Academia.eduAcademia.edu

Outline

Title
Abstract
Economic Questions §3
Questions of Age §4
Page's Hypotheses §4
Rite and Subjectivity §1
References
All Topics
History
Ancient History

Sappho's Gift. The Poet and Her Community (bozze), Ann Arbor 2010

Profile image of Franco FerrariFranco Ferrari
visibility

…

description

240 pages

Abstract
sparkles

AI

This book explores the texts attributed to Sappho, delving into the sociopolitical and cultural contexts of her poetry, particularly focusing on her audience, the communal aspects of her art, and the distinct spheres of private and public performance. It challenges the notion of Sappho as merely a personal voice by highlighting the interaction between her work and the broader community dynamics of Mytilene, utilizing textual reconstruction and analysis of fragments to illuminate these complexities.

Related papers

“Transmission and Textual Variants. Divergent fragments of Sappho’s songs examined” in: A.P.M.H. Lardinois, S. Levie, A.H. Hoeken, and C. Lüthy (eds) Texts, Transmissions, Receptions: Modern Approaches to Narratives (Leiden 2015) 17-34.
Mark de Kreij
View PDFchevron_right
Sappho's Microcosmic Perspective: Its Ancient Influence & Modern Relevance
Stuart Dean

A detailed analysis of Fragment 168b of Sappho's poetry, including an introduction discussing how the microcosmic perspective reflected in 168b is relevant to modern psychology and philosophy.

View PDFchevron_right
PHILOLOGICAL SCIENCES / «Colloquium-journal» #48 (241), 2025
Hamida Aliyeva

«Colloquium-journal», 2025

The concept "road" as a multivalent symbol is widely encountered in world literature since ancient times and depending on the context is not always used in its direct meaning. However, in all cases the road is a metaphor of movement, change and progress. In literary works, the road mainly acts as a symbol of spiritual journey, efforts of self-discovery and new beginnings. In medieval English literature, the road as a multivalent concept representing both physical and symbolic journey symbolises the path to truth, enlightenment and salvation. This article examines philosophical, religious, spiritual and other aspects of the concept of "road" in the context of analysing two literary monuments of medieval English literature-the epic "Beowulf" and "The Canterbury Tales" by G.Chaucer. In the context of the characters' fates, the concept of the road is analysed as a multilayered symbol uniting the physical and spiritual dimensions of human existence.

View PDFchevron_right
XII. Iconicity: Sappho's Other 'Invention' & The Many Implications Of Recognizing It As Part Of Her Literary Legacy
Stuart Dean

This is Section XII of a series of papers posted on academia.edu, each of which elaborates on the theme of The Birth of the Word.

View PDFchevron_right
Word Games and some Greek Aspects of Historiography
Maria Kousoula

This is the submitted and graded final assignment of course “Historiographies of Intersectional Gender Studies” of the Master's in Gender Studies: Intersectionality and Change at Linköping University. In this assignment, my intention was to go through Sappho as a female author in an era that male figures were dominant and to address the innovation that brought into the Lyric poetry by her choice of topics and personal style. Centuries after her existence, little do we know about her actual real-life events. Her work though is a masterpiece of cultural observations on the female life of a specific era. The discussion is a major topic in the Ancient Greek Literature discourse. Her works are being discussed in a fruitful way and many feminists refer to Sappho as one of the first historical persons to use the “I” in a men’s society.

View PDFchevron_right
Sappho's Journal - A Voice From The Past
Steven J Bartlett

Ancient Narrative, 2009

View PDFchevron_right
Diane J. Raynor and André Lardinois Sappho: A New Translation of the Complete Works. Cambridge: Cambridge University Press, 2014. [Review Article]
Siobhan Hodge

2017

Sappho was born over two thousand years ago, but we are still disputing almost everything we know about her. An aristocrat from the isle of Lesbos, Sappho was celebrated for her poetic prowess both during her own lifetime and beyond. She has been conscripted into a variety of roles throughouther chequered reception in different time periods and places: cast as a dutiful wife and mother; a charismatic cult leader; a moralistic educator of young women, celebrating music, poetry and dance, as well as all things beautiful; and an outspoken lesbian outcast. These prevailing views havedeveloped according to fashionable social beliefs of the times surrounding the rights and roles of women, and so too have particular translations of the poet cycled in and out of favour. Overly embellished versions produced in the eighteenth century by translators such as John Addison, Ambrose Philips, Francis Fawkes, and Edward Barnaby Greene read as almost laughably inaccurate today.

View PDFchevron_right
Lyric Indecorum in Archaic Mytilene (and Beyond): Sappho F 99 c. I.1–9 L-P = Alcaeus F 303Aa V
Turkish Journal of Sociology

This paper considers a remarkable epithet in a lacunose fragment of Archaic Lesbian poetry that some have , against a member or members of the Polyanaktidai, an aristocratic family of Lesbian Mytilene, who are also mentioned in the fragment. This paper offers a new appraisal of the invective poetics of by taking a musicological and sociological approach, that is, by attending to the musical as well as the sexual dimensions of the epithet, and by reading it within the socio-musical context of Archaic Mytilene and Archaic and Classical Greece more widely. It is argued that the motivation and impact of the " dildo-receiving strings " evoked in the fragment are best appreciated in terms of the prestige of musical culture in Archaic Mytilene, society, sexually framed musical invective would have had a powerful effect, with political, social, and moral implications that went beyond the musical and the sexual. The paper concludes with a hypothesis about the origin of the tradition, reported in the Suda Keywords Timothy Power 1 Lyric Indecorum in Archaic Mytilene (and Beyond): Sappho F 99 c. I.1–9 L-P = Alcaeus F 303Aa V *

View PDFchevron_right
Musings, Reflections and Conjectures
Julian Scutts

This documents has two parts, the first devoted to literary motifs associated with wanderers in myth and religious traditions, the secomd to matters of historical interest.

View PDFchevron_right
Reimagining the Fragments of Sappho through Translation
Diane Rayor

