Film / The Man in the Iron Mask

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The Man in the Iron Mask is a 1998 swashbuckler / historical drama film that loosely adapts a subplot of The Vicomte de Bragelonne (1847-1850) by Alexandre Dumas, which is the second sequel novel to The Three Musketeers. One of many versions of the story, the film was the directorial debut of Randall Wallace, previously known for writing Braveheart. The main stars were Leonardo DiCaprio, Jeremy Irons, John Malkovich, Gabriel Byrne, Gérard Depardieu, and Anne Parillaud.

The year is 1662. Gone are Cardinal Richelieu (died 1642) and Louis XIII of France (died 1643). France is ruled by Louis XIV (DiCaprio), son of his predecessor, a militarist who is already bankrupting the country with unpopular wars and condemned by the dissident Jesuits. Privately, Louis enjoys a hedonistic lifestyle and keeps many mistresses, even as the peasants of Paris are hungry, and food riots break out.

And what, pray tell, has become of the famed Four Musketeers? Athos (Malkovich), Porthos (Depardieu), and Aramis (Irons) have retired and gone their separate ways. Aramis is now a priest, grappling with his guilt over his past actions; Porthos spends much of his free time frequenting brothels he owns, though his impotence causes him great suffering; and Athos married and became a single father following the death of his wife; his beloved son Raoul (Peter Sarsgaard) currently serves in the French Army while also aspiring to join the Musketeers. Only D'Artagnan (Byrne) is still in service to the throne of France, having risen to Captain of the king's guard and now trying desperately (and in vain) to guide Louis towards becoming a more benevolent ruler.

Enraged by receiving rotten food upon the order of the king, the starving people of Paris march to the gates of Louis's palace; though the guards are ready to fire, D'Artagnan is able to prevent a massacre and wins over the crowd with his popularity, promising to speak with Louis over the matter, while also thwarting an assassination attempt on his royal master by a disguised Jesuit priest, who exhorts "feed your people" with his last breath. However, tragedy strikes when Louis becomes obsessed with Christine (Judith Godreche) the woman whom Raoul adores and intends to propose to; since she is likewise devoted to her would-be fiancé and averse to any attempts at seduction, Louis promptly has his romantic rival sent to the frontlines to be killed in a Uriah Gambit, breaking Athos's heart and leaving the king free to take the grieving, vulnerable Christine as his mistress. Louis has also ordered Aramis to discover, hunt down, and kill the secret leader of the Jesuits...rather unfortunate, since that just so happens to be Aramis himself. Now both Aramis and Athos have reason to hate Louis, and they recruit Porthos in a plot against him.

For years, Aramis has been aware that Louis has an identical twin brother, Philippe (DiCaprio again), who is the titular Man in the Iron Mask, kept prisoner to prevent him from claiming the throne; he is gentler and more compassionate than Louis but wholly ignorant of the world outside the farm he was raised on and the cell he has languished in since his brother became king. The three former Musketeers scheme to release Philippe and teach him to flawlessly impersonate Louis, effectively replacing the current king with a new one, without starting a war or even shedding a drop of blood — but they will have to face D'Artagnan, who despite everything is still loyal to Louis, and will also have to learn a secret that Anne of Austria (Parillaud), widow of Louis XIII and mother of the boys, has concealed for decades.

This film provides examples of:

• 0% Approval Rating: King Louis. Nobody likes him, and with good reason. Only D'Artagnan is loyal to him because he is Louis's father and is nurturing a dying spark of hope that, somehow, he can make the king change for the better.
• Actually, I Am Him: Aramis is ordered by Louis to find and kill the leader of the Jesuits. He tells the other Musketeers about it and admits he is the leader.
• Actually Pretty Funny: This exchange between Athos and Aramis:

  Athos: What gives you the right to judge me, to play God with the lives of others? Is it because you are so much holier than everyone else?

  Aramis: Well yes there is that, but mainly it's because I am more intelligent than everyone else.

