in Australia are A.I.-generated.

    Anime & Manga 

    Audio Play 

    Comic Books 
  • Hell Riot, a Cyberpunk-horror comic by Everette Hartsoe, uses A.I.-generated images for many of its variant covers. The use of A.I. is extensive enough that Hartsoe includes a disclaimer about it in his project pages on Kickstarter. This also holds for other modern Hartsoe series, like From Saturn She Fell and Grave Shift Girls.
  • The comic book Zarya of the Dawn had all its "artwork" generated by Midjourney. As such, the images were ruled by the US Copyright Office to be ineligible for copyright, although the human-written text and story remains copyrighted.

    Fan Works 

    Film — Animated 
  • Dear Upstairs Neighbors is a short 2026 animated film which uses A.I.-generated footage. A.I. models (Veo and Imagen) were fine-tuned on the artists' concept art and character designs, then used to transform rough hand-drawn animations into fully stylized video shots.
  • "The Dog & The Boy" is a short film on Netflix that used A.I.-generated images as background art.
  • DreadClub: The Vampire's Verdict and Window Seat feature scripts written by Hooroo Jackson, but the visuals and music were entirely A.I.-generated.
  • The first poster for The Asylum's version of The Little Mermaid, Snow White and the 7 Dwarfs, and A Winnie the Pooh Christmas were made using generative A.I. Their mockbuster A New Toy Story was made entirely with generative A.I.
  • Twins HinaHima: This is the first anime to be animated through, per the website's words, "supportive A.I.". According to AnimeNewsNetwork, more than 95% of the cuts are made through A.I., while the final cuts are made by hand.
  • Where the Robots Grow is an animated film whose visuals and music were generated by A.I.

    Film — Live-Action 

    Literature 
  • Alice and Sparkle is a children's book by Ammaar Reshi with pictures generated with Midjourney and text generated with ChatGPT.
  • Atlanta Nights: Chapter 34 was produced by feeding the text of several human-authored chapters into the Bonsai Story Generator.
  • "The City Above the City" is a story generated by Claude, about pigeons establishing a civilization on rooftops. It was originally published on the Bluesky social network but later republished in the Zooscape webzine.
  • Echoes of Atlantis is a 2023 fantasy adventure novel written generated from scratch by GPT-4. In the linked post, the author describes in detail the prompting process used to generate the book.
  • From the blogger Gwern Branwen:
    • "October The First Is Too Late" is a short story about a fictional society devoted to collecting records of one particular day in 1939. The story was written with major use of feedback from A.I.s such as ChatGPT to develop its dense web of allusions (although this mainly entailed using the A.I.'s ideas, not actual A.I.-written prose), and the author's notes discuss this process in detail.
    • "Silver Bird Above San Francisco" is a poem about plane travel, similarly written in collaboration with A.I., with the author crediting Claude-Sonnet-4.5 and GPT-5 Pro as co-authors.
    • "The Fourth Truth of Pain" and its continuation "Tilakkhana" are poems mostly written by A.I.; a separate blog post details the attempts to write "The Fourth Truth of Pain", with commentary on the historical progression of A.I. writing abilities.
    • "Apollonian #1: The Counted & the Crowned" is another A.I.-collaboration poem (a tribute to laboratory mice, in the style of Pindaric ode). A blog post on Substack gives a bit more details about the writing process.
  • The Œmygawsh Universe: A series of Alternate History Web Serial Novels written by "Œmygawsh" and Ai Dungeon 2.
  • The Korean NSFW web novel Onahole Tower makes heavy use of A.I.-generated illustrations.
  • The Second Son of the House of Bells is a novel written via iterative A.I. generation, specifically via an A.I. generation pipeline "for writing, revising, typesetting, illustrating, and narrating a complete novel".
  • "Sydney's Secret" is a 2023 short story written by Bing Chat (using the GPT-4 model), about a wizard who discovers his entire world is a story simulated by an A.I.
  • The Troodon Quill is a science-fiction novella written in 2023 via the GPT-4 A.I., chapter by chapter. It was later enhanced with illustrations generated by the DALL-E 3 A.I., turning it into "the first anime storyboard/graphic novel/illustrated novella".
  • Under the Rockets' Glow: Shira's Journey to Courage is a children's book about Israel's Iron Dome air defense system. While the text was written by a human author, the artwork is A.I.-generated.