BRILL eBooks, 2016

The Publisher notifies the readers that the above-mentioned chapter has been retracted, and supports the following statement by the editors of the volume: In the years following the first publication of this book, serious doubts have been raised about the provenance of the newest Sappho papyri (P. Sapph. Obbink and P. GC inv. 105). Last summer, the Green collection/Museum of the Bible released a statement according to which their fragments (P. GC inv. 105) were acquired from a Turkish dealer on January 7, 2012, without any document proving their legal provenance. Most recently, Mr Green has restituted to Egypt ca. 5,000 papyri, including P. GC inv. 105, on the basis of their illegal acquisition circumstances. P. Sapph. Obbink appears to have been part of the same bookroll to which P. GC inv. 105 belonged. In an article published in 2017, Simon Burris showed that a fragment found among those of the Green collection physically joined with P. Sapph. Obbink (zpe 201: 12-14). This evidence suggests that P. Sapph. Obbink too came from the same source as P. GC inv. 105. In the meantime, Michael Sampson has published an article that also questions the provenance of the papyri as reported in chapter 2 of this book (Bulletin of the American Society of Papyrologists 57 [2020] 143-169). Dirk Obbink, the author of this chapter, was given the opportunity by Brill publishers to respond to this evidence, but so far they have not received a substantive response. He has told them that he is working on an academic article in which he disputes the findings of Sampson, but he has not mentioned a timeline. Considering the above, in consultation with Brill publishers, we therefore have retracted this chapter, although it will remain accessible. The repatriation of the Green Sappho fragments has restored these papyri to its rightful owner. We hope that they will be made available to the scholarly community in their new location both directly and through online digital reproductions, so they can be studied further. The status of P. Sapph. Obbink-978-90-04-31483-2 Downloaded from Brill.com04/21/2022 10:18:05AM via free access remains problematic, however, not only because its provenance is tainted, but also because the papyrus, which is the main testimony of the Brothers and the Kypris poems, is inaccessible. We sincerely hope that it will also be made available to the academic community soon and its acquisition circumstances will be fully explained. So far we have not seen any evidence to suggest that either P. GC inv. 105 or P. Sapph. Obbink is not authentic. We as the editors of this volume will continue to monitor the developments around these papyri and we will, in consultation with the publisher, update this postscript or take further measures when necessary, on the basis of new scholarly evidence. Preface This is the second volume in a series within Brill's Mnemosyne Supplements which records the proceedings of the Network for the Study of Archaic and Classical Greek Song (http://greeksong.ruhosting.nl/). One volume in the series, entitled The Look of Lyric: Greek Song and the Visual, eds. Vanessa Cazzato and André Lardinois, has already been published, while two more are in preparation: on authorship and authority in Greek lyric poetry and on the reception and transmission of Greek lyric poetry from 600bc to 400 ad. The Network was founded in 2007 as a means of facilitating interaction among scholars interested in the study of archaic and classical lyric, elegiac and iambic poetry. Most of the papers included in this volume were originally presented at the conference entitled 'Sappho in the Third Millennium' , organised by Anton Bierl at the University of Basel in the Summer of 2014, or at the panel on the New Fragments of Sappho, organised by André Lardinois at the annual meeting of the Society for Classical Studies in New Orleans in January 2015. The publication of the volume was then planned jointly by Anton Bierl and André Lardinois and the papers underwent a process of peer reviewing at the hands of the editors as well as an anonymous reviewer for the Press. The contributors were also able to read each other's papers and comment on them before the manuscript went to press. We would like to express our gratitude to the anonymous reader for his fine, crystal-clear comments and his thorough revision of the manuscript. We further would like to thank Debby Boedeker, Vanessa Cazzato, Doris and Pia Degen, Hendri Dekker and Marieke Graumans, who helped us prepare the manuscript for publication, and Laurie Meijers and her team, who did an excellent job in copy-editing and composing the text. Finally, we would like to thank the Faculty of Arts of Radboud University for providing the funds which enabled this volume to be made available through Open Access.

View PDFchevron_right

References (300)