  [Athos chuckles bitterly]

• Adaptational Alternate Ending: The book was meant to contemplate the end of the Romantic era and was pretty much a Downer Ending: Athos dies of grief over his son, Porthos dies when his strength gives out during the escape plan, the plan to substitute Philippe for Louis fails and results in Philippe going into the mask in prison (he'd simply been exiled before), D'Artagnan spends the rest of his life serving Louis, and Aramis uses his political clout as a Jesuit to obtain pardon and become Louis's implicitly corrupt advisor. The Hollywood ending applied to the film was almost exactly the opposite of the book.
• Adaptational Heroism:
  • Christine's book counterpart, Louise, while loving Raoul, was genuinely attracted to Louis and willingly became the king's mistress, whereas in the film, she only agrees to the arrangement to support her mother and sister and is plagued by shame and guilt.
  • In the book, Aramis didn't come up with the plot to replace Louis for the good of France, avenge the death of Raoul, and atone for helping to imprison Philippe in the mask in the first place; he simply wanted to profit from being the advisor of Philippe as a puppet king, potentially even becoming Pope one day. (Admittedly, the film does still portray some self-interest on Aramis's part, since he's also aiming to save his own skin due to Louis unwittingly wanting him dead for being the secret leader of the Jesuits.)
• Adaptational Name Change: Raoul’s interest and Louis’s mistress Louise de la Vallière (who was based on a real-life woman) is renamed Christine Bellefort, presumably to avoid the audience getting confused by two of the main characters, who share a lot of scenes, having very similar first names.
• Adaptational Villainy: Louis XIV in the original book was an autocratic Jerkass, but the movie makes him much worse with such acts as sending rotten food to the people and setting up a Uriah Gambit to get rid of Raoul.
• Always Identical Twins: The plot hinges on the fact that Louis has an identical twin brother, Philippe. The king, fearing twins might fight over the throne, kept Philippe's existence a secret by having him raised in the countryside until Louis had him imprisoned in the Bastille in a mask. Aramis, who knows the truth, convinces Athos and Porthos to help him replace Louis with the much nicer Philippe, which pits them against D'Artagnan in the process.
• Anachronism Stew:
  • Part of the action takes place in the Palace of Versailles. While the palace construction did start in 1661, the initial building phase finished in 1664, so the time period of the film means that it would have been way too early for the King to move in.
  • Louis XIV's chamber has a hanging portrait... of Louis XV, Louis XIV's great-grandson, who was born nearly fifty years after the period covered by the film.
• Anguished Declaration of Love: D'Artagnan to Anne:

  D'Artagnan: "I know that to love you is treason against France... but to not love you is treason against my heart."

• Anti-Interference Lock Up: Louis XIV, the King of France, has his identical twin brother Philippe locked up so he can't take the throne. He forces Philippe to wear the titular iron mask so no one will recognize him.
• Artistic License – History: Has its own page.
• Artistic License – Physics: The sword D'Artagnan throws through the fountain does not change its course, even as it is hit by upward-spraying beams of water.
• Ass Shove: Porthos shoves a pistol up the behind of a belligerent brothel patron.
• The Atoner: Aramis leads the conspiracy to replace King Louis to make up for keeping Philippe's existence a secret and helping to imprison him in the mask in the first place.
• Badass Boast: When Philippe is forced back into the mask and the Musketeers come to rescue him, they expect to find him a mental wreck — only to discover that he's ready and eager to escape. "I wear the mask. It does not wear me."
  • Also:
    Porthos: I am Porthos! I defy the king!
  • And this, when Raoul is perfectly aware that he's being set up for a Uriah Gambit:
    Athos: The king is a dog and a coward.
    Raoul: Of which I am neither, and so I go!
• Bastard Bastard: Louis XIV, who's revealed to be the illegitimate son of D'Artagnan and Queen Anne. His twin Philippe would fall under Heroic Bastard.
• Beauty Is Never Tarnished: Despite living in a dungeon with little to no light, having no way to clean his teeth, probably not having bathed for the entirety of his sentence, and being given just enough food and water to keep him alive for the last six years, Phillippe looks remarkably healthy when the mask comes off.
• Beethoven Was an Alien Spy: Louis XIV had a twin brother that was imprisoned from birth and became the (historical) Man in the Iron Mask. He was then abducted and substituted with his brother by the Musketeers. Also, D'Artagnan (another historical figure) was the real father of both.
• Beware the Nice Ones: After he mortally wounded D'Artagnan, a livid Philippe is all set to slice Louis in half, though D'Artagnan pleads that he spare his brother in his dying breath. He complies...and instead puts him in the mask and coldly sentences him to be locked in the dungeons for the rest of his life. The epilogue claims he eventually swayed from that too and let Louis live in the country in secret.
• Big Damn Hug: When D'Artagnan finds Anne crying in her private chapel, she throws herself into his arms and, after a brief moment of shock, he returns her embrace. Which directly leads to...
• The Big Damn Kiss:

  D'Artagnan: If anyone sees, it is death.