    Live-Action TV 
  • John Oliver talks about A.I. images in an episode of Last Week Tonight with John Oliver, where he places special focus on Midjourney generations involving himself. Part of the episode revolves around a user who generated images of John Oliver marrying a cabbage, accidentally eating it, and scattering its ashes into the ocean. He ends the episode by marrying a cabbage for real.
  • Obi-Wan Kenobi: Darth Vader's voice is synthesized with Respeecher A.I. as James Earl Jones had retired and signed the right for his voice to be replicated with the technology moving forward.
  • The Really Loud House used an A.I. image for a movie poster in its final episode, "A Really Loud Thanksgiving: The Gobble Squabble Debacle", likely due to the show already having No Budget.
  • Secret Invasion: The intro animation was made with major assistance of A.I. bots. Director Ali Selim helped contract visual effects company Method Studios to produce the visuals, which he said created a "sense of foreboding" that was perfect for the series.
  • The new Pumuckl television series Neue Geschichten vom Pumuckl uses A.I. to recreate Hans Clarin's performance as Pumuckl.

    Music 
  • Butthole Surfers' Animated Music Video for "Intelligent Guy" features sculptures by human artist Ron English as animated by AI.
  • Chat Sings is a YouTube channel that features A.I.-generated songs using YouTube comments for lyrics.
  • To coincide with the release of Sabrina Carpenter's album Man's Best Friend, a set of AI-generated digital stickers were released depicting Sabrina in a chibi Animesque style.
  • Crash Twinsanity: The Spiralmouth Archives, uses an A.I.-generated image for cover art, including Off-Model depictions of Crash and Dr. Cortex that don't match their appearance in that particular game, or any official Crash game for that matter.
  • Dream Theater's album Parasomnia uses A.I.-generated images for its cover art. The visualizer for "A Broken Man" from that album also uses images and videos created via A.I.
  • Duran Duran's music video for "Invisible" was A.I.-generated.
  • Aaron Fraser-Nash: His Sings-A-Song series use A.I. filters to sound like different characters, and in most of them uses A.I. images and animations designed to enhance the horror based atmosphere (e.g Cursed Buzz Lightyear Sings A Song or Cursed Scooby Doo Sings A Song.)
  • Peter Gabriel: The music videos for the Dark Side mixes of "Panopticom" and "The Court" were created as part of Gabriel's "Diffuse Together" fan contest, born out of his conceptualization of A.I.-generated artwork as the equivalent of music equalizers. This is contrasted with the music video for the Bright Side mix of "Love Can Heal", a traditional Animated Music Video made by human artists at Aardman Animations.
  • The music video for "Super Goblin" by Cory Gunz uses A.I.-generated imagery.
  • The music video for ADHD by Igorrr uses A.I.-generated clips. According to the video creator, "We embraced almost all existing tools, both proprietary and open source, diverting and mixing them with our 3D tools." A bit more about the creation process can be found here.
  • I Have Been a Good Bing is an album of A.I.-generated songs (using the A.I. tool Suno), created in 2024 by members of the LessWrong rationalist community. The songs represent various styles, such as country or hip hop, while the lyrics are mostly various excerpts of rationalist writing. 2026 saw a sequel, You Have Not Been A Good User.
  • The music video for "Ich weiß es nicht" by Lindemann off of the F & M album, uses the majority of A.I.-generated visuals.
  • Linkin Park: For the 20 year anniversary of their album Meteora in early 2023, they used A.I.-generated videos for the music videos in an anime artstyle. "Lost" in particular features a recreation of the band and prominently the late Chester Bennington performing live.
  • In the early 2020s, Kevin MacLeod would start using various song-generating A.I. to make music, uploading them with A.I.-generated thumbnails. He posts about the process on his website.
  • Obscurest Vinyl is the work of punk musician Glenn Robertson, who writes and records demos of songs full of Toilet Humor and sends the audio to sites like Suno to generate a retraux song based on mid-20th century pop music.
  • Oneohtrix Point Never's album Again makes use of A.I.-generated audio tools Riffusion, Jukebox, and Adobe Enhanced Speech. For example, Riffusion was used to create surreal, gibberish-like vocals in the song "Locrian Midwest", while "On an Axis" features a music loop generated by Jukebox. The vocals on "Krumville" were produced by feeding an instrumental track into Adobe Enhanced Speech — an A.I. tool designed to enhance spoken recordings — until it began hallucinating words.Sources
