Welcome
- What’s new in Logic Pro for Mac 10.8
- What’s new in Logic Pro for Mac 10.7.8
- What’s new in Logic Pro for Mac 10.7.5
- What’s new in Logic Pro 10.7.3
- What’s new in Logic Pro 10.7
- What’s new in Logic Pro 10.6
- What’s new in Logic Pro 10.5
- What’s new in Logic Pro 10.4
- What’s new in Logic Pro 10.3
- What’s new in Logic Pro 10.2
- What’s new in Logic Pro 10.0
- Get started overview
- Workflow overview
- Logic Pro main window
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- Arranging regions
- - Piano Roll Editor
  - Audio Track Editor
- Drummer
- Smart Controls
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- Mixing
- Apple Loops
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- What is Logic Pro for Mac?
- Logic Pro project basics
- Use menu commands and key commands
- Use the complete set of Logic Pro features
- Undo and redo edits
- Manage Logic Pro content
- How to get help
- Hardware connection overview
- Projects overview
- Create projects
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- Use Logic Remote to control Logic Pro projects
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- Tracks overview
- Control timing with the groove track
- Use selection-based processing
- Edit track parameters
- Overview
- Use the metronome
- Using loops and other media in Logic Pro
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- Arranging overview
- - Remove silent passages
  - Uses for Remove Silence
- Create groove templates
- Overview
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- Use Flex Time and Pitch in the Logic Pro for Mac Audio Track Editor
- Use automation in the Audio Track Editor
- Overview
- View multiple MIDI regions
- Split chords
- Automation/MIDI area in the Piano Roll Editor
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- Drummer Overview
- Work with Producer Kits
- Convert Drummer regions to MIDI or pattern regions
- Flex Time and Pitch overview
- Use Varispeed to alter the speed and pitch of audio
- Logic Pro for Mac advanced editors overview
- Mixing overview
- - Channel strip types
  - Channel strip controls
- Set channel strip input formats
- Set channel strip pan or balance positions
- Mute and solo channel strips
- Work with channel strip settings
- Surround panning
- Use the I/O Labels window
- Undo and redo Mixer and plug-in adjustments
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- Track automation vs. region automation
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- - Select, copy, and move automation
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- Smart Controls overview
- Show Smart Controls for master effects
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- Map screen controls
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- Use parameter mapping graphs
- Open the plug-in window for a screen control
- Rename a screen control
- Use articulation IDs to change articulations
- Assign hardware controls to screen controls
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- Use the Arpeggiator
- Automate screen control movements
- Live Loops overview
- Start and stop cells
- Work with Live Loops cells
- - Record to cells
  - Record and edit takes in cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
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- Edit scenes
- Work in the Cell Editor
- Bounce cells
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- Step Sequencer overview
- Use Step Sequencer with Drum Machine Designer
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- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
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- - Add arrangement markers
  - Edit arrangement markers
- - Transposition overview
  - Add and edit transposition points
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- Overview
- Add notes
- Use automation in the Score Editor
- Share a score
- Sharing overview
- Share songs to the Music app
- Share songs using AirDrop
- Share songs using MailDrop
- Share a project to GarageBand for iOS
- Share a project to Logic Pro for iPad
- Overview of surround and spatial audio
- - Overview of spatial audio with Dolby Atmos
  - - Bed tracks and object tracks
    - Rendering a Dolby Atmos mix in Logic Pro for Mac
- - Surround Panner overview
  - Surround Panner parameters
- - 3D Object Panner overview
  - 3D Object Panner parameters
- - Bounce surround audio files
  - Export ADM BWF files
- Video and synchronization overview
Touch Bar shortcuts
- Environment overview
- Common object parameters
- - Environment Layers overview
  - Create, name, delete, and switch layers
- Customize the Environment
- - Effects overview
  - Add, remove, move, and copy plug-ins
- - Instruments introduction
  - Add, remove, move, and copy plug-ins
  - Use multi-output instruments
- - Alchemy overview
  - Alchemy interface overview
  - Alchemy Name bar
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  - - Preset browser overview
    - Browser results list
  - - Main filter controls
    - Filter types
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  - Alchemy Extended parameters
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  - Edit pane
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- - Drum Machine Designer overview
  - Drum Machine Designer interface
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  - - Pad controls bar
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  - Kit Piece Tone and Effect Smart Controls
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    - Overdrive the filter
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- - ES2 overview
  - ES2 interface overview
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    - Enhance sounds with the Sine Level control
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    - Restrict randomization
- - EFM1 overview
  - Modulation parameters
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  - Create random sounds
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- - ES E overview
  - Oscillator parameters
  - LFO parameters
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  - Extended parameters
- - ES M overview
  - Oscillator parameters
  - Filter and filter envelope controls
  - Level envelope and output controls
  - Extended parameters
- - ES P overview
  - Oscillator parameters
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  - Integrated effects processor
  - Extended parameters
- - - EVOC 20 PS overview
    - Vocoder basics
  - EVOC 20 PS interface
  - Analysis controls
  - (U/V) detection parameters
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  - Add audio to Quick Sampler
  - Quick Sampler waveform display
  - Use Flex in Quick Sampler
  - - Mod Matrix pane
    - LFO controls
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  - Quick Sampler filter types
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  - Analog oscillator controls
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    - Use the Wavetable menu
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  - Interface overview
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  - Sculpture interface
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    - Spread controls
  - Global parameters
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- - Studio instruments overview
  - Section MIDI channel assignments
- - Ultrabeat overview
  - Ultrabeat interface
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  - Filter section controls
  - Distortion circuit controls
- - Utility instruments
  - External Instrument
  - Klopfgeist
- - Vintage B3 overview
- - Vintage Clav overview
  - Vintage Clav interface
  - Extended parameters
  - - D6 Clavinet history
    - D6 mechanical details
- - Vintage Electric Piano overview
  - Vintage Electric Piano interface
  - - Model controls
    - Pitch controls
  - Extended parameters
  - - Rhodes models
    - Hohner and Wurlitzer models
  - MIDI controller assignments
- - Vintage Mellotron overview
  - Vintage Mellotron controls
- - Legacy instruments overview
  - - Bass
    - Church Organ
    - Drum Kits
    - Electric Clav(inet)
    - Electric Piano
    - Guitar
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    - Sound Effects
    - Strings
    - Tuned Percussion
    - Voice
    - Woodwind
    - Tonewheel Organ
- - Synthesizer basics overview
  - Synthesizer fundamentals
Glossary
Copyright