  Anne: If I don't kiss you, I'll die anyway.

• Bird-Poop Gag: Just after Aramis has berated Porthos for being miserable, telling him he should be cheerful, surrounded by the robins singing and the pigeons cooing, a bird poops on Porthos's hat.
• Blaming the Advisor: King Louis's chief minister informs him that the people of Paris are starving, so Louis instructs him to distribute food stocks that have been sitting on the docks. The minister reminds him that the food is sitting there because it's already rotting. Louis orders him to do it anyways, and later, when D'Artagnan brings up the rotten food, Louis's first move is to execute the minister.
• Briar Patching: Philippe does some impromptu and rather inspired Briar Patching after he's been recaptured, begging his Jerkass brother to kill him rather than put him back in prison. With predictable results. When Athos, Porthos, and Aramis arrive to rescue Philippe, he's ready and waiting for them rather than being the emotional wreck they were expecting. When asked, he just reminds them that "I wear the mask, it does not wear me."
  • Appropriately Louis does have a complete mental breakdown after he is forced to wear the mask.
• Bungled Suicide: When Porthos's depression hits its lowest point, he believes he has nothing to go on living for. He kisses the tavern girls goodbye and goes into the barn to hang himself. Naked. When Athos questions the big thud and Porthos's swearing, Aramis admits he was expecting Porthos to try this and sawed through the beam. He only becomes alarmed when the roof collapses on top of Porthos.
  Aramis: I'm a genius, not an engineer!
• Butt-Monkey: Pierre, Louis's chief adviser. At least until about halfway through the film, when he is executed and made the scapegoat for distributing rotten fruit to the people.
• Child of Forbidden Love: Louis and Philippe are the product of a love affair between D'Artagnan and Anne.
• The Coats Are Off: D'Artagnan, Aramis, and Porthos dramatically fling aside their hats (Athos having lost his shortly before) when they all stride out for their Last Stand.
• Comic Trio: The three Musketeers who plot to replace Louis with Philippe: Aramis created the plan, Athos offers objections centered around the feasibility of the plan and Philippe's life, while Porthos goes along with it because he has nothing better to do and is just excited about one last adventure with his old friends.
• The Coup: The plot centers around a group of Musketeers who want to substitute their tyrannical king, Louis XIV, with his more compassionate twin brother Philippe, who was kept prisoner to prevent him from taking the throne. They break him out of prison to perform a Coup.
• Cover Identity Anomaly: D'Artagnan manages to figure out that Philippe is an imposter because, unlike Louis, he actually acts like a decent human being.
• Cry into Chest: Anne, believing Philippe - who she had hopes of reuniting with - to have died, sobs in D'Artagnan's arms.
• Curb-Stomp Battle: The result when the four Musketeers of old take on the new Musketeer Corps. Justified on account of the fact that the four are much more skilled and experienced, and the situation forces the new Musketeers to fight them effectively one-on-one.
  Louis XIV: Cowards! Twenty men run from four?!
  Lt. Andre: The corridor nullifies our numbers, and no man has the stomach to fight the Captain!
• Damn You, Muscle Memory!: Philippe is so used to eating and drinking in the mask that he spills water on himself when it is removed.
• Dark Secret: Where should we begin?
  • D'Artagnan and Anne's affair, which not only was treasonous in and of itself, but resulted in a pregnancy and birth of twins, one of whom was passed off as the legitimate heir to the throne.
  • The late king telling his wife one of her twins died while in reality secreting the child away in hopes of avoiding a future war of inheritance between the two sons.
  • Louis, once he finds out about his twin via the late king's confession on his deathbed, has him sent to the Bastille with his face hidden with the titular iron mask, all while keeping his mother in the dark about his actions.
  • Aramis was not only the one sent to spirit Philippe away as a newborn, but years later Louis sent him to put Philippe in the iron mask.
  • Anne kept the existence of a twin from D'Artagnan entirely, hoping to spare him from the grief.
    Anne to D'Artagnan: You had enough to bear.
• Deathbed Confession: The late king revealed the existence of Philippe to Anne and Louis as he was dying.
• Death Seeker:
  • D'Artagnan guesses Athos's foolish and rage-fueled attack on the Musketeer barracks was to try and get himself killed out of grief over Raoul's death.
  D'Artagnan: What he wished to kill was his own pain.
