Bullies, abusers, and general jerkasses are a sad but true part of life, and many will have people they specifically target. Sometimes, the victim of this mistreatment will know what they're in for when they see their bully at the end of the hallway, their drunk father in the kitchen, or their awful partner driving home from work. They may begin to anticipate certain actions and, perhaps, learn to adapt and handle them. But abuse in real life doesn't always stagnate; abuse is often a cycle, and in many cases, it escalates over time. Like a frog in boiling water, the victim's circumstances increase steadily but consistently until they're too cooked to escape. This is a trope that happens when the abuser's actions ramp up over time, leaving their victim never feeling safe or secure in the routine, all while revealing the true depths of their cruelty.
First, the abuser gets their foot in the door. It will start out slowly, with relatively mild acts of abuse. In some cases, they will be downright friendly to the victim, securing a position and gaining trust that can be exploited later. In others, they'll be a jerk from the start, but won't be doing anything too horrible. Then things get worse. The best case scenario involves a jerk just becoming an even bigger jerk, such as a bully who goes from petty insults to public humiliation and physical abuse. In the most extreme scenarios, the victim will suffer from things like torture and rape, and may be at risk of attempted murder. With such a range, it all depends on the tone of the story and the standards (or lack thereof) of the abuser in question. What matters is that there's a noticeable escalation in abuse tactics, with at least two different on-screen acts for the sake of comparison.
There are a variety of possible motives for this, but it all boils down to the abuser latching onto their victim and, primarily through a combination of comfort and a growing Lack of Empathy, self-rationalizing their need to escalate things and seeing their actions as somehow justified, even if only through Insane Troll Logic. In essence, their victim becomes increasingly dehumanized in the process, and the abuser shows their true colors depending on how awful it gets. Any abuse scenario is fair game here; for example, while most cases stick to a classic one victim, one abuser scenario, others involve groups, sometimes even entire societies, being on either side of the coin. It's about how the dynamic changes over time, not the specific type of abuse. Just keep in mind that the jump should be intentional, rather than a case of Flanderization or Depending on the Writer; plenty of bully characters get worse due to a writing flaw rather than intentional Character Development, which wouldn't count here.
Some of the most common triggers for this escalation include:
- Sadism
- Bigotry and prejudice, or a general sense of superiority
- Personal hatred of the victim, such as through jealousy or a grudge
- Sanity Slippage
- Substance addictions
- General anger issues
- An obsession with power and control
- Retaliation to any attempt by the victim to rebel against the abuser. It does not even needs to be combative — merely showing assertiveness is enough
- Delusion, genuinely thinking they're in the right
- Seeing the victim as some sort of guinea pig to "experiment" on
Though the main purpose of the trope is to showcase just how twisted the abuser is, there are two other reasons for this as well. The first is that it shows us the way the victim responds to their increasing suffering... as well as where their personal line is drawn, if they have one. There is a range of possible outcomes here, such as snapping and getting Revenge on the Bully, being Driven to Suicide, or rising above it and getting a happy ending. The other purpose is to be dark and dramatic, often in a way that evokes Realism-Induced Horror; real life abuse very often escalates over time, so putting a scenario like this in fiction, while often uncomfortable, makes the story itself more realistic and makes the abuser in particular go through a realistic arc, rather than starting out at full throttle. That being said, this can be Played for Laughs in a Black Comedy scenario, especially if Amusing Injuries is involved.
As mentioned, this is, unfortunately, truth in television — a lot of abuse cases end up as a series of escalation, often ending in murder. For obvious reasons, though, this trope is No Real Life Examples, Please!; we are not here to talk about real-life abuse and bullying cases.
Compare Slowly Slipping Into Evil, the primary difference being that this pertains to an abuser/victim dynamic; the character could have always been evil and simply chose to reveal that side of themselves slowly, rather than growing generally more evil as time went on. Also compare Abusive Personality Shift, for when someone starts out as (seemingly) caring but eventually ends up abusive, sometimes overlapping with this trope. Contrast Bully Turned Buddy and Took a Level in Kindness, where a jerk or abuser becomes nicer. Compare and Contrast Even Bullies Have Standards; while many of the abusers listed here have zero issue with doing awful things, some may still have a line they won't cross even if they're growing worse over time.
As this trope can involve major plot points or cover a whole story, most spoilers are unmarked. Tread carefully.
Examples:
- Is It My Fault That I Got Bullied?: Shiori's bullying starts out as Stock Shoujo Bullying Tactics, but the ringleader, Nagumo, grows ever more sadistic and cruel. It spirals into ostracization, a Shameful Strip recorded to spread around, and even the idea of having Shiori be gang-raped, though the other bullies reject that one. Her ultimate goal is to make Shiori so miserable that she takes her own life.
- Juujika no Rokunin:
- Shun Uruma is relentlessly and cruelly bullied by a quintet of bullies led by Kyou Shigoku. Kyou, being the ringleader of said bullies, comes up with several ways to traumatize Uruma, such as killing a cat he once befriended, just as an experiment to see whether Uruma commits suicide. However, when Uruma decides to change schools, Kyou decides to engineer a car accident that kills Uruma's parents and even beats his younger brother, Kakeru, into a coma. In addition to kickstarting Uruma's revenge against his tormentors, the prologue establishes how vindictive Kyou is, especially with how something like changing schools causes him to double down on his abuse and cruelty.
- The other bullies grow up, not just remaining the same but growing more vicious, petty, and callous with how they treat their victims, such as through extreme violence, extortion, and sexual assault. Of the bullies, Daichi Kuga is the only one who escalates his bullying into murder.
- The Legend of Zelda: Twilight Princess (2016): As a small child, Midna was tutored by Zant, who held a creepy and obsessive fixation on her. When she was old enough, Zant tried to press her into marrying him, and when he was refused, he used borrowed power from Ganondorf to turn her into an imp and take control of the Twilight Realm. Upon encountering Midna again, Zant slobbers and tries to fondle Midna before trying to kill her for breaking free. During their last conversation, where it is not only made clear that Midna will never reciprocate Zant's demented feelings but that she is already with Link, Zant attacks once more.
- Magical Girl Lyrical Nanoha: While Precia is a full blown Abusive Parent towards Fate during the events of the series who chains her up and whips her for the smallest of slights, Sound Stage 2 (set several years prior to the show) demonstrates that she was initially just cold and distant. It's only after Linith's death that she starts turning into the monster seen at the time of her introduction.
- My Hero Academia: Later chapters reveal that Endeavor's Domestic Abuse of his wife Rei and his children is an example of this trope, initially starting off with a Quirk marriage to produce a child who would be stronger than him (which is already illegal in-universe), but later descending to the point of training some of his children as Tyke Bombs while neglecting the children he saw as "failures" simply because they didn't have what he saw as the "right Quirk", causing their development to stagnate. This then escalated to the point of forcing Rei to bear more children, culminating in him in driving his wife to insanity, actively putting his fourth child Shoto (who was the Superior Successor Endeavor had wanted all along) through Training from Hell, and neglecting his oldest child Toya due to his vulnerability to his own Quirk to the point he almost died while trying to prove himself to his father and later became the villain Dabi.
- The Transformers: Last Stand of the Wreckers: In the backstory of Rotorstorm, it's mentioned that when he was in the Autobot military academy, he got on the bad side of one of his instructors, who often harangued him for the slightest offense. And then one day the instructor got angry enough to actually strike Rotorstorm, and from that point onwards his abuse became both physical as well as verbal. When Rotorstorm was awarded a medal for heroism, said instructor was in the front row applauding him. The instructor was later revealed to be Whirl, who would end the series being loved and respected by his comrades on the Lost Light.