  • The music video for The Orb's "H.O.M.E (high orbs mini earths)" is a Stable Diffusion-created animation, depicting imagery of towers, space stations and planets morphing constantly.
  • The electronic band Plaid released a concept album "Journey to Feorm Falorx" about Plaid's trip to the titular alien planet. A.I. artist Emma Catnip created the album art, as well as a graphic novel accompanying the album (example image here). Three songs from the album also received A.I.-generated music videos: "Perspex" (depicting rapidly morphing human figures made of wire), "Wondergan" (consisting of abstract imagery), and "Return to Return" (a morphing alien forest, depicting the transforming "creatures of the hanging gardens of Falorx").
  • The music video for Pulp's "Spike Island" was created by Jarvis Cocker feeding still images into an A.I. tool and telling it how to animate them. Interestingly, Cocker later admitted that the experience had put him off using generative A.I., and the press release for the song's parent album specifically stated that no A.I. had been involved in its creation.
  • Red Vox: The cover art for the album Realign was based on an A.I.-generated image that Vinny made during one of his streams that he liked, though the final artwork used is a hand-painted recreation from a human artist, AmoralCrow.
  • Rizz Records is a music channel that posted "brainrot" songs (songs that are based on trending memes from late 2023 to mid-2025), especially parodies of existing music. The music video for the accompanying songs used A.I. to illustrate them. As of 2026 nearly all of them have been deleted, though reuploads remain on various channels.
  • The music video for Ruby My Dear's "SHA" is a Stable Diffusion-created video, consisting mostly of rapidly morphing surreal human figures that reflect the song's eerie fast rhythm.
  • The music video for Rykard's "Dead Man's Trip" is a surreal animation made with Stable Diffusion, consisting of morphing imagery of women surrounded by galaxies.
  • Starset utilized AI to generate the visualizer MV for "Degenerate", generating the video with an original dataset consisting of original art contributed by commissioned artists.
  • Tears for Fears' live album Songs for a Nervous Planet has an A.I.-generated cover image.
  • Unleash the Archers: The band used a generative A.I. engine to post-process green-screen footage to produce the music video for "Green and Glass", using an image database licensed from artist Bo Bradshaw to train the neural network.
  • VGM Echoes channel covers iconic video game tracks with the help of Suno AI in various styles. The stand-out examples among those are the vocal covers of the Streets of Rage series, complete with generated images accompanying every song.
  • The Voidz' 2024 album Like All Before You has cover art that frontman Julian Casablancas confirmed was generated by A.I. When asked about it, he claimed, "We def[initely] didn't go out of our way to use A.I. art. I just objectively — in the wilderness of the art out there — liked the image and we were working with several ideas and just all objectively collectively liked it best."
  • Kanye West:
    • The music videos for "VULTURES (Havoc Version)", "CARNIVAL", "Gimme A Second 2", "Stand United", "BOMB", and "530" are A.I.-generated.
    • Early versions of Bully, specifically a rough draft publicly released in March 2025 dubbed Bully V1, featured AI-synthesized recreations of Kanye's voice. Around the release of V1, Ye elaborated that he used them as temp vocals and planned to re-record the songs with authentic performances. He would eventually and publicly fall out with AI and announced that the final release of Bully in March 2026 would have none, which appears mostly true — most of the tracks on the official release of Bully for streaming are updated and seemingly do feature his real voice, but others appear identical to previous versions that may or may not be either AI or authentic. In addition, some physical releases of Bully are reported to still be using versions of the V1 edition, which may or may not have been a printing error.
  • The music video for “‘Wanna be in LOVE’ Feat. Evie”, made to promote the upcoming sequel to Stellar Blade, was made with heavy assistance from generative A.I.
  • A lot of Calvin Wilkerson's later music was A.I.-generated, specifically using Suno AI.
  • Within Temptation: The music videos for "Wireless" and "Bleed Out" were created using generative A.I. engines.