  1. Fr. 886.4 PMG Ἄρτεμιν, ἃ γυναικῶν μέγ᾿ ἔχει κράτος.
  2. Cf. Hes. Th. 529, Pind. N. 2.19, B. 15.51, Aristoph. Nu. 563.
  3. αν Ἀρτεμι . [ | ]ναβλ[ (i.e., I would think of something like ]ν ἀβλ[αβ-, cf. F 5.1-2).
  4. For [ὐ]π . άξ[ει |... ὐπ᾿ ἄ[ρμ᾿ cf. Sapph. F 44.13-14. Ἰλιάδαι σατίναι[ς] ὐπ᾿ εὐτρόχοις | ἆγον αἰμιόνοις and 17 ἴ]πποις δ᾿ ἄνδρες ὔπαγον ὐπ᾿ ἄρ . [ματα, Hom. Il. 16.148 ὕπαγε ζυγὸν ὠκέας ἵππους etc., for Artemis' chariot Hom. Hymn. 9.4, Call. Dian. 106, A. R. 3.878, Nonn. Dion. 48.304 and the numerous vase representations collected by L. Kahil, in LIMC 2.1: 1196-1225.
  5. For στέ . [ρ]ε . ον (Puglia's supplement) cf. Hom. Il. 12.267 στερεοῖς ἐπέεσσι, A. Pr. 173-74 στερεὰς ... ἀπειλάς, Soph. Aj. 926 στερεόφρων, Plat. Plt. 309b στερεὸν ἦθος.
  6. Plutarch, as noted at VII, § 3, gives a different interpretation of the epithet. For other ex- planations offered by ancient sources see Liberman 1999: II.188 n. 384. 34 On the vulnerability of the lower limbs of various μόναρχοι see Catenacci 1996: 246-48. 35 Lentini 2000: 9-12.
  7. Hom. Il. 1.231 δημοβόρος βασιλεύς. Similar are the connotations of δωροφάγοι at Hes. Op. 39, 221, and 264, and of δημοφάγος at Thgn. 1181 (see Catenacci 1996: 212-14). 46 By contrast, on the "communal perspective" of Alcm. fr. 1 PMGF, confirmed by the Parthenion for Astymeloisa (Alcm. fr. 3 PMGF), see Stehle 1997: 73-88. 47 Gentili 1984: 106-7.
  8. Di Benedetto 1987: 16 n. 17. 49 Eur. HF 673 ff. ἁδίσταν συζυγίαν. 50 Stehle 1997: 276.
  9. References to a nocturnal rite also appear in F 30 (ll. 1 and 3), but linked to stage directions of the kind that we observed in F 27 (see III, § 1):
  10. See Treu 1954: 190; Rissman 1983: 93; and Aloni 1997: 45. For the use of the comparison in epithalamic context cf. Himer. Or. 9.
  11. = T 218 and Contiades Tsitsoni 1990: 94-97. Cf. also F 115.1 σ᾿ ... ἐικάσδω.
  12. If παννυχίσδην was part of an exhortation, we would have something similar to Perv. Ven. 46 detinenda tota nox est, pervigilanda canticis.
  13. Cf. Soph. Ant. 1151 ff., Eur. Ba. 862, Aristoph. Ra. 370 ff., Men. Sam. 46, Phasm. 95, Crit. fr.
  14. B 1.8 D.-K. For the performance of a female chorus during a nocturnal vigil at Orchomenos (Pind. fr. 333 M.), see D' Alessio 2000: 260 ff.
  15. On the mechanisms linked to the relationship between bile and phlegm see Di Benedetto 1986: 42 ff.
  16. For μαινόλαι cf. Archil. fr. 196.20 W. 2 μαινόλις γυνή (referring to Neobule) and A. Supp. 107
  17. διάνοιαν μαινόλιν with reference also to the sexual aggressiveness of the sons of Aegyptus). See Privitera 1974: 60 and Di Benedetto 1987: 17.
  18. In Sappho the etymon is attested also in F 3.7 ἄσαιο (probably referring to Charaxos), F 91 ἀσαροτέρας (referring to Eirene);
  19. for Alcaeus cf. F 39.11 ἄσαις and 335.2 ἀσάμενοι. For ὀνία cf. F 5.10 [ὀν]ίαν δὲ λύγραν, 63.3 ἦ δεῖν᾿ ὀνίας μ[, 88.19 ὀνίαρ[ο]ς and see Broger 1996: 37. 11 On φροντίς see Simon 1978: 234 and Di Benedetto 1986: 35-38.
  20. 11 Such a description finds significant analogies in the hallucinatory νόσος experienced by Ajax in Sophocles' homonymic tragedy: cf. especially Athena's words in the prologue at l. 51 ff.: ἐγώ σφ᾿ ἀπείργω, δυσφόρους ἐπ᾿ ὄμμασι | γνώμας βαλοῦσα τῆς ἀνηκέστου χαρᾶς. The alternation between hallucinatory states and phases of lucidity, motor excitement and prostration, threatening cries and silence, corresponds to what Tecmessa recalls in Soph. Aj. 257 ff. and 305 ff. 12 Cf. the symptomatology of Mul. 151 and also Plat. Tim. 83 d-e.
  21. On ancient epilepsy, corresponding to what is today defined as "essential epilepsy, " see Pigeaud 1987: 48-63.
  22. 5 ἐθέσ . [πισδε Diehl 6-7 Ἔρ-|μας Blass, Ἔρ-|μαις Lobel-Page 8 e.g. ἔπλ . [εό μοι φίλος (cf. Alc. fr. 71.1 φίλος μὲν ἦσθα) 9 fin. ἔγωγ᾿ Edmonds 10 ἄγα[ν Schubart ἔπαρθα γᾶ[ς ἔοι- σα West fin. πόθοισι suppleverim; ἄσαισι Di Benedetto 13 Ἀχέρ[οντος Lobel, Ἀχερ[οισίοις Fränkel (cf. A. A. 1160 f. Ἀχερουσίους | ὄχθους) ... Gongyla 4 indeed, a sign foretold [...] [...] most [... Her-] mes 22 came [...]
  23. I said: "Lord, [you have been my friend.] No, by the blessed goddess, [I] 23
  24. 22 For a defense of the form Ἔρμας against Lobel-Page's emendation Ἔρμαις see Hooker 1977: 30-34.
  25. At l. 9, just as at l. 6, there must have been an anaclastic form of the glyconic: we can 26 Especially according to the latter interpretation, dew and lotus are not "decorative details" (Page 1955: 86), but rather essential elements for presenting the journey in the Underworld as de- sirable. Arriving in a landscape covered by trees where one can sing while reclining on the bloom- ing
  26. Although A.D. Pron. 1.82.14 ff. (= Sapph. F 165) mentions the presence of the expression φαίνεταί ϝοι somewhere in Sappho's poetry, φαίνεταί μοι transmitted by Ps.-Longinus must be kept. Furthermore the same Apollonius Dyscolus (ibid. 1.59.9 ff.) elsewhere quotes the begin- ning of our poem as φαίνεταί μοι. 28 See Page 1955: 20 ff.
  27. Aloni 1997: 63. One can compare the function of κῆνος in Alc. F 68.4; 70.6; 72.7; 129.14. 30 See also Latacz 1985: 83: "der Mann, von dem die Rede ist, hat vor dem Augenblick des Sprechakts noch keine Existenz. "
  28. Gronewald-Daniel 2005: 5: "[Ich bringe hier] der purpurgegürten [Musen] schöne Gaben" on the basis of the editors' conjecture for the beginning of the line φέρω (vel ἔχω) τάδε.
  29. West 2005: 5: ῎Υμμες πεδὰ Μοίσαν ... | σπουδάσδετε καὶ τὰ]ν . φιλάοιδον λιγύραν χελύνναν: "[You for] the fragrant-bosomed Muses' lovely gifts / [be zealous,] girls, [and the] clear melodi- ous lyre. " 9 Janko 2005: 19.
  30. See Page 1981: 338: "The epigram is manifestly Alexandrian in style and spirit. " 11 See Robert 1969: 801-31 and Liberman 1999: I.61 n. 127. Ruins of a late fourth-century bc temple survive in this area. Alcaeus F 130a.15 τεῖχος βασιλήϊον (see also the scholium τὸ τῆς Ἥρας) seems to testify to the presence of a boundary wall surrounding the shrine rather than to the wall of the temple. Sappho refers to this very same sanctuary in F 17 where Hera, Zeus protector of the suppliants, and Dionysus are mentioned. 12 That this was the location of the καλλιστεῖα is attested in Schol. DA in Hom. Il. 9.129 παρὰ Λεσβίοις ἀγὼν ἄγεται κάλλους γυναικῶν ἐν τῶι τῆς Ἥερας τεμένει, λεγόμενος καλλιστεῖα. 13 See Bernouilli 1901: 62 ff. 14 On the contextual affinity between Sappho's and Alcman's odes on old age see Lardinois 1996: 169, Ferrari 2003: 72-76, Hardie 2005: 27 ff. 15 For a similar nostalgia for lost youth, see the Athenian Stranger's words in Plat. Lg. 657d. Bibliography