- V for Vendetta:
- Derek Almond, Head of the Finger, is revealed to be abusing his wife Rosemary comparatively early in the book. At first, he's simply snapping at her to shut up over some relatively simple conversation, then openly humiliating her by comparing her unfavourably to the glamorous Helen Heyer. Then it turns out he's been refusing to share the same house with her for a long period of time, not even sleeping with her...and when Rose finally protests this, he punches her in the face, blaming Rosie for his impotence and taking out the anxieties of his job on her. Later that night, he sneaks into the bedroom and holds her at gunpoint, even pulling the trigger — before revealing that he hadn't loaded his revolver... this time. This backfires on him when he manages to corner V that same evening... only to find too late that he's armed with the revolver he left unloaded, leaving him open to a killing strike from V.
- Helen Heyer, wife to Conrad (Head of the Eye), initially just seems demeaning and dismissive of him in public, to the point that Rosemary Almond can't help but comment on it (before Derek tells her to shut up). Much later, a scene in their home features a fully clothed Conrad sponging Helen's naked body, being treated like a servant while she strategizes for the political struggle ahead; Helen demands success from Conrad, remarking that any of his victories will be due to her efforts, and that she might even fancy him if he replaces Adam Susan as dictator... and then leaves the bathroom naked, withholding sex until he's successful. Later, while reviewing files on a clipboard and helping herself to chocolates, Helen reacts to Conrad's affections by violently chopping him in the throat with the clipboard, then force-feeding him one of the chocolates, leaving him gasping for breath on the floor. Next page, it turns out that she's been having an affair with Allistair Harper, even posing in front of a nonfunctioning Norsefire CCTV camera and exposing her breasts just so she can have a laugh about what Conrad would do if he could see her. Unfortunately, thanks to V's trickery, the camera is actually working: V sends the taped footage straight to Conrad, who beats Harper to death in a rage — but not before being mortally wounded. Realizing that her plan to take over the Norsefire regime is doomed without either man, Helen enacts one final bit of abuse on the dying Conrad by telling him she never loved him, then pointing a camera at him and abandoning him to watch a live feed of his own lonely death.
- Abraxas (Hrodvitnon): Played for Drama in Ghidorah's backstory, as detailed in Empty Fullness. Ichi and Ni both used to treat San with affection and protectiveness when they were young, but after they wiped out an entire planet for the first time (and they did so reluctantly), Ichi snapped and lashed out at San, then immediately regretted it. Fast forward through several billion years and many more exterminated planets to the present day, and now Ni and especially Ichi don't know anymore how to interact with San on a head-to-head basis that doesn't involve them lashing out at him and putting him down. And that's before we get into how they treat San becoming a "shed skin" after he's separated from Ghidorah and a backup of him retained in his place.
- Peeking Through the Fourth Wall: Played with, in that it's a case of mutual abuse. Episode 3 covers the fanfic "Bad Blood", which starts when Lynn uses some of Lincoln's drawings to wrap her sandwiches, and Lincoln gets back at her by ruining her homework. When Lynn returns from school with an F, they start wrestling each other, and soon start using things like fireplace ash and a shovel as weapons. The fighting gets even worse, as Lynn and Lincoln start breaking random objects in the house, briefly assault two of their older sisters, and use one of their younger sisters as a human shield. They only stop after yet another sister squirts a sleeping potion onto them, and shortly after waking up, their parents chew them out for their escalating fight and ground them.
- Relic of the Future: Jacques Schnee used to just be a cold and work-busy father, and Jaune comes to suspect that his worst and more aggressive traits as an Abusive Dad came out because Winter renounced her heir-hood of the SDC and joined the military to get away from him, leading Jacques' frustration to consume him and dominate his parenting of his remaining two children, since Winter's skills and personality traits made her a much more ideal heir than either Weiss or Whitley would be. Thanks to Winter in the new timeline staying with the SDC, this gets headed off from happening and Jacques' new timeline counterpart goes in the opposite direction towards becoming... maybe not an enviable father, but at least a more benign father who's more appreciative of his children.
- Virus Z
(My Little Pony: Friendship Is Magic): In desperation to create a cure for the zombie virus ravaging Equestria, Rarity as leader of the survivors resorts to having her immune friend Rainbow Dash's front leg amputated to synthesize stocks of a cure — without telling Rainbow Dash in advance just how much they would be cutting off her. Later, when Rarity becomes desperate to develop more of the cure, she goes even further: she has all of Rainbow Dash's remaining limbs — her wings and her legs — amputated, and she has Dash's body dumped outside. While Rarity is horrified to learn that Rainbow Dash wasn't already dead when her body was dumped outside, she still doesn't try sending anyone back for her.
- Coraline: The Other Mother initially seems like everything Coraline's distant real mother isn't, lavishing her with affection, attention, and presents. However, as the film goes on, her behaviour becomes progressively more controlling and abusive: first, there's her habit of instinctively correcting Coraline whenever she brings up her real parents, encouraging her to think of the Other Mother and Father as her "better" parents; then, she watches Coraline while she sleeps; then, to stop Coraline from asking questions, she forces strawberries into her mouth. Then there's the fact that the Other Wybie and the Other Father are being altered or even hurt to stop them from sharing information with Coraline. Then, when Coraline nervously turns down the offer to stay in the Other World forever, the Other Mother prevents her from waking up in the real world, effectively trapping her — and soon after, accidentally reveals that the rats are spying on her; when Coraline attempts to confront her over all this, the Other Mother partly reverts to her true form to terrify her, grabs her by the nose, and flings her into a sealed room that she won't be allowed to leave until she's willing "to be a loving daughter". For good measure, this sealed room is where she's keeping the ghosts of the other three children that she's ensnared and fed upon over the decades. The abusive tendencies soon extend to kidnapping Coraline's parents, roping her into a Deadly Game just to win the right to own her as a daughter, and then torturing, forcibly transforming, and even killing any of the Other World counterparts that Coraline might have befriended — and letting her see the results just to cause her the maximum level of pain and grief.
- The last Dot and the Kangaroo sequel, Dot in Space:
- The evil bubble-shaped dictator of the planet Pie-Arr-Squared Papa Drop goes from simply shouting down his son Roley for trying to intervene on behalf of a Bound and Gagged Dot, to threatening to imprison him for opposing his Fantastic Racism against anyone who isn't round and being in love with a Squarey named Poley, to outright trying to shoot him with a laser gun, when he finds out Roley is the freedom fighter known only as The Party, whom Papa Drop has believed to be plotting to overthrow him, in front of the entire Roundy Army to boot, and showing no remorse for his actions immediately after.
- Under Papa Drop's rule, the Squaries (which is basically any civilised inhabitant of Pie-Arr-Squared that isn't round) have gone from simply being ostracised to being rounded up and imprisoned in a slave labour camp where they face a lifetime of being overworked, beaten and starved, just because Papa Drop disapproves of his son being in love with a Squarey. This is also regardless of age or species as poor Dot finds out when she unintentionally crash-lands on Pie-Arr-Squared.
- Sing 2: From the moment he joined the class, Johnny was being singled out by Klaus for harsh criticism because he struggled to keep up with the dancing. It soon escalated to public humiliation by having him rehearse with Ryan in front of everyone, long before he was ready. When Johnny has a panic attack and flees into the street, he meets the Street Performer Nooshy, who agrees to give extra lessons; Klaus is so offended by this (and the fact that it worked) that he steals Ryan's position in the show to fight Johnny on stage, unnerving his student and taunting him when he beats Johnny at the dance fight, derailing the scene just to break him. Johnny getting back up and unleashing his true dance skills makes Klaus bow to him, resolving the issue entirely.