  • D'Artagnan himself also qualifies, as he could have easily disarmed Louis or wrestled the knife from his hand before Louis stabbed Philippe, but instead blocks the knife with his own body. He subsequently tells his friends that this was the death he always wanted - dying for a worthy king.
• Defiant to the End: The dying Jesuit assassin who utters "Feed your people!" before Louis finishes him.
• Disappointed in You: Every word from D'Artagnan to Louis is dripping with this, but being who he is Louis fails to catch on. Made all the meaningful when D'Artagnan finally meets his other son, Philippe, who is everything his brother isn't.
• Double-Meaning Title: The film primarily refers to Philippe as the prisoner forced to wear an iron mask, but also to D'Artagnan regarding the lie he had to bear.
• Double Vision: Both King Louis and his brother Philippe are played by Leonardo DiCaprio, and in one scene, Louis walks all the way around Philippe.
• Driven to Suicide: Christine, when she finds out about Louis's Uriah Gambit and can't bear to live any longer in the power of the man who killed her fiancé.
• Evil Cannot Comprehend Good: To a point; Louis at least understands factors such as how Raoul's sense of duty would compel him to return to the front if ordered, but assumed that the four Musketeers' loyalty to the title of the king of France would trump their own feelings about him as a person.
• Evil Jesuit: Zig-zagged. The Jesuits (depicted as mostly laypeople instead of priests) are treated by Louis XIV as dissidents and rebels, and he immediately identifies the man who nearly manages to assassinate him as one, but they're critics of his reign on moral grounds, and Aramis is secretly their leader.
• Face of an Angel, Mind of a Demon: Louis is a beautiful young man, but he's a cruel and devious sadist who refuses to take responsibility for anything. While he's capable of little charities, his true nature shines through whenever he's even slightly challenged.
• Fake Identity Baggage: The Musketeers succeed in subduing Louis and replacing him with his identical twin brother Philippe during a masquerade ball held at the palace. Unfortunately, none of them count on Christine — who has just discovered that Louis set up her fiancé to be killed in battle — publicly accusing "Louis" of murder. This also causes D'Artagnan to see through the ruse when he notices Philippe's reaction is uncharacteristic of Louis.
• Fake King: Philippe (although he does have a legitimate claim and is only 'fake' in the sense that he's the younger brother by a matter of minutes).
• Famed in Story: The elder Musketeers:
  • D'Artagnan uses his own reputation amongst the people of Paris to quell a riot — notably not by threatening them, but by demonstrating his skill with a sword to catch rotten food out of the air, and promising to speak to the king on their behalf.
  • At the climax of the film when the heroes are cornered by Louis and the younger generations of Musketeers, the latter can't bear to fight their heroes and deliberately fire wide.
• Fate Worse than Death: Philippe begs Louis to kill him rather than send him back to prison. Because he knows that this is the only way the cruel Louis will consider leaving him alive.
• Foreshadowing: Porthos mentions that the night of Louis's (and, as it turns out, Philippe's) birth was the only time he ever saw D'Artagnan get drunk. It turns out he wasn't just celebrating the birth of a royal heir but also celebrating that he himself had become a father...while possibly drowning his sorrows because he would never actually get the chance to be the prince's father.
• Forbidden Love: D'Artagnan, a lowborn musketeer, and Anne, the queen mother of France.
• A Good Way to Die: D'Artagnan feels this way about his fate, bleeding out in the arms of his newfound son and surrounded by his brothers-in-arms.
  D'Artagnan: This is the death I have always wanted.
• Grave-Marking Scene: The final scene shows the surviving Musketeers, Philippe, and the Queen Mother Anne paying their respects at D'Artagnan's grave. The grave itself is carved with a representation of the Iron Mask, implying that D'Artagnan's secret made him just as much a prisoner as Philippe had been.
• Good Adultery, Bad Adultery: The film doesn't give much details, but D’Artagnan and Anne's romance is shown sympathetically, and given the late king (Louis XIII) told Anne one of her children died and kept her under that illusion for almost twenty years, it's fair to assume he wasn't the best husband to her. In Real Life Louis XIII and Anne of Austria's marriage was a difficult one for many reasons, not the least being that it's widely believed Louis was likely gay (he had no recorded mistresses but very close relationships with several men in his court, though no real proof of a sexual relationship with any of them is proven) and their attempts at producing an heir had resulted in miscarriages. It wasn't until twenty-three years into their marriage that Anne gave birth to Louis XIV.
