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Normalize audio files in Logic Pro for Mac

Normalization raises the peak level of an audio file by a specified amount—typically to its highest possible digital level without introducing distortion through clipping. The amount of level increase is applied to the rest of the selected audio, preserving the dynamic characteristics of the audio file.

In the Audio File Editor, you can set the maximum level (as a percentage or in decibels) in one of the “Peak at” fields in the Function Settings window (choose Functions > Function Settings or click the Settings button in the Normalize dialog).

These settings are automatically stored in Logic Pro for Mac Settings when you close the app, and they apply to all projects.

Figure. Function Settings window.

Tip: You should not choose 100% (0 dB) in these fields, as this may result in clipping if you need to increase the gain (with an EQ, for example) of the overall signal later in the production process. A good rule of thumb is to reserve 3 to 6 dB of headroom or more, to allow for further audio processing tasks, such as mixing and effects processing.

Note: You cannot use the Normalize command on Apple Loops, surround files, or regions on tracks where Flex Pitch is turned on. Use the Normalize Region Gain function in the Tracks area, or bounce the region in place and make the edits to the resulting audio file.

Normalize the selected area of an audio file

  • In Logic Pro, in the Audio File Editor menu bar, choose Functions > Normalize (or press Control-N).

    Logic Pro locates the point with the highest volume in the selected area, and determines how far it is from the maximum possible level. The normalization process then raises the level of the selected area by this amount. The dynamic relationships of sample levels within the audio passage remain unaltered.

    Tip: The start and end points for the section being normalized should generally not fall within a continuous section of audio because this results in abrupt increases in volume after normalization. The start and end points should therefore be located in sections that occur just after, or before, musical gaps.

Download the guides:

Logic Pro User Guide: PDF

Logic Pro Instruments: PDF

Logic Pro Effects: PDF

Control Surfaces Support Guide: PDF

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