- Black Sheep (2007): The protagonist Henry's rotten older brother Angus was already really bad when they were youths; he butchered Henry's favorite sheep on the farm and wore its bloody pelt to jump-scare Henry in a prank, just because Angus was jealous that he couldn't herd sheep with their father as well as Henry could. Years later in their adulthoods when the brothers are estranged, Angus callously leaves Henry to die when the latter is falling down a deep pit on the farm surrounded by carnivorous sheep — even if Angus is in denial that the sheep are dangerous, he doesn't care in the slightest that Henry could fall to his death, coldly commenting to a shocked Henry's face that "accidents happen" without an iota of regret.
- Carry-On (2024): At first, Traveler has a facade of professionalism around Ethan and acts casually to him, despite having a sniper track his pregnant girlfriend and forcing him to let a bomb pass the TSA line. He becomes progressively crueler as the film goes on and Ethan continually defies him, and soon abandons any pretense that he's not just a power-hungry bully. He becomes meaner in his commentary, such as trying to force Ethan through a script at lunch and mocking him when he accidentally upsets Nora. Then he beats him and tries to strangle him to death in the bathroom, forces him to personally disable the bomb (which requires killing his boss first), and then makes Mateo chase him down with a gun. By the end, he's gleefully shooting Ethan down personally and prepares to leave him to die by the bomb with everyone else, all while taunting him for thinking he could do anything with his life.
- Color Out of Space (2020): As the titular Eldritch Abomination drives the family increasingly insane and causes the stress to pile up, the patriarch Nathan progresses from a normal-seeming husband and father to yelling at his family — crudely belittling his daughter Lavinia in particular — and then to trying to feed Lavinia to her heavily-mutated and now-feral mother and brother.
- Companion: Josh starts out as a seemingly kind boyfriend to Iris, though there are immediate red flags, including a scene of him ordering Iris to sleep when she tries to talk with him after some pretty one-sided sex. Iris is a companion robot, though, and Josh's behavior gets much worse over the course of the day. He mods her, making her more aggressive in order to make her murder his friend's boyfriend. He then plans to get her taken away and shut down for the crime — though he still claims to love her at this point. Iris' escape makes him fly off the handle. Over the phone, he tries to turn it around and blames everything on her, and flips out when she calls him out. When he manages to get her back, he becomes openly cruel, dropping her intelligence and making her hold her hand over a candle so long that it makes her catch fire — even ensuring that she can feel pain when he does this. He then orders her to shoot herself in the head. By the end, he's throwing her across the room and trying to murder her for real, even holding her down on the ground and forcing her to say she loves him, heavily implying an Attempted Rape. Notably, Josh also begins to abuse his friends as well, such as by using Patrick, another robot, to hunt Iris while posing as Patrick's new boyfriend, and when Kat tries to take her money and leave, he shouts at and then murders her.
- Cyberbu//y (2011): Lindsay's bullying of Taylor starts out as insults in the school hallway and petty comments online, but Taylor responding by calling her a "bitch" sends her into a tailspin. She begins a campaign of Slut-Shaming Taylor, spurred on by the "James" account claiming she gave him an STD (when she'd never met him, and he in fact doesn't even exist); she loses friends and becomes a laughing-stock at school. A video eventually gets posted of Lindsay pretending to be Taylor, attempting to pick up a boy on the street, offering to pay him for sex when turned down, and calling Taylor a dirty whore. This is what spurs Taylor into attempted suicide, but Lindsay continues to have no remorse.
- Dogville: While Grace managed to make friends with the residents of Dogville at the beginning of the film, her relationship with them gradually deteriorated. From a girl running small errands, she turned into a full-fledged slave of the town. The horror of her situation reached its maximum after a failed escape — when she turned into a chained sex slave, whose abuse became so commonplace that it was no longer considered a vice. Grace took revenge by killing all the inhabitants of the town, including the children — but sparing the dog, from which she once took a bone.
- The Godfather:
- Carlo Rizzi's marriage to Connie Corleone very slowly degenerates into abuse over the course of the film — apparently due to Carlo's bitterness over Don Vito's decision to only give him "a living" instead of anything important to the family business. At first, he's just being antisocial and quietly sniping at Connie; then he's openly snapping at her to shut up at lunch; then Sonny finds Connie sporting a black eye and frantically insisting it was her fault — prompting him to beat Carlo to within an inch of his life. After this, Carlo backs off... only to be caught cheating on a heavily pregnant Connie — and then thrashing her to a pulp with his belt in response to her understandable breakdown. This prompts Sonny to charge after Carlo again — only to be ambushed and shot dead by Don Barzini's hit squad.
- Subverted in the original novel: Carlo had no interest in "boiling the frog", being more than willing to physically abuse Connie from the moment they were married — even beating her until she gave him all the cash that they got with the wedding presents. The only real escalation was in how often he beat Connie, usually as a result of being embittered by his total failure in managing the bookmaking operation that Vito gave him or emboldened by Vito's unwillingness to interfere in a private matter between husband and wife.
- Gremlins (1984): The cloned Mogwai, led by Stripe, at first largely just ignore Gizmo, barring Stripe spitting a jet of gunk next to Gizmo to spite him. After Stripe and his gang have metamorphosed into their gremlin forms, however, they take to pinning Gizmo to a dartboard and throwing darts his way, and at the movie's climax, Stripe attempts to shoot Gizmo dead with a live pistol.
- Kingsman: In The Secret Service, Charlie starts out as a persistent but petty bully towards Eggsy, primarily sticking to insults and pranks. Despite abandoning him in dangerous scenarios, he works alongside him in others and follows his plan at one point. After he humiliatingly flunks out of training, however, he next shows up as a Valentine supporter, willingly participating in the attempted genocide. He attempts to kill Eggsy with a knife, seemingly as a response to Eggsy succeeding where he failed. In The Golden Circle, Charlie ramps things up even further and targets the Kingsmen as a whole — and seeks out Eggsy to do so, making him the primary target and holding him at gunpoint in the first scene. Discovering Eggsy's survival makes him double down, sadistically enthusiastic to beat him up and attempting more extreme methods of killing him.
- The Last King of Scotland: Nicholas Garrigan's relationship with Idi Amin slowly descends into emotional, psychological, and eventually physical abuse as the dictator's Mask of Sanity progressively slips. At first, the two seem to be genuine friends, with Amin lavishing him with gifts and privileges, even listening to his advice. However, after an attempt on his life by supporters of Milton Obote, Amin very suddenly lashes out in public and insults Garrigan for something that wasn't his fault. After subjecting him to childish pranks with the aid of his Body Double, he love-bombs him into a party in which he can be "encouraged" to stay in Uganda — while having operatives remove Garrigan's passport so he can't leave the country. When Garrigan attempts to object to Amin's racist attacks on Indian residents, Amin demeans, humiliates, and ultimately dismisses him... only to later blame him for not advising him better when the forced deportations play badly in the global media, and then — after briefly flattering him for coming up with a good idea — grabbing him violently in an apparent paranoia attack. Then, after discovering that his least-favourite wife is pregnant as a result of an affair with Garrigan, he opts to have her brutally murdered without revealing that he knew of Garrigan's involvement, leaving him to stew in his grief and fear. This almost backfires on Amin when Garrigan tries to poison him, only to be foiled by an observant henchman, giving Amin all the excuse he needs to have Garrigan beaten and tortured.
