A small Maine town is ravaged by a series of brutal killings. Marty (Haim), a young boy in a wheelchair, suspects a werewolf is to blame, and is proven right when it tries to attack him. Now he's got to try and discover its human identity and a way to deal with it, with the help of his older sister Jane (Follows) and their alcoholic uncle Red (Busey).
Silver Bullet provides examples of:
- Accidental Hero: The werewolf's human identity is driving after Marty with the intent of running him off the road. The car pulls into the opposing lane and gets right alongside Marty's Super Wheelchair, but an approaching truck forces slamming on the brakes and swerving, giving Marty more time. Marty is soon afterwards cornered at the bridge with no way out, but Mr. Zimmerman suddenly drives by. Marty calls out to Zimmerman for help, and the werewolf's human identity opts to flee rather than risk being exposed.
- Action Survivor: Marty. He's the only person that legitimately injures the Werewolf, and then kill him. Not bad for a twelve-year-old kid confined to a wheelchair.
- Adaptational Badass:
- The werewolf was no slouch in the book, but his method of dealing with the mob hunting him during the full moon was to move to another town for the night so they wouldn't find him. In this movie, he actually goes to confront them, and wins.
- Mr. Knopfler manages this twice over in a Composite Character sort of way. In the book he is just a random victim who runs the diner. In the film, he's a no-nonsense bartender whose quick to break up fights with threats of his baseball bat, and joins in the hunting parties that pursue the werewolf. Billy Robertson, the local bartender from the book is also less tough than Knopfler, letting a drunk leave his bar despite knowing it might be a werewolf night, and not talking back to a belligerent customer out of fear of being hit.
- In the book, Constable Neary is a somewhat incompetent man who fails to follow up on good leads and despite boasting about good police work, during the next full moon is caught drinking and unprepared in his car. Sheriff Haller in the film is a more competent and professional authority figure who gets a good attempt at Shaming the Mob and does investigate more thoroughly.
- Marty and Jane. Marty gets a cooler, motorized wheelchair in contrast to his normal one from the book, and is able to climb out of the window with his upper body. In the second half, the two go out trying to find the werewolf's identity rather than stumbling across it accidentally while trick or treating.
- Adaptational Name Change: Marty's elder sister is Kate in the book but Jane in the film.
- Adaptational Nice Guy:
- Haller is a more sympathetic and professional man than his book counterpart.
- Virgil the gas station attendant is a Nice Guy while the gas station attendant in the book was a unpleasant hothead who hit a customer in the face with the gas nozzle in an argument over the price and then commented that he didn't know why the guy was complaining, because he could have hit him harder.
- Milt is a downplayed example. He's still pretty rotten to both Marty and his family but his book counterpart cheated on his wife (giving her an STD) and physically abused her with alarming regularity.
- Adaptational Personality Change:
- Stella is a deeply lonely, middle-aged virgin in the book and a younger woman upset about being abandoned by her boyfriend after getting pregnant in the film.
- As Kate, Marty's sister is jealous of the attention he gets in the book; Jane teams up with him in the film.
- Adaptational Wimp: Two minor examples.
- In the book, Elmer Zinneman is one of the leaders of the hunters who go after the werewolf, and does so with careful and efficient planning while knowing that it is a supernatural beast they're seeking. In the movie, Elmer is just a friendly passerby who sees Marty trapped on the covered bridge and interrupts Reverend Lowe's attempt on his life and wasn't even part of the mob of hunters.
- Arnie Westrum is shown to just be a drunken man who is decapitated from the shadows by the werewolf. In the book, he is hinted to be psychic (or at least keenly perceptive), having had omens about something bad coming to Tarker's Mills and not letting in the werewolf when he hears scratching at his door, as well as putting up a brief fight with his ice axe.
- Adaptation-Induced Plot Hole: In this movie, the werewolf actually goes in the woods to confront the hunters when they go looking for him, when he could have easily avoided them, seeing how he knew they were going to go look for him. In the original book, he instead leaves the town for the night so he will be out of their reach when he transforms. One possibility for this is that he didn't yet know that he was the werewolf in the film (whereas in the book the hunting parties went out after the werewolf had lost an eye and started receiving Marty's threatening letters, both of which helped make him realize the truth about himself).
