Ryan Gilbey on Film

Noah Baumbach and Greta Gerwig's Manhattan-esque comedy, shot entirely in black and white, brings the force and intimacy of a love story to bear on the relationship between two Brooklyn-based flatmates.

Edgar Wright and Simon Pegg return for the final instalment of their "Cornetto" trilogy: a raucous comedy slightly gnarled by its lofty ambitions.

Bula Quo! might be tired, naive and desperately middle-of-the-road, but spare the pop-film genre! I can't be the only one who looks at Rizzle Kicks or Dizzee Rascal and thinks: give those kids a movie.

Ryan Gilbey wonders why Despicable Me 2 had to be made.

The Stone Roses are back, whether you like it or not. Two new films, Spike Island by Mat Whitecross and Shane Meadow's Made of Stone, boast of the band's greatness, without offering much of a reason for it.

Daniel Craig apologised for Quantum of Solace in 2011, and this week, Glenn Close has expressed regret publicly for her portrayal of a woman with mental illness in Fatal Attraction. But was it necessary?

If you’ve seen The Cement Garden, Pan’s Labyrinth or The Others, you are already familiar with some of the pictures which wouldn’t exist without Carlos Saura's Cría cuervos.

Blood, mud and splinters.

It may be controversial to say so, but he's really something, isn't he?

Billy Liar at 50.

Mags to riches.

Bernardo Bertolucci returns after eight years with the invigorating "Me and You".

The sweet sound of Christopher Walken in the otherwise terrible "A Late Quartet"

Brits, glitz and grit.