• Happily Failed Suicide: After Aramis prevents his suicide attempt, Porthos recovers his spirit and decides to live after all.
• Heel–Face Turn: Lieutenant André is so disgusted by Louis's behaviour and downright furious at his murder of D'Artagnan that he happily goes along with the switcheroo of imprisoning Louis in the mask at the end.
• Held Gaze: In every scene between Anne and D'Artagnan.
• Heroic BSoD: Porthos spends the first half in one due to his impotence, which ends with his Bungled Suicide.
• Heroic Sacrifice: D'Artagnan throws himself between Louis and Philippe, getting stabbed instead of Philippe.
• Hero-Worshipper: Lieutenant André to D'Artagnan. During the climax, when he holds Louis at swordpoint after the latter killed D'Artagnan, he declares that all his life, he's wanted to be D'Artagnan; as a result, he switches sides and helps the heroes to imprison Louis in the mask.
• Hidden Backup Prince: Philippe.
• Hired to Hunt Yourself: The Jesuits are actively opposing the king, so he decides to put a man in charge of finding their father general and killing him. Of course, he chooses one of his close allies: Aramis, who turns out to be the Jesuit general.
• Historical Relationship Overhaul:
  • Louis XIV is depicted as unmarried, but in 1662, when the film is set, he'd already been married for two years.
  • The real D'Artagnan was too young to have served Louis XIII, most certainly never had an affair with Queen Anne and was absolutely not the real father of Louis XIV.
• Honorary True Companion: In the final confrontation, Philippe is permitted to join the four Musketeers in their final "One for all, all for one" moment despite having never been a Musketeer himself.
• If You Kill Him, You Will Be Just Like Him!: Or rather, If You Imprison Him In An Iron Mask For The Rest Of His Life, You Will Be Just Like Him. Philippe ultimately pardons Louis and allows him to retire to the country in comfortable exile, utterly proving himself the better man.
• I'm a Doctor, Not a Placeholder
  Aramis: I'm a genius, not an engineer! (after the aforementioned beam sawing and barn collapsing)
• Imperial Stormtrooper Marksmanship Academy: Justified because the firing squad were Musketeers and we see them deliberately missing. They are firing at not only their own captain but probably the most famous men in all of France besides the king himself.
• Improvised Weapon: Porthos uses a torch as a bludgeon at one point.
• Irony: For all Louis's belief that he's ordained by God and can do whatever he wants, and all the talk about whether he or Philippe is the rightful king, it turns out that neither of them is — their father was not Louis XIII but D'Artagnan.
• It's All About Me: Louis has no problem taking another man's fiancée as his mistress after arranging for the man to be sent on a suicide mission in the first place, and he uses his status as king to basically do whatever he wants.
• Kavorka Man: Porthos is no longer in his prime, but he's still popular with the ladies.
• Keeping Secrets Sucks: Aramis is partly motivated to free Philippe and replace Louis due to his guilt for his role in both helping to hide Philippe's existence from Anne and imprisoning him in the mask on Louis's orders. Likely due to his own experience with this trope, he's the only one of the group to clock D'Artagnan is hiding something but D'Artagnan refuses to confide in him, even with Aramis pointing out as a priest he couldn't reveal it. Turns out it's because D'Artagnan is also very familiar with this trope as he is the father if Louis (and consequently Philippe) and both he and Anne have spent the last twenty years keeping the secret, which has clearly caused them both nothing but misery.
• Knife Nut: Louis's preferred weapon of choice, befitting his nature.
• Living Legend: All of them, but especially D'Artagnan. When he goes out to address the mob attacking his men due to the king having them distribute nothing but rotten food, one young boy in the crowd whispers to his companion in awe, "It's D'Artagnan."
• Locked in the Dungeon: Philippe, until the Musketeers rescue him.
• Long-Haired Pretty Boy: Louis and Philippe.
• Luke, I Am Your Father: D'Artagnan is the real father of Louis and Philippe.
• Masquerade Ball: Figures prominently in the attempt to replace Louis with Philippe. With the added bonus that the hidden twin had spent his entire life wearing a heavy iron mask, which he flashes to the king from under the decorative gold one to freak him out, along with the Three Musketeers. It works.
• Master Swordsman: The Four Musketeers. Though Athos and D'Artagnan really do stand out.