- Rocketman (2019): John starts out charming and friendly, courting a lonely Elton and keeping his promise to meet him in London. He then nudges him into a heavily hedonistic lifestyle, which resulted in Elton's many addictions, though he's still portrayed positively at this point. A moment during "Honky Cat" shows him beginning to cheat, which he'd eventually start doing very blatantly. After becoming Elton's manager, he loses his facade scene by scene. First he fires Elton's old team and dismisses Elton's sadness about losing Ray, before pressuring him to come out to his parents. He mocks him when he's scared to talk to his mom and even admits he doesn't care about Elton's feelings on the matter. When Elton does leave to tell her but jeopardizes a concert by doing so, John's mask drops completely as he storms over, grabs him, shouts at him, and then hits him. He's completely unfazed when caught cheating in a later scene, proceeds to mock him more when Elton's justifiably furious, and even insults him while he's being rescued from his attempted suicide. By the end, John has become so toxic that Elton fully believes John hates him and isn't capable of love, as he spends his last two scenes ridiculing him, dismissing his problems, and prioritizing money above Elton's safety.
- Saw II: Xavier gets more and more Ax-Crazy against the other Jigsaw victims trapped in the Nerve Gas House as the movie goes on. He goes from simply being a verbal ass towards them, to forcibly throwing Amanda into a pit trap filled with used syringes that was meant for him so that he wouldn't have to go through it to try and get an antidote for himself, to outright murdering Jonas and leaving Allison to bleed to death so that he can collect the combination numbers to a safe containing an antidote for himself. And it's implied at the very late stage that Xavier is likely going to escalate to trying to murder Daniel in a rage regardless of whether or not the kid co-operates with him, because Xavier has just found out that Daniel is the son of the Rabid Cop who framed Xavier in the backstory.
- Speak No Evil: Even before Patrick and Karin are revealed to be serial killers, their behavior toward Bjørn, Louise, Agnes, and (not really) their own child, Abel, becomes increasingly cruel and abusive. It begins with an innocent taking of a beach chair, then progresses to a refusal to respect Louise's vegetarianism, then to Agnes — a child — sleeping next to naked Patrick and Louise. It's implied that the film wouldn't have ended with the deaths of Bjørn, Louise, and Abel, and the kidnapping and mutilation of Agnes, if Bjørn and Louise had been more willing to protect their personal space and say "no".
- Speak No Evil (2024): Paddy and Ciara become increasingly defiant and aggressive towards Ben, Louis, Agnes, and (not really) their own son, Ant (even before The Reveal that Paddy and Ciara are serial killers). Just like in the original movie, it begins with an innocent taking of a beach chair, then progresses to a refusal to respect Louise's vegetarianism, then to Agnes — a child — sleeping next to Paddy and Ciara. Although Ben and Louise eventually fight back, save themselves and Ant from being murdered, and Agnes from being kidnapped and mutilated — it is implied that they would not have been in such a dangerous situation to begin with if they had not been so forgiving of their boundaries being violated.
- W.E.I.R.D. World (1995): From the moment the two of them are introduced, it's clear that Dr. Abby O'Reardon and Dr. Bryan Mayhew are in an increasingly exploitative and emotionally abusive relationship. In their first scene, Mayhew treats Abby more like a servant than an equal, assigning her work while he hobnobs with superiors. He then passes off Abby's work as his own, allowing a visiting client to believe that she's his assistant. When she complains about this treatment, he belittles her work by claiming that science is a political game that he's better at and then erodes her self-worth by claiming that she wouldn't have achieved anything if he hadn't found her. He also puts off fulfilling his promise to get her pregnant — up until Abby finds out that he actually got a vasectomy some time ago and was just stringing her along while he milked her for all the prestige he could get. However, when one of Dr. Noah Lane's robots "malfunctions" (due to sabotage) and nearly gets Abby killed, Mayhew takes the opportunity to undermine her confidence even further, persuading her not to abandon their relationship. And then he reveals that he knows about her secret project and coerces her into giving him top billing in it. Abby obliges.
- Whiplash: Andrew and Fletcher meet while the former is practicing, with the latter remaining cold, unimpressed, and insulting throughout — to the point of walking out while Andrew is trying to impress him. When Fletcher actually allows Andrew to join his band as an alternate, he deliberately gives him the wrong time for practice, so he arrives several hours early and deprives himself of sleep. Then, after making Andrew feel welcome, he yanks the rug out from under him by seizing upon a mistake in Andrew's timing as an excuse to break him, throwing chairs at his head, repeatedly slapping him in the face to demonstrate proper timing, screaming obscenities in his face, and bullying him to the point of tears. There's a brief Hope Spot in which Andrew becomes the core drummer, only for Fletcher to have him compete against other contenders to secure his position, whipping him into an obsessive, envy-fueled downward spiral. The whole thing crescendos with Andrew and his rivals being held back at practice for hours after midnight, playing until their fingers bleed, all while Fletcher screams a torrent of antisemitic, homophobic, anti-Irish slurs at them, bangs a cowbell right next to Andrew's head, and throws musical instruments at the wall in a rage... all just so they could get their tempo exactly to Fletcher's liking. And sadly, it's indicated that this escalating abuse is typical among Fletcher's students and bandmates in his search to find the next Charlie Parker to the point that Fletcher ends up under investigation after one of his former pupils commits suicide.
- All The Ways To Hollow Out A Girl: Nyssa has a seemingly infinite and consequence-free Resurrective Immortality. When a trio of boys commit Accidental Murder only to see her pop back up, they begin a cruel summer "game" in which they find increasingly horrific ways to kill her, such as physical beatings or fire. When she hides, they come hunting for her and begin to cycle by her house to taunt her. At the end, they decide to chain her to the bottom of the lake for the rest of the summer so that she may drown on loop, something they come up with after she begs them not to drown her again. Luckily, this is where Nyssa manages to turn the tables by destroying the boat, causing the boys to drown.
- A Cry in the Night: Erich doesn't start out as overtly-abusive towards Jenny, in fact going out of his way to be charming, attentive and generous towards her. There are still warning signs around his over-the-top displays of affection, jealousy and occasional bursts of anger but it's not enough to put Jenny off. It's only after they're married and Jenny is almost entirely dependent on Erich that his behaviour starts to become increasingly disturbing. He's controlling and condescending towards her under the guise of wanting what's best for her, gaslights her to the point she starts questioning her sanity, and tries to isolate her from everyone both physically and emotionally. By the end, Erich has tried to convince Jenny she murdered her ex-husband and her baby (crimes he committed), kidnapped her daughters, and tries to kill her when she finally sees through all his lies and secrets.
- Flawed:
- After Celestine gets her brands, the kids at school begin to ostracize her. Four in particular — Logan, Natasha, Gavin, and her former friend Colleen, decide to go further. Logan pretends to be nice to her and sits with her at lunch, before inviting her to his 18th birthday party. This invitation turns out to be a scheme to kidnap and torture her; she's thrown in the car with a blindfold, receives Cigarette Burns, and is driven around in circles. They eventually take her to a barn where they intend to keep abusing her, starting with Logan stripping her in some religious ceremony. Luckily, the sight of her illegal sixth brand makes the kids freak out and leave, but she's left abandoned, in an unfamiliar location, at risk of breaking her curfew.