  31. Alexiou, M. The Ritual Lament in Greek Tradition. Cambridge, 1974.
  32. Aloni, A. Cantare glorie di eroi. Comunicazione e performance poetica nella Grecia arcaica. Turin, 1998.
  33. Aloni, A., ed. Saffo. Frammenti. Florence, 1997.
  34. Andò, V. L'ape che tesse. Saperi femminili nella Grecia antica. Rome, 2005.
  35. Andrisiano, A. "Sapph. fr. 67. Una rivale priva di stile. " MCr 32-35 (1997-2000): 7-24.
  36. Bartol, K. "Saffo e Dika (Sapph. 91 V.). " QuadUrb ns 56 (1997): 75-80.
  37. Battezzato, L. Saffo, Kleis e i Kleanaktidai. Forthcoming.
  38. Battezzato, L. "Song, Performance, and Text in the New Posidippus. " ZPE 145 (2003): 31-43.
  39. Bernouilli, J.J. Griechische Ikonographie I. Munich, 1901.
  40. Bernsdorff, H. "Offene Gedichtsschlüsse. " ZPE 153 (2005): 1-6.
  41. Bonanno, M.G. "Saffo, fr. 1.1 (ποικιλόθρονος). " In Μοusa. Scritti in onore di Giuseppe Morelli, 53-55. Bologna, 1997.
  42. Brand, H. Griechische Musikanten im Kult von der Frühzeit bis zum Beginn der Spät klassik. Würzburg, 2000.
  43. Bravo, B. Pannychis e simposio. Feste private notturne di donne e uomini nei testi let terari e nel culto. Pisa-Rome, 1997.
  44. Broger, A. Das Epitheton bei Sappho und Alkaios. Innsbruck, 1996.
  45. Brown, C. "Anactoria and the Χαρίτων ἀμαρύγματα: Sappho fr. 16, 18 Voigt. " Quad Urb ns 32 (1989): 7-15.
  46. Burnett, A.P. Three Archaic Poets: Archilochus, Alcaeus, Sappho. London, 1983.
  47. Burzacchini, G. "Fenomenologia innodica nella poesia di Saffo. " Eikasmos 16 (2005): 11-39.
  48. Burzacchini, G. Lirica arcaica (I). In La Vecchiaia nel mondo antico, I, Grecia, ed. U. Mattioli, 69-124. Bologna, 1995.
  49. Burzacchini, G. Saffo. In Lirici greci. Antologia, ed. E. Degani and G. Burzacchini. Florence, 1977.
  50. Calame, C. Lex choeurs de jeunes filles en Grèce archaïque. 2 vols. Rome, 1977.
  51. Canfora, L. Il papiro di Dongo. Milan, 2005.
  52. Cannatà Fera, M., ed. Pindarus, Threnorum fragmenta. Rome, 1990.
  53. Cassano, G.B., in collaboration with S. Zoli. E liberaci dal male oscuro. Milan, 1993.
  54. Catenacci, C. Il tiranno e l' eroe: per un'archeologia del potere nella Grecia antica. Mi- lan, 1996.
  55. Cavallini, E. "Due poetesse greche, I: Testimonianze antiche e versi di Saffo: alcune testimonianze a confronto. " In Rose di Pieria, ed. F. De Martino, 99-116. Bari, 1990.
  56. Cavallini, E. "Lesbo, Mileto, la Lidia: Sapph. frr. 16 e 96 Voigt. " In I luoghi e la poesia nella grecia antica, ed. M. Vetta and C. Catenacci, 145-58. Alexandria, 2006.
  57. Cavallini, E. Presenza di Saffo e Alceo nella poesia greca fino ad Aristofane. Ferrara, 1984.
  58. Cerri, G. "Il significati di sphregis in Teognide e la salvaguardia dell'autenticità tes- tuale nel mondo antico. " QS 17 (1991): 21-40.
  59. Ciani, M.G. Psicosi e creatività nella scienza antica. Padua, 1983. Contiades Tsitsoni, E. Hymenaios und Epithalamion. Das Hochzeitslied in der früh griechischen Lyrik. Stuttgart, 1990.
  60. Cucchiarelli, A., ed. La veglia di Venere. Milan, 2003.
  61. D' Alessio, G.B. "Tra gli dei ad Apollo, e tra gli uomini ad Echecrate. P. Louvre E 7734+7733 (Pind. fr. dub. 333 SM.). " In Poesia e religione in Grecia. Studi in onore di G.A. Privitera, ed. M. Cannatà Fera and S. Grandolini, 233-61. Naples, 2000.
  62. Davies, M. "Monody, Choral Lyric, and the Tyranny of the Handbook. " CQ ns 38 (1988): 52-64.
  63. Devereux, G. "The Nature of Sappho's Seizure in fr. 31 LP as Evidence of Her Inver- sion. " CQ 20 (1970): 17-31.
  64. Di Benedetto, V. "Contributi al testo di Saffo. " RFIC 10 (1982): 5-21.
  65. Di Benedetto, V. Il medico e la malattia. La scienza di Ippocrate. Turin, 1986.
  66. Di Benedetto, V. "Il tema della vecchiaia e il fr. 58 di Saffo. " QuadUrb ns 19 (1985): 145-63.
  67. Di Benedetto, V. "Il tetrastico di Saffo e tre postille. " ZPE 155 (2006): 5-18.
  68. Di Benedetto, V. "Integrazioni al P. Oxy. 1231 di Saffo (frr. 27 e 22 V.). QuadUrb ns 24 (1986): 19-25.
  69. Di Benedetto, V. "Intorno al linguaggio amoroso di Saffo. " Hermes 113 (1985): 145-56.
  70. Di Benedetto, V. "Introduzione. " In Saffo, Poesie, ed. V. Di Benedetto and F. Ferrari, 5-78. Milan, 1987.
  71. Di Benedetto, V. "La nuova Saffo e dintorni. " ZPE 153 (2005): 7-20.
  72. Di Benedetto, V. "Osservazioni sul nuovo papiro di Saffo. " ZPE 149 (2004): 5-6.
  73. Di Marco, M. "Una parodia di Saffo in Euripide (Cycl. 182-86). " QuadUrb ns 5 (1980), 39-45.
  74. Dover, K.J. Greek Homosexuality. London, 1978.
  75. Esposito, E., ed. Il fragmentum Grenfellianum (P. Dryton 50). Bologna, 2005.
  76. Fassino, M. and L. Prauscello. "Memoria ritmica e memoria poetica: Saffo e Alceo in Teocrito Idilli 28-30 tra ἀρχαιολογία metrica e innovazione alessandrina. " MD 46 (2001): 9-37.
  77. Ferrari, F. "Contro Andromeda: recupero di un'ode di Saffo. " MD 55 (2005): 13-30.
  78. Ferrari, F. "Due note al testo del fr. 2 di Saffo. " APapyrol 12 (2000): 37-44.
  79. Ferrari, F. "Formule saffiche e formule omeriche. " ASNP s. III, 16 (1986): 441-47.
  80. Ferrari, F. " 'Hai fatto la tua scelta': due storie di diserzione attraverso i papiri di Saffo. " In I papiri di Saffo e di Alceo. Atti del Convegno Internazionale di Studi: Firenze, 8-9 giugno 2006, ed. G. Bastianini and A. Casanova, 17-29. Florence, 2007.
  81. Ferrari, F. "Il pubblico di Saffo. " SIFC s. IV, 1 (2003): 42-89.
  82. Ferrari, F. "Il tempo del sonno: Saffo, fr 168B. " CivClCr 4 (1983): 329-32.
  83. Ferrari, F. "P. Berol. inv. 13270: i canti di Elefantina. " SCO 38 (1988): 181-227.
  84. Ferrari, F. "Per il testo di Posidippo. " MD 54 (2005): 185-212.
  85. Ferrari, F. "Saffo: Nevrosi e poesia. " SIFC s. III, 19 (2001): 3-31.
  86. Ferrari, F., ed. Teognide, Elegie. Milan, 1989.
  87. Fränkel, H. Dichtung und Philosophie des frühen Griechentums. Munich, 1969.
  88. Fränkel, H. Review of The Fragments of the Lyrical Poems of Sappho and The Frag ments of the Lyrical Poems of Alcaeus, both ed. Edgar Lobel. GGA 1928: 258-78.
  89. Fraenkel, E. "An Epodic Poem of Hipponax. " CQ 36 (1942): 54-56. Later published in Kleine Beiträge zur klassischen Philologie I. Rome, 1964.
  90. Friis Johansen, H. "Alcaeus and the Kottabos-Game. " In Studies in Honour of T.B.L. Webster, ed. J.H. Betts, J.T. Hooker, and J.R. Green. 2 vols. 1: 93-101. Bristol, 1985.
  91. Funghi, M.S. and G. Messeri Savorelli. "Lo scriba di Pindaro e le biblioteche di Os- sirinco. " SCO 42 (1992): 43-62.
  92. Gentili, B. "Alceo, fr. 249 Voigt. " Sileno 10 (1984): 241-43.