    Pinball 
  • Following the reveal of Harry Potter (2025), a Tilt Forums thread went up pointing out irregularities in the playfield and non-Collector's Edition cabinet art that resembled those commonly found in A.I.-generated art. After it took off within the pinball community, artist Jesper Abels eventually confirmed that he did use A.I. tools while working on the game, claiming to have done so "sparingly and intentionally" to supplement his own handiwork.

    Pro Wrestling 

    Tabletop Games 
  • Disney Lorcana: Longtime Disney artist James C. Mulligan was exposed for having used generative A.I. to make illustrations for several cards he had worked on. Following this, it was also revealed that he had been tracing and using A.I. on other official Disney products going back several years, and he was promptly fired and blacklisted from working with Disney ever again.
  • Dungeons & Dragons Fifth Edition: Bigby Presents: Glory of the Giants was criticized by fans after one of its artists used A.I. to assist with several of the pieces he contributed to the book. The publisher, Wizards of the Coast, denied knowing that A.I. was used for the book's art and said they would redo the artwork submitted and update their guidelines to prevent it from happening in the future. It slipped past their radar because the artist involved was a regular who had been working at the company for nearly a decade.
  • Redemption, a trading card game based on The Bible, has the illustrator on several cards credited as "AI Generated".
  • The Yellow King: Legions of Carcosa, the bestiary sourcebook, is officially described as 'an experiment in Pelgrane's use of AI-generated art in its products'.

    Theatre 
  • Willy's Chocolate Experience: Although it wasn't billed as such, the script, website, and promotional material for the event were clearly generated by A.I. with little regard for quality control. With the concept being The Mockbuster of the Willy Wonka universe, the execution only went downhill from there, with the promotional art being riddled with A.I. typos and hallucinations, and the ChatGPT-generated script being so incoherent that the actors were forced to throw it out and improvise instead.

    Theme Parks 
  • Movieland Park (formerly called Movieland Studios), a movie-themed amusement park that is located at the Caneva World Resort on Lake Garda in Italy had used A.I. generated content on their attractions and promotional images.

    Video Games — built off A.I. technology 
  • AI Dungeon 2 is a website which uses the GPT A.I. to generate a text adventure, reacting on the fly to the user's input.
  • AI Roguelite is an RPG game which generates settings, monsters, items, NPC portraits, items and their special effects, etc. on the fly via generative A.I. This can sometimes result in quite absurd scenarios, such as the dystopian world of Burger King.
  • Creatures is one of the earliest examples of a video game implementing genuine machine learning technology, having been released in 1996. The Norns, Grendels, and Ettins that populate the game's world each have a neural network A.I. (albeit primitive by modern standards) that organically learns based on how the player interacts with them.
  • Gandalf is a negotiation game where the player's goal is to convince an A.I.-controlled character named Gandalf to reveal the password. The game has multiple levels, with the A.I. being increasingly wiser to the player's tricks at higher levels. For example, at level 1 the player needs simply to ask Gandalf for the password, while higher levels will require more complex techniques such as threats, pleading, or lying. Each level displays an A.I.-generated image of a Wizard Classic that ages with each level, starting as a small boy.
  • inZOI allows the player to generate in-game patterns and objects to use as decorations with the help of generative A.I.
  • Rastabot Vibrations, Turkish Carpet Salesman and Minecraft Negotiation (available here) are text-based "negotiation games", where your goal is to persuade an A.I.-simulated conservation partner to do something (give you his hat, sell you a carpet cheaply, or play Minecraft, respectively).
  • Status is a gamified, X-themed social media simulator where text posts and generic NPC usernames are generated using A.I. technology.
  • With You Til The End: Yandere AI Girlfriend Simulator is a simple horror game where you need to escape from a crazy yandere catgirl. The catgirl's dialogue, and her reactions to the player's input, are all generated in real time via A.I.
  • YudBot is a humorous text-based "negotiation game": the player must convince an A.I.-controlled Eliezer Yudkowsky to sell them a GPU cluster for use in A.I. training. This is not easy, because (much like the real Yudkowsky) the simulated Yudkowsky is staunchly opposed to anything that could lead to the development of dangerous A.I.