- The societal treatment of the Flawed escalates over time as the Guild finds more ways to isolate and humiliate the Fantastic Underclass. It originally started as a way to address societal issues and keep people moral, but the punishments grew to include things like an inability to travel, a strict diet, a strict curfew, and the inability to have children with another Flawed person. By the time the first book starts, Crevan has introduced another restriction, considering taking away the ability to play music — a rule that ends up impacting Celestine's neighbor, a piano teacher who gets ruled as Flawed that same night. In Perfect, Crevan becomes so fed up with Celestine escaping his whistleblowers that he ramps things up even further, forcing all of the Flawed to report to the Guild, where they are all stripped and forced to march publicly in a line through the city as an open form of humiliation. The sight of this is enough to make people finally begin to question the Guild's nature.
- The Magicians: In the Fourth Year at Brakebills, Quentin and the Physical Kids are sent away to the southern campus for a Training from Hell. Worse still, the only teacher for this year, Professor Mayakovsky, is a neurotic blend of perfection and resentment who often crosses the line from necessary harshness to flat-out abuse: first, during his introductory monologue to Quentin at the start of his stay, he grabs him by the groin for the sake of emphasis; then, he renders the class mute, so they won't be distracted while studying — and doesn't remove the spell until everyone in class has been psychologically worn down by weeks of silence; then, while delivering Quentin refreshments after a grueling study period, he hits him in the face for doubting himself; then, as an apparent respite from the mind-pummeling training regime, he teaches the class how to transform into Arctic foxes... only for the students to begin screwing each other senseless due to a combination of animal instincts and weeks without sex. Mayakovsky's smirk makes it clear that he wanted this to happen for the sake of humiliating them further, just to destroy their social lives and drive them deeper into their studies — which works so well that quite a few students experience Polar Madness.note
- Red Dwarf: In Better Than Life, Rimmer ends up trapped in the body of a woman and forced to go on the run with the Jittermans, who treat him progressively worse the longer they stay together. First, they press-gang him into the role of domestic servant. Then they start hitting him whenever he tries to resist, with the threat of doing even worse on hand. Finally, the three of them run out of money, so the Jittermans force Rimmer to become a prostitute — which Rimmer takes as an opportunity to escape, fortunately.
- Skysong: The novel concerns Oriane, a woman with the power to transform into a skylark with a magical song that brings the dawn; after witnessing her crash-landing in his gardens, the King keeps her as his guest from then on, intending to use her powers to cure his sister... but as he grows more desperate to make the cure work, he becomes more open to the guidance of his Evil Chancellor, and his measures to keep Oriane around grow less and less excusable: first, he's simply not allowing her to leave the city; then he prevents any of Oriane's letters to her father from being sent; then he explodes with rage when Oriane leaves the palace to explore the city (even though it was in the company of her assigned handmaiden) restricting her to a Gilded Cage; when Oriane finally realizes that she's being exploited, she flees for home... only for the King to send troops after her, resulting in her father being murdered and his house burned down; the King then forces her to continue with her performances. In a final move to ensure Oriane's compliance, the King waits until she transforms — and then locks her in a literal cage, simultaneously ensuring that she can't return to human form and can't escape again. At this, Oriane crosses the Despair Event Horizon and ceases to sing, plunging the world into The Night That Never Ends — finally bringing the King to a Heel Realization
- A Song of Ice and Fire:
- Over the course of the novels, it’s made clear that King Robert Baratheon grew progressively more abusive towards his wife Cersei as his reign progressed. At first merely being distant and insensitive, as his depression and alcoholism worsened, he soon took to having increasingly rough sex that left Cersei sore in the morning, often ignoring her obvious lack of consent. Even once he was sober enough to listen, he refused to properly apologise, blaming the wine instead. This behaviour soon spilled over into daylight hours, with Robert often neglecting his wife in favour of hunting or partying, often carrying on with affairs that he rarely bothered to hide from Cersei. By the events of A Game of Thrones, the two are arguing so fiercely that the shouting can be heard by the public, and in one such quarrel, Robert hits Cersei in the face hard enough to leave bruises — something even Robert privately admits was "not kingly" — not that it stops him from threatening to do it again.
- Cersei herself is a noteworthy abuser to any family member weaker or less assertive than her — especially to her youngest son, Tommen. She maternally smothers him with great aggression during A Feast for Crows, and though she never physically harms him since she’s too afraid of losing another child after Myrcella's forced departure and Joffrey’s assassination, the emotional abuse escalates every time Tommen tries to resist being controlled: she first threatens to have Pate, Tommen's whipping boy, beaten. Later, when Tommen defends Margaery against Cersei, she forces Tommen to whip Pate himself until his backside bleeds. She then threatens to have Qyburn cut out Pate's tongue in front of him the moment Tommen next attempts to protest.
- Tomorrow's Bleeding: The P.O.W. Abuse Yukinaga suffers grow progressively worse as time goes on. At first, his captors merely taunted him before leaving him to rot in his prison cell, but after he rejects Kanbei's proposal to surrender his domain in exchange for pardon, the prison guards start torturing him to force him to change his mind. When the deadline for surrender expires, and Yukinaga remains defiant, they escalate further to sexual violence, having him violently gang-raped (with additional strangers invited to join the act), while the perpetrators insult his faith, masculinity, and everything he stands for. The last part almost drove him into Despair Event Horizon.
- Witherward: Over the course of the novel, it's revealed that Ilsa was raised by Mrs Mitcham — her original guardian's housekeeper. Having learned of the family's Voluntary Shapeshifting powers, Mitcham was determined to "cleanse" her of them, resulting in progressively worse acts of religiously-motivated abuse: at first simply faking Ilsa's death so she couldn't be rescued when her fellow Changelings came looking for, she soon escalated to Financial Abuse by claiming the inheritance entirely for herself and remaking the family home into an orphanage where Isla was raised in miserable conditions with very little in the way of affection. Once Ilsa actually started shapeshifting, Mitcham began punishing her by locking her in the attic on numerous occasions, sometimes while tied up, leaving Ilsa grappling with claustrophobia for the rest of her life. Before long, Mitcham had moved on to ritual bleeding, exorcisms, and flogging the young Ilsa with everything from chains to barbed wire — leaving her so badly scarred that, as a teenager, Isla compulsively hides the marks on her arms and back via shapeshifting. This continued until Mitcham attempted to beat Ilsa while she was in the form of a hound — and was mauled so badly that she had to have an arm amputated, hence why Ilsa is living free as a magician's assistant at the start of the novel.
- Worm: Emma's bullying of Taylor escalated over time, starting with minor things like tripping her before escalating to stolen homework, then stolen or destroyed personal possessions, and eventually causing Taylor to have a trigger event by shoving her in a locker full of rotting tampons. While the group didn't pull off anything quite as bad afterward, Emma still did her best to cause Taylor as much emotional trauma as possible by using shared secrets against her. Emma's interlude shows she was badly traumatized after escaping a gang initiation and took to bullying Taylor to make herself feel stronger and just kept escalating to maintain that feeling.
- The Boys (2019): Homelander genuinely wants to be a good father to his Child by Rape Ryan when he finds out about the latter's existence, but his severely warped pathology renders him a very toxic parental figure no matter his sincere efforts to make Ryan happy. In the later seasons, Homelander starts behaving increasingly more aggressively to Ryan's face when the latter doesn't conform to Homelander's own wants.
- The Crown (2016): Princess Margaret's Awful Wedded Life with Lord Snowdon is rife with emotional abuse, with numerous scenes devoted to unveiling some new level of psychological harm inflicted by Tony. Over the course of the third season alone, he gets into the habit of vanishing from the house without warning, spies on Margaret's activities, has an affair he barely bothers to hide from her, leaves cruel notes in books she happens to be reading, maliciously slanders her behind her back, explodes into hurricanes of verbal abuse, and eventually gets very physical during their arguments — and though he never actually hits Margaret, he's not above shoving her against a wall and forcing a kiss on her. Worse still, Tony is very good at discrediting Margaret whenever she tries to complain, charming the other members of the royal family into favouring him while badgering Margaret into public meltdowns that make her look crazy.