• Meaningless Meaningful Words: In reply to a perfectly sensible lament of Queen Anne, Aramis came out with a memorable bit of important-sounding nonsense.
  Anne: I have raised a son who destroys lives instead of saving them, and I have failed to save a son who died within an iron mask.
  Aramis: No! That mask was Louis's creation. Now we have a chance to make a miracle. To strip all masks away forever.
  • Considering the extent of his plan is to replace the nasty-creep brother on the throne with his nice-guy brother without anyone being the wiser, that last statement makes absolutely no sense.
• Melancholy Moon: Shortly after his first escape from prison, Philippe is unable to sleep and spends time gazing at the full moon. Not only is he overcome with the beauty of the moon he had been unable to fully witness while in prison, but he's also burdened by the sheer weight of responsibility and expectations demanded of him by his rescuers.
• Mob-Boss Suit Fitting: In the scene where Louis XIV is introduced, a tailor is altering the king's suit.
• My God, What Have I Done?: It is all but explicitly stated that Aramis's role in the coup is at least partly motivated by his desire to make up for his role in imprisoning Philippe in the mask in the first place.
• My Master, Right or Wrong: D'Artagnan is blindly loyal to Louis, despite his evil and capricious nature, because he is Louis's father. Eventually, he comes around to the other Musketeers' viewpoint that he must go when he learns that their look-alike for the king is Louis's twin brother. Thus another son of his.
• Never Going Back to Prison: When captured by Louis, Philippe begs his brother to kill him instead of putting him back in prison and even says he would thank God for his mercy. Louis naturally refuses...which is what Philippe was counting on.
• Never My Fault:
  • King Louis tells his advisor to have rotten food distributed. When the people protest, Louis has the advisor executed.
  • When D'Artagnan finds out that Christine hanged herself in despair, he throws open Louis's window so the king can see for himself what he's caused. Louis reacts with horror, but he sharply orders D'Artagnan to "get rid of it" (it being Christine's corpse), clearly refusing to accept responsibility or acknowledge the wrong he's done to her.
• No Celebrities Were Harmed: The character of "Christine" is based on a historical figure: Louise de La Vallière (1644-1710), the chief mistress of Louis XIV of France from 1661 to 1667. The character is clearly identified in the novel but renamed in the film. Probably, the scriptwriters thought that having a relationship between characters named Louis and Louise would be too confusing for the viewers...which ended up giving the film a love triangle between wide-eyed Christine, all-around good guy Raoul, and a villainous third party (who ends up) wearing a mask.
• Not Even Bothering with the Accent: Some characters sport Just a Stupid Accent with more or less success, while Leonardo DiCaprio doesn't seem to even try while playing the King of France. Gerard Depardieu's actual French accent puts the lie to everyone else, though. As do Anne Parillaud's and Judith Godreche's.
• Oh, Crap!: At the barracks, Lieutenant André hands D'Artagnan a list of casualties from the war. D'Artagnan's expression becomes one of horror as he (presumably) sees Raoul's name on the list. He asks André if Athos knows...and then promptly sees his old comrade storming across the ground, armed to the teeth, and with an expression that clearly screams he has murder in mind. Yeah, D'Artagnan, he definitely knows.
• One-Liner: Too many of these. However, it thankfully (and surprisingly) averts Bond One-Liner.
• Outliving One's Offspring: Athos outlives his son Raoul. Purposefully averted by D'Artagnan.
• Out-of-Character Alert / Spotting the Thread: What first tips off D'Artagnan that Phillipe has replaced Louis is when Philippe tries to help up a noblewoman who tripped in front of him while the real Louis would have probably just laughed at her.
• Painless Death for a Price: When D’Artagnan, Philippe, and the Three Musketeers are cornered, Louis offers to grant D’Artagnan clemency for his actions, and his companions swift and painless executions, if they surrender then and there. Aramis suggests that D’Artagnan take the offer, as the rest of them are dead anyway. D’Artagnan, of course, refuses, and the five of them make a last stand. Ironically, all of them live except D’Artagnan.
• Papa Wolf: Athos, leading to his attempted Roaring Rampage of Revenge. He also takes on this role to a degree with Philippe.
  • And:
  D'Artagnan: Even if I could give up my king, I cannot give up my son.