  93. Gentili, B. Poetry and Its Public in Ancient Greece from Homer to the Fifth Century. Trans. A.T. Cole. Baltimore, 1988.
  94. Gentili, B. et al., eds. Pindaro. Le Pitiche. Milan, 1995.
  95. Gianotti, G.F. "Nota di lessicografia: Esichio Β 1047 L. " QuadUrb ns 9 (1981): 163-68.
  96. Gossel-Raeck, B. "Komos-Bürger ziehen durch die Nacht. " In Kunst der Schale, Kul tur des Trinkens, ed. K. Vierneisel and B. Kaeser, 293-98. Munich, 1992.
  97. Gostoli, A., ed. Terpander. Rome, 1990.
  98. Grandolini, S. "Forme rituali e coscienza religiosa nel tiaso di Saffo. " In Poesia e religione in Grecia. Studi in onore di G.A. Privitera, ed. M. Cannatà Fera and S. Grandolini, 353-65. Naples, 2000.
  99. Greene, E., ed. Reading Sappho. Contemporary Approaches. Berkeley, CA,1996a.
  100. Greene, E., ed. ReReading Sappho. Reception and Transmission. Berkeley, CA,1996b.
  101. Greene, E. "Sappho, Foucault and Women's Erotics. " Arethusa 29 (1996c): 1-14.
  102. Gronewald, M. and R. Daniel, "Ein neuer Sappho-Papyrus. " ZPE 147 (2004a): 1-8.
  103. Gronewald, M. and R. Daniel, "Lyrischer Text (Sappho-Papyrus). " ZPE 154 (2005): 7-12.
  104. Gronewald, M. and R. Daniel, "Nachtrag zum neuen Sappho-Papyrus. " ZPE 149 (2004b): 1-4.
  105. Hamm, E.M. (= E.M. Voigt). Grammatik zu Sappho und Alkaios. Berlin, 1958.
  106. Hardie, A. "Sappho, the Muses and the Life after Death." ZPE 155 (2005): 13-32.
  107. Henderson, J. The Maculate Muse. Obscene Language in Attic Comedy. 2nd ed. New Haven, 1991.
  108. Hooker, J.T. The Language and Text of the Lesbian Poets. Innsbruck, 1977.
  109. Hutchinson, G.O. Greek Lyric Poetry. A Commentary on Selected Larger Pieces. Oxford, 2001.
  110. Janko, R. "Sappho Revisited. " Times Literary Supplement, December 23 and 30, 2005. Johnson, W.A. Bookrolls and Scribes in Oxyrhynchus. Toronto, 2004.
  111. Kakridris, J.T. "Zu Sappho 44 LP. " WS 79 (1966): 21-26.
  112. Kirk, G.S. "A Fragment of Sappho Reinterpreted. " CQ 13 (1963): 51-52.
  113. Kurke, L. "The Politics of ἁβροσύνη in Archaic Greece. " CA II (1992): 91-120.
  114. Lanata, G. "L'ostracon fiorentino con versi di Saffo. Note paleografiche ed eseget- iche. " SIFC 31 (1959): 64-90.
  115. Lanata, G. "Sui linguaggio amororo di Saffo. " QuadUrb ns 2 (1966): 64-90. Pub- lished in English in Reading Sappho, Contemporary Approaches, ed. E. Greene, 11-25. Berkeley, CA, 1996.
  116. Lapini, W. Elementi biografici di Pittaco nei frammenti alcaici. In I papiri di Saffo e di Alceo. Atti del Convegno Internazionale di Studi: Firenze, 8-9 giugno 2006, ed. G. Bastianini and A. Casanova, 167-75. Florence, 2007.
  117. Lardinois, A. "Subject and Circumstance in Sappho' s Poetry. " TAPA 124 (1994): 57-84.
  118. Lardinois, A. "Who Sang Sappho's Songs?" In ReReading Sappho. Reception and Transmission, ed. E. Greene, 150-72. Berkeley, CA, 1996.
  119. Lasserre, F. Sappho: une autre lecture. Padua, 1989.
  120. Latacz, J. "Realität und Imagination. " Mus Helv 42 (1985): 67-94.
  121. Lavecchia, S., ed. Pindari dithyramborum fragmenta. Rome-Pisa, 2000. Lefkowitz, M. The Lives of Greek Poets. London, 1981.
  122. Lentini, G. "I simposi del tiranno: sui frr. 70-72 V. di Alceo." ZPE 139 (2002): 3-18.
  123. Lentini, G. "Pittaco erede degli Atridi: il fr. 70 V. di Alceo." SIFC S. III, 18 (2000): 3-14.
  124. Lesky, A. History of Greek Literature. London, 1966.
  125. Liberman, G., ed. Alcée. Fragments. 2 vols. Paris, 1999.
  126. Lissarrague, F. Aesthetics of the Greek Banquet: Images of Wine and Rituals. Trans. A. Szegedy-Maszak. Princeton, 1990.
  127. Livrea, E. "Critica testuale ed esegesi del nuovo Posidippo." In Il papiro di Posi dippo un anno dopo, ed. G. Bastianini and A. Casanova, 61-77. Florence, 2002.
  128. Lloyd, A.B., ed. Erodoto, Le Storie, vol. II, Libro II: L'Egitto. Trans. A. Fraschetti. Milan, 1989.
  129. Lobel, E. ΣΑΠΦΟΥΣ ΜΕΛΗ. The Fragments of the Lyrical Poems of Sappho. Ox- ford,1925.
  130. Lobel, E. and D. Page, eds. Poetarum Lesbiorum fragmenta. Oxford, 1955. Luppe, W. "Überlegungen zur Gedicht-Anordnung im neuen Sappho-Papyrus." ZPE 149 (2004): 7-9.
  131. Lyghounis, M.G. "Elementi tradizionali nella poesia nuziale greca. " MD 27 (1991): 159-98.
  132. Maas, P. Kleine Schriften. Munich, 1973.
  133. Mace, S. "Utopian and Erotic Fusion in a New Elegy by Simonides (22 W 2 ). " ZPE 113 (1996): 233-47.
  134. Malnati, A. "Revisione dell' ostrakon fiorentino di Saffo. " APapyrol 5 (1993): 21-22.
  135. Martinelli, M.C. Gli strumenti del poeta. Elementi di metrica greca. Bologna, 1991. Marzullo, B. II problema omerico. 2nd ed. Naples, 1970.
  136. Marzullo, B. Studi di poesia eolica. Florence, 1958.
  137. Mazzarino, S. Fra Oriente e Occidente. Ricerche di storia greeca arcaica (1947). Mi- lan, 1989.
  138. Mazzarino, S. "Per la storia di Lesbo nel VI secolo a.C. " Athenaeum 21 (1943): 38-78.
  139. Merkelbach, R. "Sappho und ihr Kreis. " Philologus 101 (1957): 1-29.
  140. Merkelbach, R. "Wartetext 11: Sappho?" ZPE 13 (1974): 214.
  141. Muth, R. "Hymenaios und Epithalamion. " WS 67 (1954): 47-58.
  142. Nagy, G. "Phaethon, Sappho's Phaon, and the White Rock of Leukas. " HSCP 77 (1973): 137-77.
  143. Nagy, G. Pindar's Homer. The Lyric Possession of an Epic Past. Baltimore, 1990. Napolitano, G., ed. Euripide, Ciclope. Venice, 2003.
  144. Neri, C., ed. Erinna. Testimonianze e Frammenti. Bologna, 2003.
  145. Neri, C. and F. Citti. "Sudore freddo e tremore. " Eikasmos 16 (2005): 52-62.
  146. Nicosia, S. Tradizione testuale diretta e indiretta dei poeti di Lesbo. Rome, 1976.
  147. Nilsson, M.P. Geschichte der griechischen Religion. Vol. 1. 3rd ed. Munich, 1967. Nilsson, M.P. The MinoanMycenaean Religion and Its Survival in Greek Religion. 2nd ed. Lund, 1950.
  148. Norsa, M. "Dai Papiri della Societa Italiana: Elezione del κεφαλαιωτής di una cor- porazione del V sec. d.C.; Versi di Saffo in un ostrakon del sec. II a. C. " ASNP, s. 11, 6 (1937): 1-15 (8-15).
  149. Noussia, M., ed. Solone. Frammenti dell' opera poetica. Trans. M. Fantuzzi. Milan, 2001. Page, D., ed. Further Greek Epigrams. Cambridge, 1981.
  150. Page, D. Sappho and Alcaeus. An Introduction to the Study of Ancient Lesbian Poetry. Oxford, 1955.
  151. Palmisciano, R. "È mai esistita la poesia popolare nella Grecia antica?" In ΡΥΣ- ΜΟΣ. Studi di poesia, metrica e musica greca offerti dagli allievi a Luigi Enrico Rossi per i suoi settant' anni, ed. R. Nicolai, 151-71. Rome, 2003.
  152. Palmisciano, R. "Lamento funebre, culto delle Muse e attese escatologiche in Saffo (con una verifica su Archiloco). " SemRom I (1998): 183-205.
