So you have a badass-looking weapon, right? What better way to show it off to the viewing audience than to strike a dynamic pose with it? If that’s not enough, let’s play with the perspective a bit to make the tip look ridiculously larger than it should be. There you go, does that look cool enough? That is the Weapon Tip Focus shot.
The Weapon Tip Focus shot is a type of wide shot that relies heavily on Forced Perspective, in which it takes the tip of a character’s weapon and has the scene angled in a way that makes it seem more elongated and larger than it actually is, often as big as the character wielding it. Most of the time, this type of shot is rarely, if ever, used for any sort of practical purpose, but rather for dramatic effect and for the sake of Rule of Cool. If used also for a practical purpose, it is to convey the weapon's size and heft.
One of the most prominent and most popular usages of this type of shot is what is collectively known in many anime and manga circles as the Brave Perspective after the Brave Series or the Obari Sword Pose, named after Japanese animator Masami Obari. The pose predates Brave, going all the way back to Iczer, Obari's first mecha credit. This specific pose is commonly used in a lot of Mecha Anime, though also seen in other shows, in which the subject — commonly either a mecha or a warrior-type character — is depicted in a wide stance, their arms and center of gravity lowered towards the ground, and two-handing their weapon of choice, most commonly a longsword or melee weapon.
Ironically, Obari himself rarely actually used it in his credited works. In truth, it was fellow Japanese animator Mitsuo Fukuda who was behind it, first seen in Sunrise's 1990 anime Brave Exkaiser. However, Fukuda did credit Obari and his animation style as inspiration for the pose, resulting in the common belief that Obari was the originator of this stance. Since then, Fukuda's pose has been used in a plethora of other anime produced by Sunrise, while also receiving the (albeit not as frequently used) nickname Sunrise Perspective as a result, as well as a great many other anime not produced by the studio.
While the trope is most commonly seen with bladed weapons such as swords, it is not required for such a shot. Any kind of weapon can be applicable, such as guns, clubs, axes, or things that aren't even weapons at all. What is most important is the posing and the perspective of the shot.
In most cases, this will almost always be combined with Audible Sharpness. Not to be confused with actual fighting styles based on using the tip of a blade. Also see Ass-Kicking Pose, Sean Connery Is About to Shoot You, and Sword Pointing.
Examples:
- Bang Brave Bang Bravern!: As this being a Masami Obari work, there is of course a scene where, as Bravern prepares his Finishing Move, he dramatically points his now enlarged sword as the camera focuses on the tip of the weapon.
- Brave Exkaiser: Known for being the first instance of the Brave Perspective in use and the Trope Maker, Great Exkaiser takes this stance while preparing his Finishing Move, Thunder Flash, in which he takes his Kizer Sword and Dragon Archery weapons to form the Great Kizer Sword, as seen in the image above.
- Dragon Ball DAIMA: Tagami Number Three poses in this fashion with its hammer as it prepares to fight Goku in Episode 7, the hammer's huge head being the front focus of the shot.
- Eldoran Series:
- In Genki Bakuhatsu Ganbaruger, the Mid-Season Upgrade Great Ganbaruger does this twice whenever it pulls off its Finishing Move, Great Final Attack.
- Gransaurer in Nekketsu Saikyo Gosaurer pulls this off as well when performing its Finishing Move, Big Lancer.
- Gravion: As expected from an Obari show, the titular God Gravion takes this pose whenever it uses the White Steel Fang, unleashing a typhoon of energy from the blade called Elgo Storm whenever it does.
- Gundam:
- Gundam Build Divers Re:RISE: During a skirmish between the BUILD DiVERS and Alus, Hiroto and Alus (sporting a mobile suit harkening to Hiroto’s) engage themselves in a Sniper Duel. The moment Hiroto has Alus in his sights, he immediately takes a pose
while the perspective in the scene makes his rifle look absolutely massive before taking the shot.
- The Gunpla box art for the High Grade 1/144 scale Barbatos Gundam (in its 4th
◊ and 6th
◊ forms respectively) from Mobile Suit Gundam: Iron-Blooded Orphans portrays the eponymous Gundam holding its signature club, all while doing a pose in pure Obari fashion.