- Adaptation Title Change: Silver Bullet is based on the graphic novel Cycle of the Werewolf.
- Adapted Out:
- Two of the werewolf's victims, Clyde Corliss the church janitor and an unnamed drifter.
- Several minor townspeople who never encounter the werewolf in the book, including Recurring Extra principal Ollie Parker, barmaid Elise Fournier (who moves away out of fear of the werewolf) and hot-headed gas station attendant Pucky Davis.
- Marty's grandfather.
- Pete Zinneman, Elmer's brother and the man who starts the hunting party to go after the werewolf after it slaughters his herd of pigs.
- Always Chaotic Evil: The werewolf becomes more violent the closer the full moon draws near and is strongly implied to be unable to control the urge to kill. Lowe offers up a motive, but it comes across as a lie he tells himself to try and justify the fact he can't stop murdering people.
- Ascended Extra: Brady's father Herb Kincaid is just mentioned once or twice in the book but has some notable scenes, including a Shaming the Mob one, in the film. Brady himself appears in several earlier scenes as a friend of Marty.
- Asshole Victim: At least one of the werewolf's victims fell under this category. The first was Milt Sturmfuller, the overbearing father of Marty's girlfriend. From the way he talked to his daughter, it could be inferred that he was pretty emotionally abusive to her at the very least. He also made some pretty nasty remarks about Marty even though Marty hadn't done anything to him.
- Batter Up!: Owen Knopfler wields a baseball bat named PEACEMAKER which he mainly uses to stop Andy Fairton from starting fights. The werewolf ultimately beats him to death with it, and later uses it against Sheriff Haller.
- Bear Trap: When the posse searches the forest, one guy accidentally steps in a bear trap.
- Believing Their Own Lies: Reverend Lowe copes with the trauma of being a murderous werewolf by convincing himself he's an instrument of God.
- Bullying the Disabled: The father of Marty's love interest really hates Marty, makes a remark about how he's a "damn cripple" who'd end up on welfare and says if it were up to him, he'd personally electrocute every disabled person. Marty is a bright kid whose wheelchair doesn't limit him that much, making this vicious ableism come off as especially horrible.
- Canon Foreigner: Andy Fairton.
- Cassandra Truth: Averted. Once Marty has seen the creature with his own eyes, injuring it in the process, the people he trusts do in fact believe him.
- Jane believes him for reasons she can't quite explain, despite how crazy it sounds, and begins helping him track down anyone with an eye injury matching the one inflicted on the werewolf with a firework. She discovers both a murder weapon and the injured Lowe.
- Marty insists through his uncle that Sheriff Haller should question Reverend Lowe after learning that he started wearing an eye patch after he hit the werewolf in the eye. After realizing that he doesn't have any other leads, he decides to take the advice. Of course, he's killed for his trouble anyway.
- Catapult Nightmare: Reverend Lowe after his dream where his churchgoers all turn into werewolves.
- Chase Scene: One of the film's major set pieces is an enraged Reverend Lowe, shortly after Marty takes out one of his eyes, chasing Marty in his car as Marty is driving around in his Super Wheelchair.
- Chekhov's Gun: Bartender Owen Knopfler has a baseball bat titled PEACEMAKER that he mainly brings out to stop fights in his bar when things are getting too rowdy, bringing it with him in the attempted manhunt for the werewolf. The werewolf ultimately attacks and kills him during the manhunt, with Knopfler's attempt to beat the beast back with his bat having it seize the weapon itself and turn it on him, evidently in a fit of pique over him harming it. Lowe kept the bat after transforming and hid it in his garage, with Jane chancing across it during a bottle drive delivery, which, along with Lowe's missing eye, convinces her of Marty's claims and informs them both of who the werewolf really it. Lowe later uses it to beat sheriff Haller to death in the garage when Red convinces him to investigate the near hit-and-run on Marty, evidently not yet having become fully savage enough from his curse at that time of the month to use his claws and fangs.