  153. Parker, H.N. "Sappho Schoolmistress." TAPA 123 (1993): 309-51.
  154. Pernigotti, C. "Tempi del canto e pluralità di prospettive in Saffo, fr. 44 V. " ZPE 135 (2001): 11-20.
  155. Perrotta, G. Saffo e Pindaro. Bari, 1935.
  156. Pigeaud, J. Folie et cures de la folie chez les médecins de l' antiquité grecoromaine. Paris, 1987.
  157. Pigeaud, J. La maladie de l' âme. Étude sur la relation de l' âme et du corps dans la tradition médicophilosophique antique. Paris, 1981.
  158. Pintaudi, R. "Ermeneutica per epistulas: l' ostrakon fiorentino di Saffo (PSI XIII 1300). " APapyrol 12 (2000): 45-62.
  159. Pöhlmann, E. "Mundlichkeit und Schriftlichkeit Gestern und Heute. " WJ 14 (1988): 7-20.
  160. Porro, A. Vetera Alcaica. L'esegesi di Alceo dagli Alessandrini all' età imperiale. Milan, 1994.
  161. Prauscello, L. Singing Alexandria. Music between Practice and Textual Transmission. Leiden-Boston, 2006.
  162. Prauscello, L. and C. Pernigotti. " 'Spartiti musicali' nella Grecia ellenistica: plural- ità delle occasioni del canto e discontinuità della tradizione." In Mittelfest 2001 -Settore Musica a Arti visive, Grecia, 29-37. Trieste, 2002.
  163. Pretagostini, R. "Anacr. 33 Gent. 356 P.: due modalità simposiali a confronto. " Quad Urb ns 10 (1982): 47-55.
  164. Pretagostini, R. Ricerche sulla poesia alessandrina. Rome, 1984.
  165. Privitera, G.A. La rete di Afrodite. Studi su Saffo. Palermo, 1974.
  166. Puglia, E. "Per la ricomposizione del quarto libro dei canti di Saffo (POxy. 1787). " SemRom 10 (2007): 17-39.
  167. Puglia, E. "P.Oxy. 2294 e la tradizione delle odi di Saffo. " ZPE 166 (2008): 1-8.
  168. Pugliese Carratelli, G. Tra Cadmo e Orfeo. Contributi alla storia civile e religiosa d'Occidente. Bologna, 1990.
  169. Reitzenstein, R. Epigramm und Skolion. Ein Beitrag zur Geschichte der alexandrini schen Dichtung. Giessen, 1893.
  170. Rissman, L. Love as War: Homeric Allusion in the Poetry of Sappho. Königstein, 1983.
  171. Robbins, E. "Who's Dying in Sappho fr. 94?" Phoenix 44 (1990): 111-21.
  172. Robert, L. Opera minora selecta. 2 vols., vol. 2. Amsterdam, 1969.
  173. Rösler, W. Dichter und Gruppe. Eine Untersuchung zu den Bedingungen und zur his torischen Funktion früher griechischer Lyrik am Beispiel Alkaios. Munich, 1980.
  174. Schadewaldt, W. Sappho, Welt und Dichtung. Potsdam, 1950.
  175. Schulze, W. Quaestiones epicae. Gütersloh, 1892.
  176. Sider, D., ed. The Epigrams of Philodemos. Oxford, 1997.
  177. Simon, B. Mind and Madness in Ancient Greece. The Classical Roots of Modern Psy chiatry. Ithaca, NY, 1978.
  178. Snell, B. "Der Anfang eines äolischen Gedichts. " Hermes 81 (1953): 118-19.
  179. Snell, B. "Sapphos Gedicht ΦAINETAI MOl KHNOΣ. " Hermes 66 (1931): 71-90.
  180. Snyder, J. McIntosh. Lesbian Desire in the Lyrics of Sappho. New York, 1997.
  181. Sofia, A. "Nosside, Saffo e la lirica d'amore neoegizia. " ARF 8 (2006): 53-70.
  182. Stehle, E. Performance and Gender in Ancient Greece. Nondramatic Poetry in Its Set ting. Princeton, NJ, 1997.
  183. Strauss Clay, J. The Politics of Olympos. Form and Meaning in the Major Homeric Hymns. Princeton, NJ, 1989.
  184. Tedeschi, G. Saffo. Biografia e antologia di versi. Trieste, 2005.
  185. Tomsen, O. Ritual and Desire: Catullus 61 and 62. Aarhus, 1992.
  186. Treu, M. "Neues über Sappho und Alkaios (P. Oxy. 2506). " QuadUrb ns 2 (1966): 9-36.
  187. Treu, M. Sappho. 2nd ed. Munich, 1954.
  188. Tsomis, G. Zusammenschau der frühgriechischen monodischen Melik (Alkaios, Sap pho, Anakreon). Stuttgart, 2001.
  189. Turner, E.G. Greek Papyri. Oxford, 1968.
  190. Turner, E.G. The Papyrologist at Work. Durham, NC, 1973.
  191. Vetta, M., ed. Aristofane, Le donne all' assemblea. Trans. D. del Corno. Milan, 1989.
  192. Vetta, M. Symposion. Antologia dai lirici greci. Naples, 1999.
  193. Vetta, M., ed. Theognis. Elegiarum liber secundus. Rome, 1980.
  194. Vogliano, A., ed. Sappho: una nuova ode della poetessa. Milan, 1941.
  195. Voigt, E.-M., ed. Sappho et Alcaeus. Amsterdam, 1971.
  196. West, M.L. "Alcmanica I. The Date of Alcman. " CQ 15 (1965): 188-202.
  197. West, M.L. Ancient Greek Music. Oxford, 1992.
  198. West, M.L. "Burning Sappho. " Maia 22 (1970): 307-30.
  199. West, M.L., ed. Hesiod. Works and Days. Oxford, 1978.
  200. West, M.L. "Notes on Sappho and Alcaeus. " ZPE 80 (1990): 1-8.
  201. West, M.L. "The New Sappho. " ZPE 151 (2005): 1-9.
  202. Wilamowitz-Moellendorff, U. von. "Neue lesbische Lyrik (Oxyrhynchus Papyri X). " NJA 33 (1914): 225-47. Later in Kleine Schriften, vol. 1, 384-414. Berlin, 1935.
  203. Wilamowitz-Moellendorff, U. von. Sappho und Simonides. Untersuchungen über griechische Lyriker. Berlin, 1913.
  204. Williamson, M. Sappho's Immortal Daughters. Cambridge, MA, 1995.
  205. Winkler, J.J. The Constraints of Desire. The Anthropology of Sex and Gender in An cient Greece. London, 1990.
  206. Yatromanolakis, D. "Alexandrian Sappho Revisited. " HSCP 99 (1999b): 179-95.
  207. Yatromanolakis, D. "Contrapuntal Inscriptions. " ZPE 152 (2005): 16-30.
  208. Yatromanolakis, D. "Ritual Poetics in Archaic Lesbos: Contextualizing Genre in Sappho. " In D. Yatromanolakis and P. Roilos, eds., 43-59. Towards a Ritual Poetics. Athens, 2003.
  209. Yatromanolakis, D. "Visualizing Poetry: An Early Representation of Sappho. " CP 96 (2001): 159-68.
  210. Yatromanolakis, D. "When Two Fragments Meet: Sapph. fr. 22 V." ZPE 128 (1999a): 23-24.
  211. Zellner, H. "Sappho's super-superlatives. " CQ 56 (2006): 292-97. Additional Bibliography to the English Edition
  212. Bastianini, G. and Casanova, A., eds. I papiri di Saffo e di Alceo. Atti del Convegno Internazionale di Studi: Firenze, 8-9 giugno 2006. Florence, 2007.
  213. Ferrari, F. "Due sequenze saffiche in P.Oxy. 1787: Esili e i tre carmi dell'ultima col- onna. " SemRom 10 (2007): 10-15.
  214. Prauscello, L. "Le 'orecchie' di Saffo: qualche osservazione in margine a Sapph. 31.11-12 V. e alla sua ricezione antica. " In G. Bastianini and A. Casanova, eds., 191-207 and plate vii. I papiri di Saffo e di Alceo. Atti del convegno internazionale di studi, Firenze, 8-9 giugno 2006. Florence 2007.
  215. Puglia, E. "P.Oxy. 2294 e la tradizione delle odi di Saffo. " ZPE 166 (2008): 1-8.
  216. Rawles, R. "Notes on the Interpretation of the 'New Sappho'." ZPE 157 (2006): 1-7.
  217. Rösler, W. "Ein Gedicht und sein Publikum. Überlegungen zu Sappho Fr. 44 Lobel- Page. " Hermes 103 (1975): 275-85.
  218. Yatromanolakis, D. Sappho in the Making. The Early Reception. Cambridge, MA, 2007. Indices 213