- Mobile Suit Gundam Seed Destiny: In the first episode, Shinn Asuka, piloting the Sword Impulse Gundam, makes his dramatic entrance by placing himself in the middle of Athrun and Cagalli when they were surrounded by the OMNI Enforcer special unit group Phantom Pain. Upon his arrival, Shinn immediately draws his swords and combines them into a double-bladed configuration, and takes this stance while activating them. The same shot is also featured in the first OP.
- Gundam Build Divers Re:RISE: During a skirmish between the BUILD DiVERS and Alus, Hiroto and Alus (sporting a mobile suit harkening to Hiroto’s) engage themselves in a Sniper Duel. The moment Hiroto has Alus in his sights, he immediately takes a pose
- Jujutsu Kaisen: The anime takes this perspective when Choso first uses Piercing Blood on Yuji. On odd variation, as in this case the "weapon" is really a magical technique fired from the user's hands.
- SSSS.GRIDMɅN: When Gridman is getting his ass kicked by the kaiju Dévadadan in Episode 2, one of the Neon Genesis Junior High Students, Samurai Calibur, comes to the former’s aid in the form of the massive Gridman Calibur. Upon equipping himself, Gridman takes on this pose and makes short work of the Kaiju with ease. Considering that Calibur's sword form is as tall as Gridman himself, as well as Studio TRIGGER's penchant for overexaggerating animation, the pose Gridman takes
◊ makes him look completely tiny.
- Additionally, the Figma figure of Gridman figure comes with the Gridman Calibur, complete with a “forced perspective blade” that allows you to swap with the regular blade and recreate the pose he takes when wielding the Gridman Calibur in the same episode
◊.
- Additionally, the Figma figure of Gridman figure comes with the Gridman Calibur, complete with a “forced perspective blade” that allows you to swap with the regular blade and recreate the pose he takes when wielding the Gridman Calibur in the same episode
- Transformers: Cybertron: Twice for Optimus Prime:
- In the episode Fury, a newly formatted Galvatron pummels the Autobots with ease, his last target being Optimus Prime himself. Barely able to withstand Galvatron’s onslaught, let alone be able to even stand on his own legs, Metroplex lends Optimus his massive axe, Sparkdrinker, though due to its sheer size, Optimus isn’t initially able to carry the thing. Galvatron mocks him for his efforts, but through sheer fucking will alone, Optimus manages to pull it off and summons a Cyber Key to give himself a boost, complete with the Obari pose to top it all off:
Galvatron: Ha! Oh please, Optimus Prime! Have you no dignity? You have no shot at picking that up! Here’s some shots! *fires at Optimus**Optimus Prime summons his Cyber Key, all while successfully lifting the axe*Optimus Prime: You’re not the only one around here who can generate some power![…]Galvatron: Huh? Ah, you do have something left! But you really can’t expect to fight Galvatron with an axe!
- When a wounded Optimus Prime is at Galvatron’s mercy in the episode "Unfinished", the spirit of Vector Prime comes to the Prime’s aid at the last possible second to present him with a gift: a larger version of his sword, Rhisling. Upon drawing the sword, Optimus takes this pose and gains a Heroic Second Wind:
Galvatron: What trickery is this!?Optimus Prime: No trickery, just your downfall. *pulls out Rhisling* Time to meet your fate, Galvatron!
- In the episode Fury, a newly formatted Galvatron pummels the Autobots with ease, his last target being Optimus Prime himself. Barely able to withstand Galvatron’s onslaught, let alone be able to even stand on his own legs, Metroplex lends Optimus his massive axe, Sparkdrinker, though due to its sheer size, Optimus isn’t initially able to carry the thing. Galvatron mocks him for his efforts, but through sheer fucking will alone, Optimus manages to pull it off and summons a Cyber Key to give himself a boost, complete with the Obari pose to top it all off:
- The Transformers 40th Anniversary Special Movie by Studio TRIGGER features an homage to this in the franchise, by having Star Saber, God Ginrai, Optimus Prime and Galaxy Convoy all doing the pose simultaneously, with Brave Maximus doing the same in the background.