- Daredevil (2015): In "Shadows In The Glass", Bill Fisk's relationship with his wife and son starts out dysfunctional and grows more and more abusive as the flashbacks continue. In his first scene, he pressures the underage Wilson into drinking beer, sneeringly condescends to both him and Marlene, casually demeans their intelligence, and dismisses any misgivings they might have for Bill's incredibly risky plan to borrow money from the mafia to fund his campaign for city council — essentially withholding affection until Wilson approves of the idea. Next scene, Bill is pissed about losing the election and taking it out on his family, snapping at Marlene, fat-shaming Wilson, and even forcing Wilson to beat up a kid that was vandalizing Bill's campaign signs. Finally, Bill erupts in rage when Marlene discovers just how much debt he's in, viciously beating her with his belt and forcing Wilson to sit in the corner and listen to it. Of course, this last part backfires on Bill when Wilson beats him to death with a hammer. This is the event that kickstarts Wilson's eventual transformation into the violent and powerful crime boss he is in the present day.
- EastEnders: Stella's abuse of her stepson Ben begins with her merely pressing a scalding-hot spoon against his hand, and escalates to the point that when Ben finally speaks up about it, he's bleeding from multiple chest wounds inflicted by Stella's nails.
- Farscape: The episode "Incubator" reveals that the hybrid Scorpius was raised aboard a Scarran dreadnought in the care of a brutal upper-class Scarran nanny by the name of Tauza. In order to "cleanse" him of "Sebacean impurities", she abused him frequently in increasing increments: dialog indicates that she lied extensively to him about his past from a very early age, claiming that Sebaceans raped his Scarran mother (when in reality it was the reverse) just so Tauza could shame Scorpius over his ancestry. She is also seen rousing him from sleep with demands to rise, repeatedly shoving him back onto the cot and demanding that he rise faster, responding to complaints by cranking the temperature to agonizing levels... and his reaction indicates that this isn't the first time it's happened. After managing to get him to cooperate with Tauza's demands that he learn strength, she amps up the heat even further and forces him to crawl after her for a small cup of water; when Scorpius goes so far as to beg for it, Tauza empties it over the floor so he can lick it up — and then beats him senseless for using the word "please". After feigning obedience, Scorpius is eventually able to escape and tries to make a new life for himself — only for Tauza to set a trap and recapture him. At the height of her cruelty, Tauza tortures her captive by dismantling his cooling equiment and blasting him with heat lamps, then forces him to watch a recording of his mother's rape. This ends with Tauza getting a coolant rod to the eyeballs.
- Hannibal: Hannibal Lecter is ostensibly Will Graham's psychiatrist — and eventual friend... but gladly subjects Will to a deepening spiral of emotional, psychological, and medical abuse over the course of the first season, partly to keep the cops off his trail but mostly to reshape Will into something more like him. Beginning with sabotaging Will's investigations so that innocent people are hurt or killed, he slowly moves on to subtly encouraging Will not to trust Jack Crawford, forcing him to help cover up Abigail Hobbs' murders to save her life, planting the idea that Will might be losing his mind, withholding an encephalitis diagnosis note , deliberately worsening Will's escalating symptoms, gaslighting him into believing that he arrived at Lecter's house alone (when in reality he brought a captured Serial Killer with him), and eventually just flat-out framing him for murder — even briefly convincing Will that he killed someone... which the next season reveals that Hannibal achieved by inducing memory-ruining seizures through drugs and epileptic strobe lights, and then forcing a severed human ear down Will's throat, just so he'd vomit it up later as proof of his "crime". Equally disturbing is that Hannibal is also prepared to murder anyone who might give Will the death penalty: he wants Will alive so he can continue reshaping him.
- House of Anubis: Senkhara's treatment of Sibuna, and Nina in particular, gets worse over the course of the season. It starts out bad enough, as she curses Nina and Fabian, toys with Nina by appearing to her at random times, and threatens to curse Amber. As she gets more impatient, she escalates things, and even forcing Nina, Fabian, and Amber to dream of Nina falling down the chasm and then almost doing it in reality. She curses the rest of Sibuna and uses the potential death of her friends to keep Nina in line. When Nina stands up to her, she reacts by making her curse her friends with sadistic punishments, such as losing their memory or de-aging. It eventually comes to light that Senkhara cursed Nina's grandmother at the beginning and is slowly killing her; she briefly possesses her to taunt Nina and make it clear that the time limit is her grandmother's life. When Nina gets trapped under the school, Senkhara attempts to kill everyone, only stopping to give Sibuna three days to save her. At the end, she forces Nina to put the mask on so that Senkhara may use her body and live like a goddess, essentially trying to make Nina into her mindless vessel for the rest of eternity.
- Primeval: In Series 2, Helen Cutter at first seems callous at best, satisfied at worst with how her rekindling relationship with Stephen is going to jeopardize Stephen and Nick Cutter's already tenuous friendship, and although she hints to Stephen that she knows the ARC's upper management has been compromised by a conspiring traitor (who she's secretly in cahoots with and knows the true identity of), she doesn't tell him anything more. In the season finale, Helen takes all this a huge leap further when she falsely frames Lester as the true mastermind behind the conspiracy and lies to Stephen that Lester slaughtered all of his friends, trying to manipulate Stephen into abandoning the present to join her on her journey through the Anomalies like she originally wanted him to at the end of Series 1.
- Whoniverse:
- Doctor Who:
- At first, the worst that the "Harold Saxon" Master is shown doing to his human wife Lucy (who the Doctor later claims he "corrupted" into being evil beforehand) is briefly acting flippant in the face of Lucy's distress that their plan nearly got busted by a reporter whose subsequent murder Lucy is more regretful over, and they otherwise get along quite swimmingly. Skip to almost a full year after the Master has turned Earth into his own little Villain World and no longer feels the need to play nice, Lucy is now sporting a black eye and she never speaks a word in the Master's presence except when spoken to, while the Master has no qualms about having flings with his other human female servants right in front of her which visibly chafe her.
- In "Planet of the Ood", the institutional mistreatment of the Ood which Mr. Halpen is the latest hereditary inheritor of (and has no qualms about perpetuating) is already beyond compare, with the wild Ood being locked up like animals despite their sapience and lobotomized into being a docile Slave Race for paying costumers across the galaxy. When the natural Ood's Hive Mind leads a full-scale revolt among the enslaved Ood, Mr. Halpen gleefully attempts to kill the entire species at once by bombing the Ood Brain. Furthermore, Halpen's personal Ood slave Sigma is the one Ood, or person for that matter, that he treats with any modicum of real decency and respect, even petting the dog in a twisted way when he solemnly tells Ood Sigma to join his people before Halpen kills them all — but when Halpen starts to hit his breakdown before his Karmic Transformation and realizes something's wrong, he threatens to shoot Sigma if the latter doesn't get out of his way.
- Nearly everyone to one person or another in "Midnight" as the cabin fever of being trapped with an unknown, science-defying alien piles up. The professor goes from hypocritically chiding his assistant at the start for "bothering" another passenger by striking up conversation, to angrily belittling her and admitting he only made her his assistant because he thinks she isn't smart enough to outshine him. The parents with a goth teenage boy go from telling him to shut his mouth to pressuring him into helping them throw a man out to burn to death, etc.
