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manners for the digital age
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Navigating the intersection of etiquette and technology.

Tweeting Your Own Horn

Farhad Manjoo and Emily Yoffe debate the question: Is it OK to tweet your own horn?

Subscribe for free in iTunes.This week, Farhad Manjoo and Emily Yoffe discuss how to strike the right tone when you promote your own work on Facebook and Twitter. Listen to Episode 19 using the audio player below or by opening this player in a new tab

Subscribe to the free Manners podcast in iTunes or directly with our RSS feed. You can also download this week's episode here. And please join our new Digital Manners Facebook page, where Farhad and Emily will continue the conversation with you:

Send us your questions about etiquette dilemmas posed by new technology. Our email address is . You can also leave your question as a voicemail that we might play on a future episode. Our number is 424-255-RUDE (424-255-7833).

What's your opinion about this week's manners dilemma?

You can also read a transcript of this episode.

You'll find previous episodes here:

Keeping Your Email Address Private
Getting Scooped on Facebook
Enough with the Earbuds
Texting During Dinner with Co-Workers
Are Some Things Better Expressed NOT On Your Facebook Page
Who Invited the Smartphone to Dinner?
Accepting a Friend Request
Sharing Passwords
Email Gone Astray
Must I Tell Facebook I'm "In a Relationship"?
Can I Ignore a Tweet Directed at Me?
Hiding Your Party's Guest List
Declaring Your Love on Facebook
How Late Is Too Late to Text?
Can I Split a Check With Groupon?
Can I Use My Phone at a Dinner Party?
Should I Return a Missed Call?

Go to Slate's podcast page.And please check out all of Slate's other podcasts here.

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Farhad Manjoo is Slate's technology columnist and the author of True Enough: Learning To Live in a Post-Fact Society. You can e-mail him at and follow him on Twitter. Emily Yoffe is the author of What the Dog Did: Tales From a Formerly Reluctant Dog Owner. You can send your Human Guinea Pig suggestions or comments to .
Illustration by Robert Neubecker.
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