- Beowulf (2007) features such a shot when a soldier rides up to Beowulf's party and thrusts his spear directly into the camera. Naturally, the 3-D screenings took full advantage of this.
- Kung Fu Panda 2: Master Thundering Rhino's Humongous-Headed Hammer takes up half the screen as he points it at Lord Shen and warns him off, emphasizing the power of his signature weapon. This also serves to punctuate the superiority of Lord Shen's cannon when it kills Master Rhino in one shot.
- The Matrix: When Trinity delivers a point-blank Boom, Headshot! to Agent Jones, the camera perspective makes her handgun take up most of the screen. The storyboards specify the gun should look "as big as she is."
- Ohsama Sentai King-Ohger: In the very first episode, the eponymous mecha homages the Brave Perspective after eliminating the Monster of the Week with its finisher attack
.
- BattleTech: This shows up in artwork on occasion, first and foremost in the original Technical Readout 3055, where the Rifleman IIC
◊, Warhammer IIC
◊, and Marauder IIC
◊ were all drawn very prominently in this perspective. Not surprising, since the artwork for all the IIC mechs in that book was created by a Japanese company rather than being done in-house by FASA so they were much more animesque than most Battletech artwork (that wasn't lifted directly from an anime).
- Yu-Gi-Oh!: The Super Quantal Mech Sword – Magnaslayer
◊ trap card is portrayed posing in a manner that heavily references the Brave Perspective.
- Digimon Card Game: The normal artwork for BT17 Imperialdramon: Paladin Mode
◊ uses the classic Brave Perspective (the alternate artwork goes for Stab the Sky instead).
- Honkai: Star Rail: Sushang plays this trope straight when using her Ultimate, "Shape of Taixu: Dawn Herald"
.
- Metaphor: ReFantazio: When Strohl awakens to his Archetype, the Warrior, this shot is how it transitions to the battle:
Strohl: Come! I will show you a world with honour!
- Overwatch: One of Genji's highlight intros titled "Warrior's Salute
" begins with him extending his sword towards the bottom left of the frame before he twirls and sheathes it. The shot goes from a close-up of Genji to a wide shot, making his blade look more elongated, while Genji himself in the background looks smaller in comparison.
- Persona 3 Reload:
- The opening cinematic of Episode Aigis: -The Answer- has a camera angle in the Coliseum duels which makes Junpei's sword appear longer and larger in reference to the "Obari Sword Pose" Forced Perspective shot.
- Whenever Metis performs her Orgia Mode Theurgy, she briefly does a pose with her hammer/axe that mimics the "Obari Sword Pose" before she leaps into the air and unleashes her attack. This is more noticeable if her equipped weapon is already huge enough to begin with.
- Project × Zone: In the animated opening video, there is a group shot that is composed of some of the main sword users in the cast, including those wielding BFSes, a katana, and a laser saber, all of them positioned this way to make their weapons look even bigger.
- Resident Evil 4: In a cutscene before the Final Boss fight, Leon's knife appears larger because the camera's perspective focuses on the tip of its blade.
- Shadow Warrior 3: The beginning
of "Way to Motoko" level has protagonist Lo Wang slashing a Yokai offscreen. When the camera reveals the aftermath, the first thing we see is the tip of Wang's bloodied katana for some seconds.
- Transformers: Devastation: Menasor hits the Obari Sword Pose for a few seconds in the transition cutscene to the second phase of his boss fight, after charging his sword with lightning.
- Wuthering Waves: Near the end of the "Flowing Starlight in the Iris" quest, Chisa briefly does the Obari Sword Pose before cutting the celebration cake with her giant scissors.
- Twin Dragons: Near the start of Chapter 11, when the twins are having an impromptu duel at a fish market, the shot of Kai holding his weapon seems to be this. Of course, it's a swordfish in this case.
- The Transformers: The Movie: During the Decepticon raid on Autobot City, Arcee and Springer begin transforming it into a fortress. The last shot showing the city’s transformation consists of a gun turret swinging a full 180 degrees, pointing towards the upper center frame, making the turret look massive.

