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- What’s new in Logic Pro 2
- What’s new in Logic Pro 1.1
- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Start a Logic Pro subscription
- How to get help
- Browser overview
- Find sounds in the Browser
- - Patches overview
  - Save custom patches
- - Use Apple Loops
  - Add Apple Loops to your project
- Work with samples in the Browser
- Manage plug-in presets in the Browser
- Manage Step Sequencer patterns and templates in the Browser
- Download additional sound packs
- Import media
- Supported media and file formats
- Open GarageBand songs
- Intro to Play Surfaces
- Use side controls with the Play Surfaces
- Use the Keyboard Play Surface
- Use the Drum Pads Play Surface
- Use the Fretboard Play Surface
- Use the Chord Strips Play Surface
- Use the Guitar Strips Play Surface
- Intro to recording
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
- Intro to arranging
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
- Intro to Live Loops
- Start and stop Live Loops cells
- Work with Live Loops cells
- - Record to Live Loops cells
  - Record and edit takes in cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Introduction
- Edit Live Loops in the Cell Editor
- Intro to Session Players
- The Session Player Editor
- Choose a Session Player style
- Chords and Session Players
- Choose Session Player presets
- Follow rhythm from chords and other tracks
- Convert Session Player regions to MIDI or pattern regions
- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
- Intro to plug-ins
- - Intro to Details view
  - Work with plug-in presets
- Work with Audio Unit Extensions
- Intro to mixing
- Work with plug-ins in the Mixer
- Intro to automation
- Show automation
- Write automation in real time
- Use automation with Mixer groups
- Cell automation in Live Loops
- Undo, turn off, or delete automation
- Play automation
- Create automation with Step Sequencer
- Intro to markers, signatures, and tempo
- - Intro to global tracks
  - Show and hide global tracks
- - Intro to markers
  - Use markers
- - Intro to time signatures
  - Use time signature changes
- - Intro to key signatures
  - Use key signature changes
- Control transposition with the Pitch Source parameter
- Intro to exporting and sharing
- Share a project
- Work with projects from Logic Pro for Mac
- Settings app
- - Gestures overview
- - Keyboard shortcuts overview
- Effect plug-ins overview
- Instrument plug-ins overview
- - Alchemy overview
  - Performance controls
  - Extended parameters
- - Drum Kit Designer overview
  - Kit piece controls
  - Details parameters
  - Drum kit mappings
- - Drum Machine Designer overview
  - Play Surface
  - Edit surface settings
  - Edit pad settings
- - Drum Synth overview
  - Global controls
  - Kicks
  - Snares and Claps
  - Percussion
  - Hats and Cymbals
- - EFM1 overview
  - Modulation parameters
  - Output parameters
  - Global parameters
  - MIDI controller assignments
- - ES E overview
  - Oscillator parameters
  - Filter parameters
  - Envelope parameters
  - Amp and effect parameters
  - Pitch bend parameters
- - ES M overview
  - Oscillator parameters
  - Filter and filter envelope controls
  - Amp and effect controls
  - Pitch bend parameters
- - ES P overview
  - Oscillator parameters
  - Filter parameters
  - LFO parameters
  - Envelope and level controls
  - Integrated effect processor
  - Pitch bend parameters
- - ES1 overview
  - - Oscillator parameters overview
    - Oscillator waveforms
  - Filter parameters
  - Amp and output parameters
  - Global parameters
  - MIDI controller assignments
- - ES2 overview
  - Interface overview
  - - Use randomization parameters
    - Restrict randomization
- - EVOC 20 Polysynth overview
  - Vocoder basics
  - Sidechain analyser controls
  - - Vocoder Filter Bank controls
    - Formant filter modulation controls
  - - Un/Voiced detection parameters
    - Output parameters
  - Global parameters
  - Vocoder history
  - Block diagram
- - Quick Sampler overview
  - Add audio
  - - Mod Matrix pane
    - LFO controls
  - Pitch controls
  - Filter controls
  - Filter types
  - Amp controls
- - Retro Synth overview
  - Filter controls
  - Filter types
  - Amp and effect controls
  - Global and controller settings
  - MIDI mono mode parameters
- - Sample Alchemy overview
  - Interface overview
  - Add source material
  - Save a preset
  - Edit mode
  - Play modes
  - Source overview
  - Synthesis modes
  - Granular controls
  - Additive effects
  - Additive effect controls
  - Spectral effect
  - Spectral effect controls
  - Filter module
  - Low, bandpass, and highpass filters
  - Comb PM filter
  - Downsampler filter
  - FM filter
  - Envelope generators
  - Mod Matrix
  - Modulation routing
  - Motion mode
  - Trim mode
  - More menu
- Sampler
- - Sculpture overview
  - Interface overview
  - - Pickup parameters
    - Amplitude envelope parameters
  - MIDI controllers
- - Studio Bass overview
  - Studio Bass Main view
  - Studio Bass Details view
  - Studio Bass keyswitch mapping
  - Studio Bass string and position MIDI channels
- - Studio Horns overview
  - Details parameters
  - Keyswitch mapping
  - Section MIDI channel assignments
- Studio Piano
- - Studio Strings overview
  - Details parameters
  - Keyswitch mapping
  - Section MIDI channel assignments
- - Utility instruments overview
  - External Instrument
  - Klopfgeist
  - Test Oscillator
- - Vintage B3 Organ overview
- - Vintage Clav overview
  - Clavinet models
  - Model characteristics
  - Pickups parameters
  - Color parameters
  - Misc parameters
  - MIDI Mono Mode
  - - D6 Clavinet history
    - D6 mechanical details
- - Vintage Electric Piano overview
  - Main controls
  - - Rhodes models
    - Hohner and Wurlitzer models
  - MIDI controller assignments
- - Vintage Mellotron overview
  - Main controls
- - Intro to synthesizers
  - Synthesizer fundamentals
Copyright

Filter pedals in Logic Pro for iPad

Auto-Funk

Auto-Funk is an auto-wah (filter) effect.

Figure. Auto-Funk stompbox window.

Sensitivity knob: Set a threshold that determines how the filter responds to incoming signal levels.
Cutoff knob: Set the center frequency for the filter.
BP/LP pop-up menu: BP (Bandpass): Signal frequencies just above and below the cutoff are filtered. LP (Lowpass): Only signals below the cutoff are allowed through the filter.
Hi/Lo pop-up menu: Choose a preset filter resonance setting.
Up/Down pop-up menu: Set a positive or negative modulation direction—the “wah” filtering occurs above or below the source signal frequency.

Classic Wah

Classic Wah is a funky wah effect, straight from 1970s TV police show soundtracks.

Figure. Classic Wah stompbox window.

Pedal Position control: Adjust the pedal position and therefore the effect intensity and level.

Graphic EQ

Graphic EQ is a classic 7-band EQ pedal.

Figure. Graphic EQ stompbox window.

Frequency sliders: Boost or cut the corresponding frequency band.
Level control: Set the overall output gain.

Modern Wah

Modern Wah is a more aggressive wah effect.

Figure. Modern Wah stompbox window.

Pedal Position control: Adjust the pedal position to add expression.
Mode pop-up menu: Choose a Wah type or control Volume. Each Wah type has a different tonal quality.
Q knob: Low Q values affect a wider frequency range, resulting in softer resonances. High Q values affect a narrower frequency range, resulting in more pronounced emphasis.

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