- Chewing the Scenery: Kent Broadhurst as Herb Kincaid. And Everett McGill as Reverend Lowe.
- Christianity Is Catholic: Averted (like in the book). Reverend Lowe is a major character and a Baptist, but the town also has a Catholic priest who's a minor character (he's the hunter with Virgil who steps into a bear trap) and Marty has a St. Christopher's Medal which is more associated with Catholicism.
- Combat Pragmatist: The werewolf is quite adept at using whatever weapon or object happens to be within easy reach, in addition to his ability to rip people to shreds barehanded.
- Cool Uncle: Red fits it to a tee, and Marty practically idolizes him. Red actively spends time with him, insists there's more to the kid than his disability, builds him a high end motorized wheelchair, gives his fireworks to set off (after Marty says a carnival he was looking forward to was cancelled because of the murders), entertains all this talk of werewolves (albeit occasionally expressing irritation), and defends the kids during the climax. On the other hand, Red's lifestyle is critiqued by others: his constant drinking is portrayed negatively, he apparently has a few failed marriages, Jane is often dismissive of him, and he has a strained relationship with his sister. Nan even remarks that it's easy to come in every so often and be the cool relative; it's hard to actually raise the child.
- Crouching Moron, Hidden Badass: Red demonstrates himself throughout the movie as an irresponsible drunk who is the laughing stock of the town. The first thing he does when he sees the werewolf? Smash a chair over its head, and then take it on with a fire poker.
- Daddy's Girl: Implied. We don't see a lot of the kids' father, Bob, but he frequently addresses Jane as "Pumpkin" and is more easygoing in their interactions. Jane chafes far more over Nan telling her to look after Marty than when Bob does it.
- Death by Adaptation:
- Milt Sturmfuller was one of the werewolf’s final victims in the novel, but here he is the third victim.
- In the book the werewolf laid low while the posse hunted for him. Here the werewolf goes after and kills several of them.
- Death by Pragmatism: Once Sheriff Haller has no more leads, he decides to take a look at the reverend's place due to Red's earlier insistence. Once he actually finds some damning evidence, he is of course discovered by Lowe, who then promptly transforms and bludgeons him to death.
- Disabled Means Helpless: Red argues that Nan treats Marty as just some helpless kid and that there's more to him than his disability. In her defense, she counters that Red only drops by every so often and doesn't actually have to put in the work that comes with raising children (disabled or otherwise). Of course, unlike many others in the movie, Marty ends up surviving multiple encounters with the werewolf.
- Does This Remind You of Anything?: A Stephen King adaptation ending with a Jump Scare ? Sounds familiar.
- Driven to Suicide:
- Stella is about to commit suicide by overdosing on sleeping pills when she is attacked and killed by the werewolf.
- The werewolf is implied to have contemplated this, but due to his religious beliefs, he can't bring himself to do it.
- Epic Fail: An angry mob goes into the woods in a bid to drive out the killer. They don't suspect he's among their number, which is a real possibility, and no-one knows the killer is also a werewolf. All it accomplishes is adding more victims to bury.
- Eye Scream: When the werewolf attacks Marty during his tryout of the fireworks that Red gave him, he defends himself by shooting a rocket into the beast's eye. Later, Marty shoots the werewolf's other eye out with a silver bullet, killing it.
- Fair-Play Whodunnit: Before Reverend Lowe is revealed to be the werewolf, there is a scene where the character has an intense Nightmare Sequence showing several other townsfolk turning into werewolves during a sermon.
This is in fact a folkloric sign of Lycanthropy. - Faux Affably Evil: "Give my best to your brother, Jane."
- Gory Discretion Shot: Subverted. We never see the act of the werewolf killing Brady, but while we see the bloody crime scene from a distance afterwards, along with Brady’s kite covered in blood, we never see the body itself. Judging by how Brady's dad reacted though, it wasn’t pretty.