  219. Indices Index Verborum Abanthis: 189, 190, 197 Acheron: 57, 60, 63, 180, 182 Achilles: 46, 60, 91, 92, 124, 125, 146 Adonia: 13, 150 Adonis: 35, 68, 78, 116, 144, 149, 150 Aeneas: 5, 199 Aenesimbrota: 38
  220. Aeolia, Aeolian: 5, 112 Aeolic: 1, 6, 9, 24, 40, 91, 99, 133 Aesimnetes: 7, 8, 11, 22 Alceids: 11, 22, 24
  221. Alcinoos, King: 60 Alexandria: 2, 150 Alexandrian edition: 2, 19, 40, 45, 84, 111, 117, 118, 143, 161
  222. Anacreontic (meter): 73
  223. Anacreontic (vases): 4, 101
  224. Anactoria: 11, 35, 36, 37, 41 Anatolia: 5, 11 Anchises: 198, 199, 200
  225. Andromache: 40, 63, 68, 128, 130-33, 185
  226. Andromeda: 18, 21, 23-26, 28, 31, 33, 35, 36, 39-42, 46, 48, 49, 52, 55, 57, 59, 66, 70, 73, 81, 95, 99, 183
  227. Antimenidas: 8, 22
  228. Bridegroom, and heroic figure: 125-27 Brygos Painter: 74 Callias, grammarian: 36 Calliope: 198 Calypso: 200 Candaules: 18 Charaxos: 17, 89, 156, 158, 159, 167 Choriamb: 19, 118, 143, 182 Clazomenae: 11 Cleanactids: 5, 9, 10, 12, 88 Cleanor: 10, 17
  229. Cleis, daughter of Sappho: 3, 6, 9, 11-19, 23, 69, 71, 143-45
  230. Cleis, mother of Sappho: 3, 5, 6, 8, 14, 17, 19, 69, 71, 143-45 Colophon: 189 Copenhagen fragment: 1, 2, 3, 6 Crantor: 62 Crete : 44, 151-54
  231. Critias, Athenian archon: 18, 19 Cyprus: 57, 58, 60, 153, 154, 189 Cyrnus: 47, 60, 61, 62 Cythera: 58 Damaena: 38 Damareta: 38 Damophila: 36 Daphnephoria: 38 Demeter: 44, 64, 200 Dionysus: 147, 198 Doricha: 49, 158, 159 Dracon: 24 Education of young women: 18, 34, 43, 102 Eos: 198-200 Epikedia: 144 Eunica: 37 Eurygius: 17 Florentine ostrakon: 151, 193 Funeral lament: 144, 146, 149 Gelon: 18 Glyconics: 3, 45, 84, 181 Gongyla: 37, 95-98, 181, 182, 189, 190 Gorgo: 18, 23-24, 35, 36, 66, 81, 89, 95-98, 189 Gyrinno: 35, 36, 42, 48, 49, 52 Habrosune: 17 Hagesichora: 5, 38, 96 Hephaestus: 147 Hera: 25, 164, 198
  232. Hermes: 18, 153-55, 181, 182, 206, 210, 211 Hetaireia: 33, 90 Himation: 100, 101, 190 Hydria: 101, 102, 107, 98 Iarbas: 5
  233. Ionia, Ionian: 4, 5, 35, 63, 128
  234. Jong, Erica, Sappho's Leap: 78 Kalathos: 74 Kalpis: 101, 106 Kephisus: 58 Kleos: 60, 66, 67, 71 Komos: 41, 100, 101
  235. Locrian songs: 141
  236. Lydia, Lydian: 4-7, 11-13, 17, 18, 23, 35, 40, 49-52, 69, 70, 77, 97, 200 Megacles: 24 Megara: 21, 28, 37, 62 Megistes: 26 Melanchros: 10, 24, 40
  237. Mika: 24, 42, 52-54, 73, 97, 98
  238. Myrsilus: 10, 11, 17, 18, 22, 24, 40, 85, 89 Myrsus: 18 Mytilene: v, 5-12, 18, 22, 24, 25, 36, 43, 87, 89, 90, 95, 140, 145, 149, 198 Naucratis: 102, 152, 158 Nausicaa: 184 Nereids: 80, 154-58 Odysseus: 60, 165, 184, 200 Oikistes: 24 Onesimos: 102 Ortygia: 153 Pagondas: 38 Panormos: 153 Paphos: 58, 60, 153 Parcae: 190 Peitho: 153 Pektis: 6, 69, 189, 190 Peleus: 190 Pelops: 18 Penthilids: 10, 11, 18, 24, 25, 40, 53 Penthilus: 24 Persephone: 182, 202 Philylla: 38 Pisistratus: 27 Pittacus: 7-12, 18, 19, 22-25, 84, 85-92, 198 Pleistodike: 89 Polyanactids: 18, 23, 24 Polygnotus: 101, 107 3.878: 25
  239. Hec. 924: 5 Hel. 1240: 65 Hel. 1495: 28 Hel. 1663: 28 HF 673: 96
  240. Hipp. 766: 163
  241. Hipp. 1148: 97 Ion 859: 15 IT 839: 15 Med. 285-86: 54
  242. Med. 383: 54
  243. Med. 797: 54
  244. Med. 1164: 69 Ph. 182-84: 59 Ph. 230: 204 Ph. 421: 139 Ph. 1486: 69 Ph. 1499-1501: 147 Tr. 506: 69 Tr. 989: 71 Eusebius: 9 Evangelus fr. 1.1: 184
  245. Galen 11.586: 180
  246. Th. 529: Th. 910: 179
  247. Od. 14.342: 40
  248. Od. 14.349: 40
  249. Od. 14.512: 40
  250. Od. 18.67: 40
  251. Od. 18.74: 40
  252. Od. 18.340: 186
  253. Od. 24.13: 182
  254. Horace Carm. 1.2.33-34: 189
  255. Ibycus fr. 286.1: 154
  256. Inscriptions IG 5(1).29: 147 IG 7.2484: 147 IG 12.2.73: 153 IG 14.256: 147
  257. IGBulg I 2 458.1: 88
  258. Jerome (Hieronymus) Chronicon 99b H: 9
  259. Laevius fr. 18 Morel: 12
  260. Leonidas AP 9.326.5: 16
  261. Lucian Symp. 41: 126 Lucretius 3.152-60: 175 Lycophron 674: 164 Marmor Parium See Adespota, FGrH 239: 18 Maximus of Tyre: 143, 144 18.9: 23, 36
  262. Meleager A.P. 4.1.35: 155
  263. A.P. 5.172: 119
  264. Menander Dys.: 113 Leuc. 40-47: 180 Per. 823: 5 Phasm. 95: 111 Sam. 46: 111 Sam. 71: 113 Sam. 120: 113 Sam. 189: 113 Sam. 210: 113 Sam. 219: 113 Sam. 673: 113 Sam. 729: 113 Mimnermus fr. 1.4: 204 fr. 1.5-10: 196 fr. 2.1: 204 fr. 2.10-15: 196 fr. 4: 196 fr. 5.1-5: 186 fr. 16: 78 fr. 20: 186 T 1 G.-P.: 186 Indices 221
  265. Musaeus Hero and Leander: 184 Myrsilus of Methymna FGrHist 477 fr. 14: 157
  266. Nicander Schol. Ther. 613: 88 Ther. 493: 164
  267. A.P. 6.265.3: 202
  268. A.P. 9.332.1: 164
  269. Orphica] Hymn. 61.2-9: 59 Hymn. 3.5: 109 Hymn. 55.2: 109 Hymn. 86.16: 204
  270. Ovid Ep. 15.15-16: 36
  271. Papyri P.Berol. 9722: 135 P.Chester Beatty 1.5, C 2.9-10: 174
  272. P.Halle 3: 19, 55
  273. P.Köln 59, col. II: 2 P.Köln II 60 = S476 SLG: 47 P.Köln II 61 fr. a: 35 P.Köln Inv. 21351: 193 P.Köln VII, 429 fr. 1, col. I.3-8: 64 P.Köln VII, 429: 67, 193
  274. P.Oxy. 1231: 159, 188, 201
  275. P.Oxy. 1232: 129
  276. P.Oxy. 1787: 19, 52-53, 55, 67, 193-94, 203
  277. P.Oxy. 1787 fr. 3, col. II 15-24: 203
  278. P.Oxy. 1800 fr. 1: 3, 17, 179
  279. P.Oxy. 2076: 129 P.Oxy. 2166 (d)3: 203
  280. P.Oxy. 2166 (d)4: 53 P.Oxy. 2288: 163 P.Oxy. 2290: 19 P.Oxy. 2291: 82, 84, 85, 92
  281. P.Oxy. 2292: 95, 98
  282. P.Oxy. 2293: 48
  283. P.Oxy. 2294: 112, 117, 210, 211
  284. P.Oxy. 2307: 12 P.Oxy. 2506: 34, P.Ryl. 17.3: 126 PSI 1214d.2: 180 PSI 1300: 151 Pausanias 1.1.3: 154
  285. Pindar: 5, 6, 38, 58, 62, 64, 68, 80, 94, 132, 144, 145, 147, fr. 75.7-9: 94 fr. 75.13: 147 fr. 122.6: 157 fr. 125: 6 fr. 128c: 144 fr. 150: 147
  286. Pae. 6.6: 147
  287. Pae. 6.181: 201
  288. Plato Lg. 637d-e: 87 Lg. 654a-661d: 34 Lg. 657d: 198 Lg. 737e: 18 Lg. 764d-e: 28 Lg. 796e: 60 Lg. 812e: 34 Ly. 204a: 52 Phdr. 251a-b: 174 Plt. 309b: 25 Prt. 321a: 139 R. 3: 145 Smp. 201a: 138 Ti. 71c: 166 Ti. 83d-e: 177
  289. Pliny H.N. 10.29.43: 113 H.N. 13: 115
  290. Plutarch Aud. poet. 6.23b: 146
  291. De tranq. an. 471b: 11 Prof. in virt. 81d: 163, 171
  292. Quaest. Conv. 71d: 13
  293. Pollux 3.42: 125
  294. Ps.-Longinus: 171-72 Subl. 10: 174
  295. Ps.-Phocylides 95: 53, 63, 78, 111, 181
  296. Ps.-Plutarch De mus. 4.1132d-e: 63
  297. De mus. 6.1133c: 133 De mus. 16: 145
  298. Quintus Smyrnaeus 5.71: 189 10.324: 152
  299. Sappho Copenhagen fragment: 2 Milan fragment: 2 "Ode to Aphrodite" (= F 1): 154, 161, 166 769: 147 1009: 204 1017-21: 186 1041-42: 54 1063-64: 140 1181: 91 1269: 81 1323-26: 169 1335: 141 1341: 35 1350: 195 1353: 180 Theophrastus fr. 97 Wimmer: 7 Thucydides: 132 1.6.3: 70
  300. Xenophon Ephesius 1.3: 184