Pedalboard distortion pedals in Logic Pro for Mac

This table describes the distortion effects pedals.

Stompbox	Description
	Candy Fuzz is a bright, “nasty” distortion effect. On/Off switch: Enable/disable the pedal. Drive knob: Set the input gain. Level knob: Set the effect output level.
	Double Dragon is a deluxe distortion effect. On/Off switch: Enable/disable the pedal. Drive knob: Set the amount of saturation applied to the input signal. Tone knob: Set the cutoff frequency. Level knob: Set the effect output level. Input knob: Set the effect input level. Squash knob: Set the threshold for the internal compression circuit. Contour knob: Set the amount of nonlinear distortion applied to the signal. Mix knob: Set the ratio between the source and distorted signals. Bright/Fat switch: Choose between two fixed high shelving filter frequencies.
	Fuzz Machine is an American “fuzz” distortion effect. On/Off switch: Enable/disable the pedal. Fuzz knob: Set the input gain. Level knob: Set the effect output level. Tone knob: Increase treble, while simultaneously reducing low frequencies, as you move it to higher values.
	Grinder is a lo-fi dirty “metal” distortion. On/Off switch: Enable/disable the pedal. Grind knob: Set the amount of drive applied to the input signal. Filter knob: Make the sound harsher and more crunchy at higher values. Level knob: Set the effect output level. Full/Scoop switch: Choose between two fixed Gain/Q filter settings. At the Full position, filtering is less pronounced than at the Scoop position.
	Grit is a hard and nasty filtered distortion effect that sounds great on keyboards and guitars. On/Off switch: Enable/disable the pedal. Volume knob: Set the amount of drive applied to the input signal. Filter knob: Make the sound harsher and more crunchy at higher values. Distortion knob: Set the amount of drive applied to the output signal.
	Happy Face Fuzz is a softer, full-sounding distortion effect. On/Off switch: Enable/disable the pedal. Fuzz knob: Set the amount of saturation applied to the input signal. Volume knob: Set the effect output level.
	Hi-Drive is an overdrive effect that can emphasize high frequency content in the signal. On/Off switch: Enable/disable the pedal. Level knob: Set the effect output level. Treble/Full switch: Set a fixed shelving frequency, allowing either the treble portion or the full range input signal to be processed.
	Monster Fuzz is a saturated, slightly harsh distortion. On/Off switch: Enable/disable the pedal. Roar knob: Set the amount of gain applied to the input signal. Growl knob: Set the amount of saturation. Tone knob: Set the overall color of the distortion. Higher values increase treble with a corresponding decrease in overall volume. Texture knob: Smooth or roughen the distortion. Grain knob: Set the amount of nonlinear distortion applied to the signal. Level knob: Set the effect output level.
	Octafuzz is a fat fuzz effect that can deliver a soft, saturated distortion. On/Off switch: Enable/disable the pedal. Fuzz knob: Set the amount of gain applied to the input signal. Level knob: Set the effect output level. Tone knob: Set the cutoff frequency of the integrated highpass filter.
	Rawk! Distortion is a metal/hard rock distortion effect. On/Off switch: Enable/disable the pedal. Crunch knob: Set the amount of saturation applied to the input signal. Level knob: Set the effect output gain level. Tone knob: Set the tonal color. High values are brighter.
	Tube Burner emulates a vacuum tube-based distortion that provides a wide palette of sounds, ranging from warm grain to crispy overdrive. On/Off switch: Enable/disable the pedal. Fat switch: Set at the top position to enhance low frequency content in the signal. Low knob: Set the low frequency cutoff. Mid Freq knob: Set the mid frequency cutoff. Mid Gain knob: Set the mid frequency level. This affects all frequencies in the range between the Low and High knob values. High knob: Set the high frequency cutoff. Tone knob: Set the tonal color. High values are harsher. Bias knob: Adjust to add or avoid crossover distortion. Squash knob: Set the threshold for the internal compression circuit. Drive knob: Set the amount of saturation applied to the signal pre-output. Output knob: Set the effect output gain level.
	Vintage Drive is an overdrive effect that emulates the distortion produced by a field-effect transistor (FET), commonly used in solid-state amplifiers. When saturated, FETs generate a warmer-sounding distortion than bipolar transistors, such as those emulated by Grinder. On/Off switch: Enable/disable the pedal. Tone knob: Set the tonal color. High values are harsher. Drive knob: Set the amount of saturation applied to the input signal. Level knob: Set the effect output gain level. Fat switch: Set at the top position to enhance low frequency content in the signal.

Download the guides:

Logic Pro User Guide: PDF

Logic Pro Instruments: PDF

Logic Pro Effects: PDF

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Logic Pro User Guide for Mac

Pedalboard distortion pedals in Logic Pro for Mac