- He Knows Too Much: The werewolf begins gunning for Marty and Jane after realizing they figured out its human identity.
- Hero of Another Story: The gunsmith knows how to make silver bullets and one of his lines implies he is aware of the existence of werewolves. You have to wonder what exactly he has experienced prior to the events of this movie.
- Horror Doesn't Settle for Simple Tuesday: The movie takes place over a long period of time, and many of the kills occur on random nights of no significance. The climax, however, is on Halloween night.
- I Did What I Had to Do: Lowe justifies killing the pregnant woman by saying he knew she was going to commit suicide. He cops to killing the body, but he insists he saved the soul. Of course, he says this after he just tried to kill Marty, so he may just be believing his own lies at this point.
- Improvised Weapon: When the werewolf grabs Jane, Red attacks it with a chair. After it breaks, he grabs a firepoker.
- In Case You Forgot Who Wrote It: The opening credits present the film as Stephen King's Silver Bullet.
- Intergenerational Friendship: Virgil the gas station attendant seems to be familiar and friendly with Marty while filling up the silver bullet in one scene.
- It Can Think: The werewolf often demonstrates that it is not some mindless beast. Savage as it is, it often thinks out its moves, such as when getting the drop on the mob or when cutting the power at the Coslaw house. Of course, Stupid Evil also comes up here and there, as seen below.
- It's Personal: Brady’s death is this to both Marty and Brady's father. It's what spurs the latter to not try to stop the townspeople from trying to enact vigilante justice on the werewolf, and it's part of the reason why the former tries to stop the werewolf himself.
- Jumping Off the Slippery Slope: Reverend Lowe eventually loses a whole lot of guilt and commits to the werewolf thing, being fully willing to murder a child while in human form to protect his secret.
- Kid Hero: Marty.
- Let Me Get This Straight...: In response to Marty complaining about the worsening situation in town, Red does this to sum up how the kid lost his best friend, his crush, and the fireworks celebration he was looking forward to.
- Lunacy: Discussed Trope. When Mary first starts suspecting that a werewolf is behind the killings, Red just says its probably a psycho, since the "full moon drives them crazy". Once they know it's an actual werewolf, they believe the closer the full moon is, the more vicious it likely becomes.
- Motive Rant: Reverend Lowe tries to justify his actions by saying to Marty that most of his victims were sinners.
- My God, What Have I Done?: Marty and Brady acquire a snake to use to scare passersby. Jane is the first unlucky victim, but she ends up ripping her clothes and covered in mud. Marty is immediately apologetic.
- The Narrator: Adult Jane narrates the film.
- Non-Indicative Name: Uncle Red has blonde hair.
- Off with His Head!: The very first victim gets his head knocked off by the werewolf.
- Oh, Crap!:
- One member of the mob, Aspinall, has this reaction when he realizes the werewolf is there with them, hiding under the fog.
- Jane when she realizes she's alone in a confined space with the werewolf's human identity and that the person knows she's figured it out.
- OOC Is Serious Business: Hearing the kids' claims of a werewolf, Red admits he expects this kind of stuff from Marty, but he says Jane has always been practical and level-headed.
- Our Werewolves Are Different: When Red questions the culprit's supposed lycanthropy by pointing out that there wasn't a full moon when Marty was attacked, Marty and Jane posit that while the stories say that the werewolves turn during the full moon, this werewolf may perhaps turn whenever he likes.
- The werewolf also targets a very specific woman in her own home and breaks in to murder her there, which is uncharacteristic of most werewolves who in both mythology and other works of modern fiction keep to themselves for the most part and only attack and prey on those they come across.
- Police Are Useless: The cops are hard pressed to actually do anything when the murders start and blow off anyone who calls them out on not taking the investigation seriously. To be fair, the town’s police department consists of two people.
- Properly Paranoid: After what he did to its eye, Marty expects the werewolf to come after him in one form or another for both revenge and to prevent any chance of the truth coming out. Lowe makes that abundantly clear very shortly.
- Put on a Bus: Tammy and her mother depart the story, apparently leaving town, after Milt's death.
