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Thick-Line Animation

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Thick-Line Animation (trope)

"...Those FOP outlines also prominently feature a style known in the industry as Eddie Murphy-ing. Y'know, 'cause they're black, fat on the outside, and haven't been popular since 2007."
Harry Gold explaining the thick-line art style.

An animation style characterized by visible heavy black borders around characters and objects.

This style began being used by a few animation companies in the early 1950s (mostly UPA, of Gerald McBoing-Boing and Mr. Magoo fame), and became dominant in American TV animation during the '60s and '70s, eclipsing the more naturalistic style used in most animation during earlier decades. It was phased out during the early '80s, when more naturalistic styles again became dominant in American animation, but then became the standard yet again (on television at least) during the late '90s, and has remained in active use to this day — shows animated in Adobe Flash and Toon Boom tend to look especially good in this style. However, as of The New '10s and carrying on into The New '20s, most mainstream television animation in the world (mostly the US) has switched to its less detailed, more expressive cousin: Thin-Line Animation. Now, that's not to say this style is dead, as it is still used in many productions, just not as many as it used to.

This is sometimes considered to be among the most defining traits of modern day American animation, mostly when contrasted with the similar "anime=big eyes" notion to emphasize the differences between U.S. and Japanese animation. When this art style does show up in Japanese media, it tends to have uneven lines and crayon shading in imitation of children's doodles (rakugaki).

Compare and contrast Limited Animation, Web Animation, Super-Deformed, Mismatched Atomic Expressionism, or No-Line Animation.


Example subpages:

Other examples:

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    Advertising 
  • In the '50s, several TV commercials featuring Disney characters like Mickey Mouse, Donald Duck and Peter Pan advertising several different products used this kind of art style, despite Walt's personal dislike for the style. A Jell-O commercial featuring Alice talking with the Griffin and the Mock Turtle even had the outlines on the animation recycled from the movie thickened to match.
  • Some Pokémon artwork on the newer Pokémon-related advertisements are depicted in this manner, with Pikachu being depicted with an oval head in this artstyle. note 

    Anime & Manga 
  • Attack on Titan: For the first three seasons. It's not of uniform thickness, though, giving the impression of a brush pen. Averted in the fourth and final season, which switched to more Thin-Line Animation.
  • Aggretsuko used the Japanese variation of the thick-line animation.
  • Close-up shots in Casshern Sins are animated with large outlines.
  • Some episodes of Digimon Data Squad animate the child-level mons in this style, particularly in the series' tail end. It's very inconsistently done and is probably a product of the Off-Model Art Shifts which plague the series.
  • Used in the Dragon Ball Z film Fusion Reborn during the comedic scenes set on Earth. It's particularly noticeable during Goten and Trunks' fight with The Dictator and his army. For all other scenes, such as those set within the Other World, the art style reverts to the standard used throughout the rest of the franchise.
    • The fourth episode of Dragon Ball Super is full of thick-lining, particularly the scenes with Emperor Pilaf.
  • Demon Slayer: Kimetsu no Yaiba often uses thick lines in some shots and comedic takes.
  • Fullmetal Alchemist has done a couple Art Shifts to this type of style for some comical moments.
    • The first ending of Brotherhood is entirely animated in thick lines and crayon colors, representing drawings made by Ed and Al before they lost their bodies.
  • Hellsing is different in how the anime and OVA series averts it when the manga has very noticeable thick line drawing.
  • The mochi segments in the fifth season of Hetalia: Axis Powers use bulky outlines.
  • The anime adaption of Samurai Girls uses large lines in the character designs and weapons. The general art style resembles traditional ink painting.
  • Kaiji and Akagi both the works of Nobuyuki Fukumoto and both animated by Madhouse, are animated with thick lines.
  • Appears in episode 7 of the Katanagatari anime, which is closer to the art style of the original light novels' illustrations.
  • Koe de Oshigoto! uses rough lines as an artistic direction; it's used to emulate the look of Eroge CG's.
  • The Gainax anime Panty & Stocking with Garterbelt, which was inspired by American cartoons like The Powerpuff Girls (1998), utilizes the trademarks of the style like chunky outlines and basic angular designs.
  • Thick lines are applied at times on the character designs in Samurai Champloo.
  • Cartoonish geometric designs with coarse lines are utilized in Super Milk Chan making it look a lot like a mix of Ren & Stimpy, Dr. Seuss, and The Powerpuff Girls (1998).
  • Yu-Gi-Oh! features heavy outlines from time to time. Notably during closeups of the characters' faces.
  • Any work of Kouta Hirano, where it's used to accentuate the angular, dynamic designs of his Noodle People characters, though it's less pronounced in the TV version of Hellsing. OVAs and Drifters, OTOH...
  • The anime for Toilet-Bound Hanako-kun consistently depicts characters and objects with thick outlines.
  • Anime produced by Warner Bros. under the "Gokko" brand in the likes of Tom & Jerry and Looney Tunes feature the Japanese variant.

    Asian Animation 
  • The characters in Happy Friends have always been drawn with noticeable outlines, but the outlines become thicker in the art style from Season 10 onwards.
  • Pucca: The outlines are bulky and the designs are angular.

    Films — Animation 
  • 101 Dalmatians particularly invokes this style barring some reminisce to the works of UPA, especially since the Xerox process made the lines more thick than any other Disney Animated Canon film of its time.
  • Aladdin utilizes this sort of style to mimic the inking of Al Hirschfeld's drawings.
  • In Fantasia 2000, the Rhapsody in Blue segment utilizes this to a greater extent, being more directly based on Hirschfeld.
  • Fixed: As the first Sony Pictures Animation movie to be made in 2D, it features geometric designs with heavy outlines which its director, Genndy Tartakovsky, is fond of.
  • The Secret of Kells, though it was invoked purposely to resemble medieval illustrations.

    Live-Action TV 
  • Llan-ar-goll-en: All of the Roger Rabbit Effect animals are animated in this style, with any accessories they may be wearing being a darker colored outline.
  • The Joey Ahlbum animations from Sesame Street are drawn in a geometric style.

    Softwares 
  • Adobe Flash is notorious for having many works that use heavy outlines.
  • The Windows 10 emoji art since the Anniversary Update. Besides fitting with the flat Metro look, it also helps it show up better on backgrounds of any color.

    Video Games 

    Web Animation 

    Webcomics 
  • El Goonish Shive: As the artwork began to improve, the outlines became thicker.
  • Penny Arcade used to have thick outlines (especially in the 2000-2003 strips), up until about 2008-2009, in which the outlines slowly became thinner.
  • Most of the early VG Cats strips (mainly those from 2004-06) were depicted in this fashion. Later comics would feature much thinner outlines.

 
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With its brightly colored characters and objects drawn inside heavy black lines against colorful backgrounds, "Maisy" is a prime example of Thick-Line Animation.

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Main / ThickLineAnimation

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