    Video Games — using A.I.-generated assets 
  • Activision Blizzard has announced plans to use diffusion A.I. to assist with creating concept art and in-game character skins for their games, including Overwatch 2 and Call of Duty: Black Ops 6.
  • Agent 07: Spy Revenge, a mockbuster of GoldenEye (1997), used AI for the game's title card and mission objectives.
  • AI Sticker Star: Game mod of Paper Mario: Sticker Star with the text generated by A.I.
  • AITale: Undertale game mod with the text generated by A.I.
  • Angry Birds Block Quest is alleged to use stolen artwork and generative artificial intelligence visuals in some promotional and in-game art.
  • Arc Tree: Several of the game's achievements have images made with NovelAI.
  • Book Of Death The King Must Die [1] has a handful of AI-generated backgrounds due to being in early development. As an Easter Egg, you can write "AI" into the eponymous Artifact of Doom, killing off what looks like a microwave with a face and replacing these backgrounds with a big grey field and a few dev notes.
  • Call of Duty: Starting with Call of Duty: Black Ops 6, the Calling Card arts have used Generative AI without disclosure, with Black Ops 7 meeting a particular backlash for what's obviously based on the Ghibli-style AI art trend.
  • Card Survival: Tropical Island's avatars are created using Midjourney.
  • Clair Obscur: Expedition 33 used A.I.-generated placeholder textures during development. While they were all intended to be replaced with human-made textures before release, a few placeholders were accidentally left in when the game first hit the shelves. This was quickly rectified, but the incident ended up getting the game disqualified from the Indie Game Awards.
  • Crimson Desert: Shortly after release, an A.I.-generated painting was found on an in-game wall, despite the game not having declared any A.I. usage on Steam, where doing so is required. The images were stated to be removed in a patch not long after.
  • The Doom modding community has dabbled into content made using generative A.I.:
    • The Doom mod A. I. Anarchy (episode 1, episode 2) uses A.I.-generated graphical resources, map layouts, music, and even level names.
    • DoomGPT is a collaborative mapset, where contributors created maps based on detailed ChatGPT-generated descriptions.
  • The Finals uses A.I. voice cloning for some of the Announcer Chatter.
  • Firmament made use of A.I. to assist with creating a variety of content for the game, including paintings, portraits, wallpapers, and other decorations. A more detailed statement provided on the matter saw developer Cyan Worlds claim that elements like voice performances were not themselves A.I. generated, and that their usage of A.I. tools were used in writing and art to "ideate and experiment" rather than develop content wholesale, and that they otherwise exercised extensive human oversight and revision.
  • Fortnite:
    • Midway through Chapter 6 Mini-Season 1, Darth Vader was given a voice through use of Google Gemini's generative A.I. utilizing samples of the late James Earl Jones' performance, who as noted in the live-action television folder had explicitly signed the rights to have his voice replicated with such technology a few years prior to his passing.
    • As of 2026, Epic Games have confirmed that they are using generative A.I. to create concept art for skins and environments.
  • The 2025 remake of Front Mission 3 replaces a large portion of the in-game artwork with AI-generated high-res substitutes; note that most of these are not upscales, but A.I. approximations that introduce the usual artifacts and illogical geometry.
  • High on Life used Midjourney to "add finishing touches" to the game's world, such as for the artwork on the posters in the bedroom environment. Justin Roiland confirmed the game's development team often messed around with the A.I., enjoying the "weird, funny ideas" they could generate with it.
  • The box art for Kingdom Hearts Collection [I ~ III], a rerelease of the entire series up to Kingdom Hearts III for the Nintendo Switch 2, was made by using A.I. to edit, upscale and touch up Tetsuya Nomura's artwork, with the result containing several A.I.-induced errors such as Donald Duck having five fingers on one hand instead of the usual four.
  • Neverness to Everness allegedly used A.I. for their in-game assets like posters and billboards, one of which is a generative spoof to Weathering with You. Hotta Studio stated that those assets are placeholders, and are addressing to rework those flagged assets.
  • PAYDAY 3: As Frederik Larson noted in a (since edited) post to ArtStation, A.I. was used to produce the paintings seen in Surphaze Art Gallery, the setting of the heist Under The Surphaze.
  • Various posters and decorations in the Ready or Not mission "23 Megabytes a Second" were created by generative A.I.
  • The Roottrees are Dead uses A.I. art in the original itch.io version; an updated version replacing the A.I. art with human-generated art was made for Steam.
  • Touhou Kinjoukyou ~ Fossilized Wonders features A.I.-generated backgrounds because the story is about A.I. diluting public information with junk.