- Recruit the Muggles: Almost every townsperson with a name or dialogue joins in a massive effort to hunt down the werewolf after the sheriff steps aside and confines their efforts following a Shamed by a Mob speech. They accomplish little besides giving the werewolf a few more victims.
- Red Eyes, Take Warning: Closeups on the werewolf's eyes have them lighted with red.
- Refuge in Audacity:
- Mr. Knopfler is attacked and dragged beneath the mist by the werewolf, and he makes a last-ditch effort to drive it off with his baseball bat. We see a human hand rising out the mist and hitting with the bat twice, there is a beat, and then we see the werewolf's hand holding the bat and striking its victim instead.
- The hunter who steps in a bear trap. His companion carefully pries open the device's "jaws", which have made a bloody mess of the man's ankle ... and then loses his grip when a call from another hunting team startles him, letting them champ down on the poor guy's leg all over again.
- Resist the Beast: Played with. Based on the dream he had, it was heavily implied Reverend Lowe wanted to do this, since he considered his curse to be a nightmare. However, circumstances of the story where he loses an eye to Marty, receives a bunch of letters implying they know he's the werewolf and encourages him to commit suicide, and is possibly driven more and more insane by a combination of the full moon coming closer and the trauma of losing his eye practically ensure he never seriously tries to put this into practice or put any effort into maintaining his humanity in the face of the beast within himself.
- The Reveal: The werewolf is Rev. Lowe.
- Riddle for the Ages: Red's last attempt to try and dissuade the kids from getting their silver necklaces turned into a bullet to use against the werewolf is asking them to explain where and how Reverend Lowe contracted Lycanthropy. Jane just admits that they don't know, and suggests that not even he knows how he got the cursed transformation in the first place — not to mention it's a moot point, because it still wouldn't solve the problem of having a dangerous killer living in their town like that.
- Rhetorical Question Blunder: As Andy rants on about the failures of the cops, asking about what they pay their taxes for, another customer named Aspinall quips that, after reading the last town report, he'd thought Andy wasn't paying his taxes.
- Saved by Canon: At the beginning of the film, an older Jane is narrating the story so it's clear that she'll survive the events of the film.
- Shadow Archetype:
- Red serves as one to Marty, being a fun and loving guy but also a drunk that's quick to shirk his responsibilities. Nan openly worries about Marty turning into someone like him, someone who just gives up and coasts by.
- Appropriately, Nan is one to Jane. Early on, Jane's narration notes that continually having to watch after Marty was a cross to bear; we then see her suffer an embarrassing prank and exclaiming she hates him. Later on, it's clear that Nan didn't enjoy a lifetime of watching after Red; their one-on-one scene highlights a noticeable strain on their relationship.
- Shaming the Mob: When the posse is organizing itself, Sheriff Haller tries talk them out of it. He is in turn shamed by Brady's dad, who's fresh off from his son's funeral.
- The Sheriff: Joe Haller is the local sheriff and tries to both find the werewolf and keep the people from going off the rails.
- Shoo Out the Clowns: Brady being killed by the werewolf.
- Silver Bullet: Marty and Jane give their silver necklaces to Red, so that he'll take them to a gun store and have them turned into a silver bullet. In addition, the film scores points for tackling head-on the difficulties in making bullets out of silver, instead of someone simply getting silver bullets and going to work. When Red takes the silver to the gunsmith, he says that his nephew just discovered the Lone Ranger and wants to make him silver bullets as a gift. The gunsmith states that silver isn't a good choice for making bullets. When the bullets are done and Red picks them up, the gunsmith has a few lines where he states that he crafted the bullets carefully and compensated for using silver by giving the bullets a lower powder load than would be used for a lead bullet, making them more accurate. The gunsmith also pretty directly implies he knows exactly what Red is up to.Red: Accurate? Uh...they're just a gift. What would you shoot with a silver bullet?