• Parental Substitute: Athos becomes this to Philippe; after D'Artagnan's death, Philippe explicitly asks if Athos could do him the final favour of letting Philippe love him as a son loves a father.
• Patricide: Louis kills D'Artagnan, who is really his father.
• Pay Evil unto Evil: By the end, Louis is not only forced into the iron mask in Philippe's place, Athos punches him in the throat when he tries to insist to the guards that he's the king, Lieutenant André throws him hard to the floor and restrains him, all while Philippe calmly orders for him to be imprisoned where no one can ever hear his 'insanity'. Louis is then dragged off, screaming desperately but incoherently.
• Person with the Clothing: First Philippe, then his brother. In fact, the clothing is powerful that when someone puts it on, he instantly becomes this trope.
• Plot-Driving Secret: Louis and Philippe are D'Artagnan's sons. Because of this he refuses to join his old friends in overthrowing Louis and ends up undermining their plot to replace him with Philippe.
• Plucky Comic Relief: Porthos and his impotence problems.
• Polar Opposite Twins: Louis is extremely cruel, uncaring, and selfish, while Philippe is a much nicer person and even pardons Louis at the end of the film.
• Preferable Impersonator: The Three Musketeers hope to replace Louis XIV with his secret twin Philippe/the Man in the Iron Mask, hoping he pulls this off over Louis XIV. Ultimately he does, and proves one of France's greatest kings.
• Prisoner Switcheroo: The titular prisoner is the identical twin of the king, whom The Three Musketeers rescue from the prison. The end of the movie has the king imprisoned in his twin's place, while his brother takes the throne.
• Punch-Clock Villain: It’s pretty clear that Lt André is only serving Louis because it’s his duty as a musketeer. After Louis kills D'Artagnan he decides he’s had enough and pulls a Heel–Face Turn. The same goes for the rest of the King’s Guard, many of whom look away as they dutifully fire on D’Artagnan and his companions.
• Punctuated! For! Emphasis!: Just about everything Athos says is this.
• Questionable Consent: Louis successfully seduces Christine and makes her his mistress, but several factors make Christine's consent dubious; such as the sheer power imbalance between a king and his subject, Christine's depressive state over the death of her fiancé Raoul, the fact that Louis is her last hope to support her ill sister and mother, and him starting to undress her despite her initial reluctance. And that's before we learn that Louis deliberately sent Raoul to die.
• Retired Badass Roundup: Getting the Three Musketeers back together.
• Sanctuary of Solitude: Anne of Austria does this.
• Say My Name: Raoul shouts "Christine!" when he makes his fatal charge.
• Screw the Rules, I Make Them!: When Louis orders rotten food sent to the starving peasantry, he's quick to deflect any blame and orders poor Pierre executed for it when Pierre had even protested the decision. When Christine says they'll both burn in hell for their sin, Louis loses all warmth and affection and says while she may burn, he won't solely because "I am the King. Ordained by God!"
• Shout-Out: The young lovers Raoul and Christine share the names of the main characters of The Phantom of the Opera, though Christine was named Louise in the novel, as she was based on an actual mistress of Louis XIV.
• Snooty Sports: The 1977 movie portrays croquet as a snooty sport. It's being played on the immaculate palace lawn of King Louis XIV, with the King himself as a participant, along with some of his nobles. Colbert steps up to drive his ball through the final wicket when Duval discretely inquires, "Can you make it?" Colbert's response is, "And risk another royal tantrum? I shall miss by a league." Immaculate lawns are few and far between in war-ravaged, starving France at the time.
• The Sociopath: Louis hits all the requirements. He has zero true empathy for anyone and anything, and while he craves affection, he can't see anyone around him as people worthy of human dignity or as anything but extensions of his whims. When Christine says they're damned for their sins, Louis is quick to tell her that she's the only one who will burn in hell.
• So Proud of You: D'Artagnan has wanted to say this his entire life, and has never been able to, until he learns that he has two sons.
• Spanner in the Works: Christine unwittingly threatens the Musketeers' plot twice. Her reaction to Raoul's letter leads to Louis abandoning her, which pushes up the schedule to Philippe's impersonation at the masked ball. Subsequently, at the ball, Philippe's genial response to Christine's plight cues D'Artagnan, resulting in the original plan being foiled.