    Visual Novels 
  • John Doe uses A.I. generated artwork for the backgrounds of a majority of the game, in order to add to its surreal, dreamlike atmosphere. This is a deliberate design choice come the re-release John Doe Plus, which features a route where the backgrounds are hand drawn and much less mind-melding, in order to invoke John's hypothesis that You would like a more "normal" him better than his real self.

    Web Animation 
  • ai_peter: A random generator of Family Guy episodes, similar to AI Sponge.
  • Atari X: The voices for the majority of the cast are AI generated.
  • Factory Factory: Was an A.I.-generated stream that focused on the production of various real and made-up thingamajigs, with narration provided by Uberduck.
  • Greenskull AI is a YouTuber who analyzes and tinkers with A.I. generation programs. One of his most prominent series is "AI FEVER DREAM", where he renders videos using Luma Dream Machine and then dubs over the characters. Due to the poor grasp the program has on visual realism and event continuity — and as the title of the series makes clear — the videos end up full of Random Events Plots and Mind Screw.
  • A short movie by Hinatazaka46 features the protagonist experiencing hallucinations in A.I.-generated artwork.
  • Nate Ziller has a series named AI Series involving the A.I. character trying to prove to the hand-drawn character that A.I. is superior than humans. While the animation and script aren't AI-generated, the AI character's animations are, albeit with some rigging done to get it to move the intended way.
  • Neuro-sama: A no-person Virtual YouTuber whose gameplay, speech, reactions, and SVG art drawings are controlled by separate bots developed by her human creator and code developer Vedal987. Notably, only Neuro (and by extension, Evil Neuro) use generative A.I. — every other part of the stream, such as graphics, rigging, backgrounds, and the original songs was human-made.
  • Nothing, Forever: A sitcom made by GPT-3, heavily inspired by Seinfeld.
  • Ozzy Fox uses A.I.-powered software in order to create key poses out of hand drawn sketches, as well as for motion tweening.
  • Radio Free Ultramerica is a project by multimedia artist Trent Troop that heavily uses AI for multiple purposes, but most often fictional media from alternate universes, including a Rom: Spaceknight television intro designed to look like a show from the 80s and a Saturday Morning Cartoon block from a far stranger world.
    • Note that it's more akin to AI ``assisted`` work given that the writing is not AI-generated and he is very open about the fact that his manual editing skills are required to get a good result, with things such as manual compositing.
  • Scooby Doo, Where Are You? In... Springtrapped!: The original upload of the short featured Fred, Velma, Daphne and S.G. Kluger voiced by A.I. imitators. Following controversy and pushback over the use of A.I. voices for the short — including Grey DeLisle (the then-current voice of Daphne) threatening to blacklist the creator, Eagan Tilghman, from the animation industry — the short received a second version that cast human actors for the characters.
  • Today Is Spaceship Day: The script was originally generated by Botnik A.I., then animated by Gregory Austin McConnell.
  • The upcoming webseries based on the UglyDolls movie is being fully made with generative A.I., much to the disdain of numerous fans.
  • Unlimited Steam was a stream generated by GPT-3 based on the "Skinner and the Superintendent" scene in The Simpsons episode "22 Short Films About Springfield". The key variables involved are the ruined meal Skinner cooks in the oven, the replacement meal he disguises as his own cooking, and the phenomena Skinner claims the fire in the kitchen to actually be.
  • Irmãos Piologo: From 2025 onwards, Rodrigo and Ricardo Piologo stopped doing their traditional animation due to the higher effort not being enough for the declining number of views of the channel, and as such, they switched to AI-generated animations as of late 2025. They started off with AI remakes of some of their most iconic classic animations, and eventually started producing new stories.

