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The Arts Portal


An artist's palette

An artist's palette

The arts is a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which, as a description of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing artsmusic, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory.

Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.

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The Laima Clock with the Freedom Monument visible in the background
The Freedom Monument is a memorial, located in Riga, Latvia, in honor of soldiers killed in action during the Latvian War of Independence. It is considered an important symbol of the freedom, independence and sovereignty of Latvia. Unveiled in 1935, the 42-metre (138 ft) high monument of granite, travertine and copper often serves as the focal point of public gatherings and official ceremonies. The sculptures and bas-reliefs of the Freedom Monument, arranged in thirteen groups, depict Latvian culture and history. The core of the monument is composed of tetragonal shapes on top of each other, decreasing in size towards the top, completed by a 19-metre (62 ft) high travertine column bearing the copper figure of Liberty lifting three gilded stars. After several contests the monument was finally built at the beginning of the 1930s according to the scheme "Shine like a star!" by Latvian sculptor Kārlis Zāle. During World War II Latvia was annexed by the USSR and the Freedom Monument was considered for demolition, but no such move was carried out. Soviet sculptor Vera Mukhina is sometimes credited with the rescue of the monument, possibly because she considered it to be of the highest artistic value. It remained a symbol of national independence to the general public and on 14 June 1987 about 5,000 people gathered there to commemorate the victims of the Soviet regime and to lay flowers. This rally began the national independence movement and three years later the independence of Latvia was re-established.

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Ramayana
Credit: Artist: Sahibdin

A scene from the Ramayana, an ancient Sanskrit epic. Depicted here are several stages of the War of Lanka, with the monkey army of the protagonist Rama (top left, blue figure) fighting the demon army of the king of Lanka, Ravana, to save Rama's kidnapped wife Sita. The three-headed figure of the demon general Trisiras occurs in several places – most dramatically at the bottom left, where he is shown beheaded by Hanuman.

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Storer House, Hollywood Boulevard

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John Douglas
John Douglas (1830–1911) was an English architect who designed about 500 buildings in Cheshire, North Wales and northwest England, in particular in the estate of Eaton Hall. Douglas' output included the creation, restoration and renovation of churches, church furnishings, houses and other buildings. His architectural styles were eclectic and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Netherlandish architecture into his works. He is remembered for his use of half-timbering, tile-hanging, pargeting, decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery and highly detailed wood carving. Throughout his career he attracted commissions from wealthy landowners and industrialists. Most of his works have survived. The city of Chester contains a number of his structures, the most admired of which are his half-timbered black-and-white buildings and Eastgate Clock. The highest concentration of his work is found in the Eaton Hall estate and the surrounding villages of Eccleston, Aldford and Pulford.

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A 12th-century song by Comtessa Beatritz de Dia, "A Chantar" is the only existing song by a trobairitz which survives with its music.

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Acting is merely the art of keeping a large number of people from coughing.

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