• Star-Crossed Lovers: D'Artagnan and Anne, who are deeply in love for over 20 years, but can never be truly together, first due to him being a musketeer and her the wife of the king of France, and later because they can't risk their lives, the lives of their sons or the stability of the realm if anyone guesses their affair resulted in Louis and Philippe's birth, and finally D'Artagnan dying by the hand of his own son.
• Still Wearing the Old Colors: At the climax, the Musketeers don their old uniforms to demonstrate loyalty to a higher, older, and more principled calling as they rise in rebellion to depose the king and replace him with his twin brother. Unlike other Three Musketeers movies, their uniforms are black instead of blue; the current Musketeer uniforms are blue and red.
• Swashbuckler: With the Musketeers involved, this was hardly a surprise.
• Thanatos Gambit: When Christine hangs herself in despair, she measures the length of her noose to ensure that her corpse comes to rest right outside Louis' bedroom window, in an attempt to shame him for what he's done to her and her fiancé. When Louis demands to know where Christine is, D'Artagnan, understanding this intent, throws open the window to let Louis see for himself. The gambit fails - Louis is disgusted by the sight, but quickly tells D'Artagnan to "get rid of it".
• Thicker Than Water: Despite the numerous crimes Louis has committed as King, D'Artagnan still serves him out of paternal loyalty.
• Throwing Your Sword Always Works: D'Artagnan uses this move to take down a Jesuit assassin attacking Louis.
• Training Montage: About halfway through the film, there's one of Athos, Porthos, and Aramis teaching Philippe how to act like a king: how to fight, ride a horse, how to dance, etc.
• True Companions/Band of Brothers: The Three Musketeers, of course. The "Fourth Musketeer", D'Artagnan, is opposed to them out of loyalty to the King but sides with them at the end. All for one, one for all!
  • Notably, Porthos doesn't have a personal grievance with Louis (Aramis is the Jesuit head who Louis wants dead, and Athos lost his son because of Louis), but he goes along with their plot because of their fellowship and for the greater good (and because he's bored out of his fucking mind and wants to experience adventure again).
• Uptown Girl: Anne of Austria, the queen mother of France, to D'Artagnan, who comes from a minor noble line but with no money and serves as a musketeer, which while honorable, can't compare societally to Anne's royal linage.
• Uriah Gambit: King Louis XIV, upon finding out that Christine is already engaged to Raoul and is completely loyal to him, sends Raoul to the front lines to die in battle. Though the plan succeeds, it also backfires since it gains Louis the utter enmity of Raoul's father, one of the legendary Three Musketeers. And he ultimately doesn't get to enjoy what he wanted either because Christine is completely miserable with being his mistress, eventually finds out the truth about what happened to Raoul, confronts him - or the man she thinks is him - with her knowledge, and finally commits suicide out of despair.
• Villainous Breakdown: Louis has a protracted one during the film's second and third acts; he leaves the ball when he sees the iron mask in the crowd, is shouting at and shoving everyone who comes close to him (including his mother) after the Musketeers' failed attempt to depose him, actually goes to the battle himself when the heroes are cornered in the Bastille, and devolves into incoherent screaming when he's forced into the iron mask and carried off to prison.
• Villainous Valour: Louis may be a right bastard, but he's no bitch. He seems more insulted by the Jesuit assassination attempt than frightened and stabs the would-be assassin (to be fair, after they've been incapacitated by D'Artagnan). When he's rescued from Aramis, Athos and Porthos, he shows no shock from being knocked out, kidnapped and held at knifepoint, and instead just starts screaming at his men to not allow them to escape. He also lunges to stab Philippe when his men refuse to continue to attack him and the musketeers.
• Weird Moon: Just after he's been freed from the prison for the first time, Philippe can't sleep and ends up at the window gazing at the full moon that he had struggled so hard to see while in prison. The moon is huge. Doubles as a Melancholy Moon given the poignancy of the emotions in the scene.
• We Used to Be Friends: Athos's and D'Artagnan's friendship falls apart when D'Artagnan stays loyal to Louis even after Louis arranged Raoul's murder to get his hands on Christine. They reconcile at the end before D'Artagnan dies, Athos having realised his old friend only served his corrupt and evil king out of paternal loyalty.
  Athos: The next time we meet, one of us will die!

  Athos as he holds a dying D'Artagnan: Forgive me.