- Torchwood: When Captain Jack's ex-partner (in multiple senses of that word) John Hart turns up, John is quickly established as a cold-blooded casual murderer with a pathological compulsion towards criminal behavior, but the worst John initially does to Jack himself is to engage in some mutual Kiss-Kiss-Slap bar brawling with Jack which they both laugh off. Then John attempts to murder Jack over a diamond after having deceived Jack and his entire team and left several of the latter to die behind Jack's back. And then John in his reappearance kidnaps Jack's long-lost brother, unleashes life-threatening chaos on Jack's city and tortures Jack to spite him for ignoring him... until it's revealed that Gray was the real mastermind and John is actually disgusted entirely about going this far on Jack, going out of his way to help the rest of the team rescue Jack later.
- Doctor Who:
- Our avatars are posting on a forum thread has Claidheamh and his descendant Claire. After Claidheamh was rendered crippled and sent into a coma by Flash Young, Claire was responsible for taking care of him. Instead, she decided to start abusing him, starting off with just minor mishaps and generally comedic abuse, which was considered harmless due to the fact he was noted to have a Healing Factor for quite some time. Then she started really beating on her ancestor to the point where those who initially disliked Claidheamh for his savagery and stubbornness soon started telling Claire off for continuing to beat on him. It took Flash Young again to beat Claire into the ground after her continued abuse of her ancestor.
- Vampire: The Masquerade: In the intro to the revised Followers of Set clanbook, Maria Kenyon has spent the last five years as a Sex Slave to her drug dealer, who has been forcing her to do more and more disgusting things to pay for her meth fix over the years. When not being beaten for disobedience, she's been made to have sex with another woman, a dwarf, and most recently, a dog... and she recalls being subjected to a "hospital food" punishment that was apparently so horrible that she doesn't elaborate on it. However, the action of the intro begins with Maria being subjected to the worst bit of treatment yet: being forced to recite the Lord's Prayer, naked, suffering withdrawal symptoms, and with a large and probably venomous spider crawling all over her — without hesitating, making mistakes, or moving at all. On the upside, this results in Maria being bought by one of her dealer's clients — and from there, inducted into the Followers of Set.
- The Binding of Isaac: The game's beginning sequence. The titular protagonist used to live happily with his mother, but she started to abuse her son upon getting a(n untrue) message about him being tainted by sin by taking away his belongings and then locking him in his room. It then ramped up to her trying to actually SACRIFICE him, leading to Isaac escaping through a trapdoor in his room.
- Helluva Boss: Stella's abuse of Stolas started with her verbally demeaning him, then escalated into physical violence (she would throw things and servants at him) before culminating in Stella hiring an assassin to kill Stolas.
- SCP Foundation:
- In SCP-8000-EX
("Dungeons & Denial & Dysphoria & Dragons"), Dr. Herman Friedman's attempts to "cure" his child of the anomalous condition become more abusive and even less justifiable with every single failure, and it's made abundantly clear that the whole thing is just a monstrously transphobic attempt to get his "son" back. Beginning with forcibly dosing the victim's food with truth serums and antidepressants, he conducts increasingly harsh interrogations over his child's D&D gaming campaigns as if it were a crime, ignoring any attempts to provide him with the honest truth. He then moves swiftly on to various "cures" such as sensory deprivation, electroconvulsive therapy, artificial testosterone treatment, and even chemical castration — though he allows this last one to wear off after it becomes clear that the effects won't last, seemingly unconcerned by the fact that the previous tortures were bad enough to provoke suicide attempts. In the final stages, Herman resorts to exorcizing his child (resulting in the poor kid suffering broken bones) and even conducting a baptismal immersion that ends in a near-fatal drowning. At this point, the Ethics Committee steps in and revokes Herman's custody, having determined that he wasn't treating anything, and was in reality suffering from a delusion induced by the "Satanic Panic" mass hysteria and his own bigoted religious extremism. The article ends with Herman's child having successfully transitioned into Clara and made a new life for herself as an employee of the Foundation, while Herman died in disgrace without ever seeing his child again.
- Exaggerated in SCP-8066
("Phobophobia: The Only Thing To Fear"); this SCP seems to regard Dr. Randal Owings as a friend and companion of sorts — and it singles him out for torment first, each level of abuse delivered in escalating increments over time for maximum fear. Initially, it presents itself as innocuous and non-anomalous, even friendly to human beings — to the point of confessing to Owings that it's deeply afraid of something. However, it's not long before Owings begins to experience unusual phenomena as a result of 8066's influence: inexplicable manifestations of snakeskin, menacing phone conversations, blackouts designed to target Owings' fear of the dark, even site personnel looking inexplicably different to undermine Owings' sanity. By the end, Owings is cowering in his office, half-mad with terror and too afraid to leave now that the Site's locked down and plagued with Living Shadows... and only then does SCP-8066 reveal itself to him, dragging him into full-fledged torture. It's none other than SCP-2006
, and now that it's full potential is unlocked, it's here to bring true fear to all sapient life... and as a sign of its apparent affection for Owings, it's allowing him to witness everything it does to its playthings.
- Zig-zagged in the case of SCP-8078
("The Perilous People Pleaser"). Research Assistant Michael Pelion's treatment of the childlike shapeshifter actually starts out with him doing abusive things to 8078, even beating it up during a nervous breakdown. However, after realizing 8078's potential, Pelion seemingly reforms and begins treating it kindly... but it soon becomes clear that he's unknowingly subjecting it to a different kind of abuse: emboldened by its compulsive obedience, he forces 8078 to drink alcohol to stop it from talking (making it choke violently), touches it inappropriately (to its silent discomfort), shares a bed with it, exposes it to his old homemade porn movies in a pretty blatant attempt at grooming, forces the identity and form of his ex-wife on it, and eventually forces it to consent to sex, ignoring its audible uneasiness as he begins undressing — before the recording cuts out. For good measure, he makes it clear that he's deluded himself into believing that 8078's obedience to him is out of love and not compulsion, continuing to rape it behind closed doors to the point that it can be heard crying in its sleep. Pelion ends up contracting a shapeshifting STI from 8078, resulting in a series of — ironically — escalating symptoms leading to a very grisly fate.
- SCP-8607
("Pistanthrophobia: Lucy's House") is essentially about the little girl of the same being trapped in the eponymous house with her father, whose behaviour becomes more controlling, more aggressive, and more openly abusive over time. It starts off with a long list of rules that Lucy must follow, albeit styled as Foundation containment procedures, including the rather worrisome claim that "For her safety and convenience, Lucy will remain nine (9) years old". Over the course of the article, her father progresses from shouting and swearing at Lucy at the breakfast table to breaking or throwing things in a rage at even the simplest complaints, from losing his temper over Lucy's attempts to draw her now-absent mother to screamed diatribes over how Lucy should be grateful for everything he does. At one point, he gets drunk and crawls into bed with her, indicating that he's planning on keeping her with him forever. The next entry, Lucy's cheek is throbbing from being punched. For good measure, it's revealed that her father kidnapped Lucy following a custody battle — and the "monsters" trying to invade the house are actually the Foundation trying to rescue her.
- The bulk of the article on SCP-8980
features Lilian Marley being subjected to progressively more horrendous abuse by her boss Dr. Byrnes under the guise of legitimate experimentation, for seemingly no other reason than his own sadistic amusement. Beginning with simple "accidents" designed to humiliate Lilian and gaslight her into believing that she's a SCP — like having one of her presentations being interrupted by hardcore porn — it slowly moves on to confinement, humiliating physical tests, separation from her family, Sensory Abuse in which deafening sounds are unpredictably blasted at her over the course of fifteen hours, outright physical abuse, and even Mind Rape via amnestic drugs — leaving Lilian aware that she was forced to forget something but can't remember what it was, since Byrnes decided what was erased. And this went on for nine years, with Lilian not being released until Byrnes retired.