Gunsmith: Maybe a werewolf? - Sinister Minister: A variation when it comes to Reverend Lowe. At the start, he appears to be a genuinely conscientious priest who wants to do good for his flock and is horrified by what his curse has made him into. However, events of the movie gradually turn him more and more into this due to a possible combination of the trauma of losing his eye, being sent multiple letters encouraging him to commit suicide, and the full moon drawing closer and smothering his humanity. By that time, he's become completely evil and depraved, attempting to murder Marty and giving some poorly justified reasons on shaky religious grounds for his murders.
- Stupid Evil:
- Justified. Initially the werewolf is smart enough to kill without drawing too much attention but, as the full moon draws near, he becomes more savage and his victims more numerous. A drunk dying by the railway doesn't draw suspicion. However, mauling a woman and a child to death sparks a mass manhunt for the killer. An act which leads Lowe to wittingly murder three more people and brings himself even closer to being caught. Marty even points out that, once the werewolf figures out he knows his secret, he will use his savage side to kill him to protect himself, but will likely wait until the full moon to ensure that there's no "human" left in him to hesitate upon killing a wheelchair-bound child.
- It arguably also applies to the human side of the werewolf too, just to a lesser extent. Lowe figures out Marty's onto him and sending him letters to push him into suicide to end the killings, but rather than use this evidence against Marty, in a panic to protect himself he instead tries to run him off the road during the daylight hours. The partial collision between his car and the Silver Bullet leaves evidence on both that convinces both Red and the Sheriff that Lowe is indeed dangerous, and whilst Lowe's able to handle the sheriff quietly, his dissaperance serves as the final straw for Red to consent to getting a Silver Bullet crafted on the kids' insistence.
- Super Wheelchair: Marty's uncle Red rigs up a silver-painted wheelchair/motorcycle combo for his nephew as a gift. He even gets it filled up at the local gas station like a car.
- The Tease: When Jane wasn't involved with taking care of Marty or investigating the werewolf, she was pretty flirtatious with some of the local guys.
- Terrifying Pet Store Rat: A rodent startles Jane into falling over and knocking down a stack of cans. Her reaction seems a bit extreme, considering it's a gerbil.
- This Was His True Form: The werewolf turns back into human after he is fatally hurt, but still rises for one more Jump Scare.
- Title Drop: Four times. Marty's motorized wheelchairs (both regular and the modified motorcycle Uncle Red builds for Marty) are nicknamed "the Silver Bullet" (the bike even gets it stenciled on the side), and on the film's climax as the plan to kill the werewolf gets put together, Marty explains to Uncle Red the folklore about silver bullets and Red asks a local gunsmith to make him a silver bullet.
- Torches and Pitchforks: After one death too many, the town gathers an angry mob to go on a Witch Hunt into the woods to find the killer. The search is poorly organized and at one point a townsman steps on a bear trap, badly injuring himself. Then the werewolf shows up to start killing people.
- Tragic Monster: Downplayed. The werewolf has a scene as a human where it wishes for things to stop but otherwise, it shows no remorse for its actions. Justified as the human side gets suppressed more and more as the full moon approaches.
- Wham Shot: When Jane is collecting bottles for the bottle drive, she talks to Reverend Lowe, who's on his knees gardening with his back to her. Then the camera cuts to his face — and, complete with Scare Chord, we see that he's sporting an eye-patch over the same eye that Marty damaged on the werewolf...
- What Happened to the Mouse?:
- Deputy Sylvester, who never appears when Haller is hearing Red and Marty's suspicions or after Haller is killed.
- Herb Kincaid and Andy Fairton are never seen after the werewolf's fight with the pursuing mob, despite their prominent roles in it.
- Why Did It Have to Be Snakes?: Jane displays a strong fear of snakes and rodents.
- Would Hurt a Child: The werewolf mauls young Brady to death and kills a pregnant woman too. No-one is safe.
- Wrong Genre Savvy: Arnie Westrum is found slashed and beheaded on the railway, but due to the person's reputation as the town drunk, everyone chalks this up to a tragic but entirely mundane case of Alcohol-Induced Idiocy leaving him passed out on the tracks. In reality, he had the misfortune of crossing paths with a savage supernatural being.