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New Statesman
Forty-Two Kids (1907), George Bellow's painting of children on a pier on the Eas
Leon Wieseltier in his office.
"In place of wildlife": Theroux focuses on an anthropological view of Africa.
Are you ready for the era of Big Data? By Steven Poole The digital panopticon.
Britain's fertile relationship with American painters By Tom Rosenthal Eyes across the Atlantic.
Leon Wieseltier on criticism, Big Data and Obama's moral vanity By Philip Maughan An interview.
How not to write about Africa By Hedley Twidle On Paul Theroux's new book.

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