- In SCP-8000-EX
- Daisy Brown: Alan starts out as a blind, helpless, docile monster who needs Daisy's care to live. As he grows, he develops the ability to speak, move, and see, and reveals a horribly sadistic personality. In one of his first cruel acts, he catches her off guard when he manages to draw a picture of her and laughs when she freaks out about it. He soon moves into the bed of her deceased abusive father and orders her around. He also begins to harm Daisy, and throws fits that leave her hiding in her bedroom for the entire day. She's afraid to go outside, and he locks her out on multiple occasions. She adopts a cat; Alan kills it. In the end, he locks her in the Creepy Basement, which she'd been afraid of all her life and had never explored.
- Daniel Thrasher: Played for Laughs, with ample amounts of Black Comedy and the escalation being absurdly fast, all occurring in the span of a short sketch.
- In "How people talk about you behind your back", Thomas is (unknowingly) hated by his friends, who are friendly to his face and mean when he's gone. It starts out as basic insults, calling him ugly and smelly. Rapidly, the trio start to cook up an incredibly violent murder plot, which gets worse as the skit goes on. They settle on drugging him so that he's paralyzed but capable of feeling pain, running him over with a car 200 times, and then doing something with an electric drill. All the while, Thomas is a Nice Guy who invites the three to be the best men at his wedding.
- In "When your cat writes a song", the cat starts out merely insulting Daniel and discussing how he wants to punch him, before describing the mean things he'll do (such as scratching everything, drinking Daniel's blood, and peeing on his head) and bragging about how Daniel will be in hell when he dies. The second verse is even worse, as he declares he'll tear off Daniel's flesh and wear his skin as a suit, openly taunts him about the fact that Hoodie Guy can't hear the lyrics, and promises to murder him in his sleep if he talks about the threats made. Daniel is horrified enough to claim the song was "cute".
- Amphibia:
- Before Amphibia, Sasha was a toxic, controlling friend to Anne, strongarming her into ditching her parents and stealing her birthday present (kicking off the events of the story). When she reunites with her, she's become a full-blown tyrant who’s willing to kill just to get herself and her friends home. Zigzagged in season 2, where Sasha abandons any pretense of being a Well-Intentioned Extremist, but simultaneously becomes more regretful of her actions as time goes on, culminating in her Heel–Face Turn.
- Justified. In the backstory, King Andrias' father King Aldrich was a cold, emotionally manipulative man who showed his son conditional affection, grooming Andrias' desire to live up to his expectations, gaslighting Andrias towards turning his back on his two childhood friends, and showing Andrias little to no sympathy when the latter was torn up over his trust in said friends having (from Andrias' point of view) indirectly ended their civilization's entire empire and way of life. Skip a thousand years ahead to the present day, and all that's left of the long-dead Aldrich is his uploaded consciousness in the digital Mind Hive of the Core — although Aldrich almost never communicates with Andrias directly, the Core (which is an Allegorical Character for the royal family's cycle of abuse) is generally even more openly abusive and belittling to Andrias than Aldrich was, and in the final episode, the Core speaking with Aldrich's voice shows no compunctions about killing Andrias along with the rest of Amphibia via a spiteful Colony Drop.
- Castlevania (2017): Deconstructed with Dracula in the first two seasons. When Alucard, his own son by his Lost Lenore, stands in the way of his Suicidal Cosmic Temper Tantrum driven by said Lenore's death, Dracula attacks him and locks him in stasis. When Alucard returns a long time later intending to save the world, Dracula fights Alucard to the death, trying to kill him this time. Until it hits Dracula just what he's doing and he, horrified and heartbroken that he was trying to kill his own son and the only living piece of his beloved wife that he still has left, allows Alucard to kill him without resistance.
- Final Space:
- In the backstory, when the Lord Commander and Avocato first met, the Lord Commander swayed Avocato to his side to commit regicide and annex his planet for the Commander, an act which Avocato almost immediately started regretting, but the Lord Commander upheld his end of their bargain. Many years later, the Lord Commander demanded that all his generals including Avocato demonstrate absolute loyalty to him... by ordering them to murder their own sons, and when Avocato refused to comply, the Lord Commander forcibly separated father and son, keeping Little Cato as a hostage to force Avocato's continued compliance. Avocato didn't require much persuasion to permanently betray the Lord Commander after that.
- Gary's mother Sheryl, who resented him from his infancy, abandoned him twice in his childhood, the second time being in the fallout of Gary's father's death, which devastated both of them and temporarily left him in her custody until she gave up on him. She returns in Season 2 solely so she can con Gary out of a Dimensional Key before splitting again, and worse yet, near the season's end she tries to murder her son.
- Invincible (2021): Omni-Man, a.k.a. Nolan Grayson, starts the show as a pretty decent husband and father, but after the events of the first episode which see his son Mark unlock his powers and see Nolan massacre his fellow superheroes in secret, his behavior towards his family gradually shifts for the worse, which they take note of as he acts increasingly cold and off. Little over midway through the season, Nolan from a distance sees Mark get beaten to within an inch of his life by supervillains, and he does nothing to help. It comes to a head during the season finale when Nolan is unable to convince Mark to join his people's Alien Invasion of Earth, not least because Nolan has just dismissed his human wife as little more than a pet (which she overheard), and Nolan turns into a massive abusive alien parent in response to his son's resistance (and implicitly his own crushing guilt which he's trying to override): slaughtering innocent people in front of Mark's eyes by the hundreds, including using Mark's own body as a ram to eviscerate a train full of them, and finally attempting to beat Mark to death while loudly dismissing him as replaceable.
- Miraculous Ladybug: While Chloé Bourgeois and Sabrina Raincomprix's "friendship" was never terribly healthy to begin with, things take a turn for the worse after Chloé gets her hands on the Bee Miraculous and begins deluding herself that she can "trade up" and have Ladybug as a best friend, thus making Sabrina less valuable. When this doesn't happen, and instead Ladybug puts her at the bottom of the reserves (because Chloé's identity is public knowledge and therefore delivering the Bee Miraculous to her risks getting intercepted by Hawk Moth), Chloé takes out her frustrations on Sabrina, berating her until Sabrina gets Akumatized into Miraculer. This contributes to Ladybug deciding to bench Chloé permanently, at which point Chloé becomes even more emotionally abusive towards Sabrina, refusing to let her ride in the limo, forcing her to stay in a closet whenever she visits Chloé, and generally treating her like she's almost invisible. And then things get even worse when Chloé befriends Lila Rossi, who actively encourages her worst impulses; under her influence, Chloé gives up all pretense of being friends with Sabrina and bullies her into doing whatever horrible deeds Chloé and Lila concoct, culminating in her nearly dislocating Sabrina's shoulder in a rage when the latter implicates her and Lila in a scheme to sabotage their classmates' school-choice papers.
- The Owl House: It becomes clear in the first several episodes of Season 2 that Emperor Belos is cold, psychologically abusive and probably even physically abusive to his right-hand "nephew", Hunter, but he still manages to cultivate the image to Hunter that he cares about him at his core. Come "Hollow Mind" and Belos casually writes Hunter off as a lost cause and attempts to murder him without batting an eye, after Hunter has all but discovered the truth that he's the latest in a long line of expendable clones that Belos has been creating and then murdering whenever they slight his authority by questioning him, for centuries.