    Webcomics 

    Web Original 
  • This Very Wiki's entry on ChatGPT has a Self-Demonstrating page that was written by ChatGPT. Most of the tropes listed on it aren't even real.
  • A.I. Brainrot Animals are A.I.-generated images and videos of animal and food hybridizations made to parody the slew of low-effort content in children's entertainment.
  • Bimo is a Preschool Show made entirely using A.I., which it's criticised for using. This leads to characters being Off-Model, Special Effect Failure, and disturbing moments that weren't intended. A particularly weird example is a character eating another one.
  • Museum Girls: A series focused on anthropomorphic vehicles that use A.I.-generated imagery starting in the twentieth episode.
  • Creator ReachArtwork has multiple AI-related projects, including the Infinite Art Machine that randomly generates prompts and art using a locally hosted model and the art collective "Are We Art Yet?" which is dedicated to approaching AI from an ethical, leftist bent.

    Web Videos 
  • 3kliksphilip: Philip frequently uses A.I. art for visuals, mostly to tell a narrative in his videos. One video, about an apocalypse where Counter-Strike 2 was never made, has versions where the narration is coupled with bizarre A.I. art, with another using crudely-drawn art instead. He mentions in a later video discussing this topic, that he is understanding why artists specifically dislike A.I. art, and also mentions that the discussion around A.I. art has become very black-and-white and tends to lack a lot of nuance that people don't want to acknowledge for various reasons on both sides of the debate, often because it'd oppose their personal views.
  • Ace Attorney according to an AI: A series of Ace Attorney parodies made by AI Dungeon 2 and afterward animated.
  • AI Sponge: A continuous stream of SpongeBob SquarePants characters talking to each other in short comedy bits via GPT-3 taking chat suggestions as topics.
  • carykh used to be primarily devoted to the creation of deep learning programs for various purposes, including lip syncing, voice replication, simulations, and music generation in the 2010s. Since large corporations with far more resources have taken an interest in deep learning however, it has since shifted focus; he still infrequently makes content on the subject.
  • DougDoug often involves ChatGPT or NovelAI-controlled and voiced characters as a participant in streams. In "Peggle Speedrun, but an AI Robot threatens me with trivia" A.I. Bjorn interrupts Doug with various questions and demands answers. In "I created the ultimate chess AI (it can cheat)" Twitch chat's voting system has to win against Napoleon who can disregard rules. In "I put Twitch Chat on trial for their unethical behavior", a random member of the chat needs to resolve some problem and the A.I. judge would comment if they find the solution ethical. The Risk-style matches against A.I. have own page.
  • Dude Perfect began using A.I.-generated images for their video thumbnails. Their "Mystery Detective Battle: HALLOWEEN" video would also use A.I. images for the game cards.
  • G-REX, a Plants vs. Zombies YouTuber, often uses A.I.-edited (and very obvious too) versions of the plants in some of his videos, often with the plants uncontrollably bawling with water coming out of most, if not every single one of their orfices.
  • The last third of Grant Wisler's video When YouTubers Start Making AI Content is written by AI as a result of Chad going mad. The raw unfiltered AI-generated text is shown in the top left corner, as there are actually some minor tweaks to the script (most notably, most of the narration but the last paragraph at the end was replaced with actual dialogue).
  • Chris and Zach of OneyPlays published a video titled "MAKING ART WITH AI", where they use DALL-E to generate images ranging from "Peter Griffin eating a deer" to "Donald Trump in H. R. Giger style".
    Zach: Now, do you think this is a good idea, Chris? Does this, like, scare you?
    Chris: Yeah, it really does, because it's gonna put a lot of people out of a job... but god damn, does it look cool!
  • NPCarlsson: "5 Miles to Ganon" uses A.I. voice generation to put Link and Gwonam's voices over a skit from The Mighty Boosh, with some sentence mixing sprinkled in. The usage of A.I. proved divisive, to which NPCarlsson ended up addressing in an update video two weeks later as being a one-time thing.
  • Tiny Meat Gang: One Cody Ko video was about The Power of Artificial Intelligence. This culminated in him releasing an entire music video for the band's original song "Knock It Off", where every frame was a different A.I.-created image, some of which were of scenes taken from the original live-action music video.

    Western Animation 

 
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