Related papers

The Birth Of The Word: A Legacy Of Sappho's Consciousness Of The Spirituality Implicit In Her Poetic Creativity
Stuart Dean
View PDFchevron_right
The New Sappho Poem (P. Koln 21351 and 21376): Key to the Old Fragments
André Lardinois

2009

The m ost S p e ctacular find in recent years is probably the Milan papyrus, containing over one h undred new epigram s of th e Hellenistic poet Posidippus, published in 2001.1 No less spectacular is th e collection of twenty-five papyrus fragm ents th a t the German university of Cologne obtained in 2002. On close inspection it becam e clear th a t am ong these fragm ents were the rem ains of at least one and probably two poem s of Sappho.2 This essay will focus on the second of th e two Sappho poem s found on th e Cologne papyrus, th e so-called Tithonos poem. I will first discuss the reconstruction of this poem. Next, I will show how th e structure of th e Tithonos poem can help to elucidate the struc ture of some older Sappho fragm ents, especially fragm ents 16 and 31. Finally, at th e end of th e paper I will suggest a possible perform ance context for the new poem. 4 1 Bastianini and Gallazzi 2001, re-e d ited in Austin and B astianini 2002. This essay is a com bina tio n o f tw o p ap ers I delivered a t th e APA: "A New Sappho Papyrus (P.Koln 21351): Key to th e Old F rag m en ts" (APA M ontreal 2006) and "The New Sappho Poem: W here does it end?" (APA San Diego 2007). I w ish to th a n k th e original audiences, also listeners a t th e universities of G hent, Iowa an d Oxford, as well as Jan M aarten Bremer, Irene de Jong, Richard Rawles and th e anonym ous referees for th eir h elpful com m ents and suggestions. I fu rth e r w ould like to th an k Debby B oedeker for h e r com m ents and for sh aring w ith m e h er forthcom ing article, and the tw o editors for b rin g ing this volum e together.

View PDFchevron_right
Boehringer Sandra & Calame Claude, « Sappho and Kypris. The Vertigo of love (P. Sapph. Obbink 21-29 ; P. Oxy. 1231 ; fr. 16) », in A. Bierl and André Lardinois, The Newest Sappho, P. Sapph. Obbink and P. GC inv. 105, frs. 1-4), Leiden & Boston, Brill, 2016, pp. 353-367.
Sandra Boehringer

Our knowledge of ancient Greece advances in three ways: via the discovery of new documents; via the development of new approaches to ancient materials related to the evolution of technology and experimental sciences; finally, via the evolution of epistemological tools of history and of cultural and social anthropology .1 The recent discovery of a Sappho papyrus, and especially of the new poem of Sappho's that has become known as the 'Kypris Song' , offers papyrolo-gists, historians, and anthropologists this threefold possibility: an unexpected papyrological discovery, which is still being discussed, new technical means of reading the papyrus and working out any overlap with fragments already published,2 and the possibility of addressing the poems of Sappho with the approaches and conceptual tools provided by the human sciences. It is important to stress this third method, which is what the vast majority of publications on various areas of Classics rely upon, but which can sometimes be overlooked when understandable enthusiasm regarding a material discovery overtakes us. In the case of the corpus of (fragmentary) poems by Sappho, the contributions of linguistic pragmatics and gender studies, two areas that experienced significant epistemological development during the last two decades of the twentieth century, are essential. Our understanding of archaic melic poetry, at the beginning of a new century, is no longer that of the German philolo-gists in the late nineteenth and the whole twentieth centuries, who saw in it an expression of a " lyrical " self,3 just as our interpretation of the love described in the poems is no longer—or at least less systematically—the object of con

View PDFchevron_right
The Reflection of Transitional Society of Mytilene at the End of the Archaic Period (8TH – 5TH Century B.C.) a Study on Sappho’s “Ode to Anaktoria”
Lydia Kanelli Kyvelou Kokkaliari

Analisa: Journal of Social Science and Religion, 2017

This article discusses Sappho’s “Ode to Anaktoria” (fragment 16) poem as a ‘marginal’ product of an aristocratic intellectual in the transitional society of Mytilene at the end of the Archaic Period (8th-5th century B.C.). The research method is a kind of media analysis. The mean of “media” in this paper related to “A means by which something is communicated or expressed” It is laso relate to the intervening substance through which sensory impressions are conveyed or physical forces are transmitted. Media also means as a substance in which an organism lives or is cultured. On the other hand, media is a material or form used by an artist, composer, or writer; We interpreted Ode to Anaktoria in the means as the terms of media above. Sappho (born 610, died 570 B.C.) is a renowned Greek lyric poetess and musician and is greatly admired in all ages for the beauty of her writing style. Plato’s 16th epigram dedicated to her reads “Some say there are nine Muses; but they should stop to thi...

View PDFchevron_right
Kalaitzi, M. and Paschidis, P., Introduction in M. Kalaitzi, P. Paschidis, C. Antonetti, A.-M. Guimier-Sorbets (eds.), Βορειοελλαδικά. Tales from the lands of the ethne. Essays in honour of Miltiades B. Hatzopoulos. Μελετήματα 78 (Athens 2018).
Myrina Kalaitzi, Paschalis Paschidis
View PDFchevron_right

Related topics

  • Papyrology
  • Early Greek poetry
  • Greek Philology
    • 580 California St., Suite 400
    San Francisco, CA, 94104
    © 2025 Academia. All rights reserved
    Morty Proxy This is a proxified and sanitized view of the page, visit original site.