The Stone Roses are back, whether you like it or not. Two new films, Spike Island by Mat Whitecross and Shane Meadow's Made of Stone, boast of the band's greatness, without offering much of a reason for it.

Richard Linklater’s remarkable 20-year, three-film journey, from sunrise to midnight.

Can only when we stop confusing artistic merit with ethical deformity can we start having interesting conversations about what constitutes “artistic” pornography and whether there’s a market for it, says Tabatha Leggett.

How to describe Liberace? Imagine a French Fancy at a grand piano, decked out in jewellery that would make the average hip-hop performer look frugal, and you're in the right ballroom. I mean, ballpark.

Juliet Jacques returns to one of Britain’s best silent films.

If you’ve seen The Cement Garden, Pan’s Labyrinth or The Others, you are already familiar with some of the pictures which wouldn’t exist without Carlos Saura's Cría cuervos.

Enviable curves v skinny self-control.

Blood, mud and splinters.

Reviewed: Mud.

Tears for fears.

Mags to riches.

Reviewed: Iron Man 3.

The musician talks to Yo Zushi about writing songs for Roman Coppola and the cost of remaining "autonomous".

The sweet sound of Christopher Walken in the otherwise terrible "A Late Quartet"