Logic Pro for iPad 3.3

Logic Pro for iPad 3.0

Logic Pro for iPad 2.2

Logic Pro for iPad 2.1

Logic Pro for iPad 2.0

Logic Pro for iPad 1.1

Logic Pro for iPad 1.0

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Table of Contents

- What’s new in Logic Pro 2.2
- What’s new in Logic Pro 2.1
- What’s new in Logic Pro 2
- What’s new in Logic Pro 1.1
- What is Logic Pro?
- Working areas
- Work with function buttons
- Work with numeric values
- Undo and redo edits in Logic Pro for iPad
- Start a Logic Pro subscription
- How to get help
- Connect external devices
- Use virtual MIDI devices
- Intro to the Browser
- Find sounds in the Browser
- - Patches overview
  - Save custom patches
- - Use Apple Loops
  - Add Apple Loops to your project
- Work with samples in the Browser
- Manage plug-in presets in the Browser
- Manage Step Sequencer patterns and templates in the Browser
- Add your own sample folders to the Browser
- Download additional sound packs
- Import media
- Supported media and file formats
- Open GarageBand songs
- Intro to Play Surfaces
- Use side controls with the Play Surfaces
- Use the Keyboard Play Surface
- Use the Drum Pads Play Surface
- Use the Fretboard Play Surface
- Use the Chord Strips Play Surface
- Use the Guitar Strips Play Surface
- Intro to recording
- Record with Low Latency Monitoring mode
- Use the metronome
- Use the count-in
- Intro to arranging
- Create fades on audio regions
- Extract vocal and instrumental stems with Stem Splitter
- Access mixing functions using the Fader
- Intro to Live Loops
- Start and stop Live Loops cells
- Work with Live Loops cells
- - Record to Live Loops cells
  - Record and edit takes in cells
- Change loop settings for cells
- How the Live Loops grid and Tracks area interact
- Edit cells
- Edit scenes
- Work in the Cell Editor
- Bounce cells
- Record a Live Loops performance
- Intro to editing regions and cells
- Edit Live Loops in the Cell Editor
- Intro to Session Players
- The Session Player Editor
- Choose a Session Player style
- Chords and Session Players
- Choose Session Player presets
- Regenerate a Session Player performance
- Follow rhythm from chords and other tracks
- Convert Session Player regions into MIDI or pattern regions
- Intro to Step Sequencer
- Use Step Sequencer with Drum Machine Designer
- Record Step Sequencer patterns live
- Step record Step Sequencer patterns
- Load and save patterns
- Modify pattern playback
- Edit steps
- Edit rows
- Edit Step Sequencer pattern, row, and step settings in the inspector
- Customize Step Sequencer
- Intro to plug-ins
- - Intro to Details view
  - Work with plug-in presets
- Work with Audio Unit Extensions
- Intro to mixing
- Work with plug-ins in the Mixer
- Search for plug-ins in the Mixer in Logic Pro for iPad
- Intro to automation
- Show automation
- Write automation in real time
- Use automation with Mixer groups
- Cell automation in Live Loops
- Undo, turn off, or delete automation
- Play automation
- Create automation with Step Sequencer
- Intro to markers, signatures, and tempo
- - Intro to global tracks
  - Show and hide global tracks
- - Intro to markers
  - Use markers
- - Intro to time signatures
  - Use time signature changes
- - Intro to key signatures
  - Use key signature changes
- Control transposition with the Pitch Source parameter
- Intro to exporting and sharing
- Share a project
- Work with projects from Logic Pro for Mac
- Settings app
- - Gestures overview
- - Keyboard shortcuts overview
- Intro to Learn MIDI
- Create an assignment with Learn MIDI
- Delete a Learn MIDI assignment
- Intro to VoiceOver
- Use VoiceOver with Play Surfaces
- Navigate in Tracks view with VoiceOver
- Use VoiceOver to arrange and edit regions
- Use VoiceOver in the Browser
- Use VoiceOver to edit notes in the Piano Roll Editor
- Effect plug-ins overview
- Instrument plug-ins overview
- - Alchemy overview
  - Performance controls
  - Extended parameters
- - Drum Kit Designer overview
  - Kit piece controls
  - Details parameters
  - Drum kit mappings
- - Drum Machine Designer overview
  - Play Surface
  - Edit surface settings
  - Edit pad settings
- - Drum Synth overview
  - Global controls
  - Kicks
  - Snares and Claps
  - Percussion
  - Hats and Cymbals
- - EFM1 overview
  - Modulation parameters
  - Output parameters
  - Global parameters
  - MIDI controller assignments
- - ES E overview
  - Oscillator parameters
  - Filter parameters
  - Envelope parameters
  - Amp and effect parameters
  - Pitch bend parameters
- - ES M overview
  - Oscillator parameters
  - Filter and filter envelope controls
  - Amp and effect controls
  - Pitch bend parameters
- - ES P overview
  - Oscillator parameters
  - Filter parameters
  - LFO parameters
  - Envelope and level controls
  - Integrated effect processor
  - Pitch bend parameters
- - ES1 overview
  - - Oscillator parameters overview
    - Oscillator waveforms
  - Filter parameters
  - Amp and output parameters
  - Global parameters
  - MIDI controller assignments
- - ES2 overview
  - Interface overview
  - - Use randomization parameters
    - Restrict randomization
- - EVOC 20 Polysynth overview
  - Vocoder basics
  - Sidechain analyser controls
  - - Vocoder Filter Bank controls
    - Formant filter modulation controls
  - - Un/Voiced detection parameters
    - Output parameters
  - Global parameters
  - Vocoder history
  - Block diagram
- - Quick Sampler overview
  - Add audio
  - - Mod Matrix pane
    - LFO controls
  - Pitch controls
  - Filter controls
  - Filter types
  - Amp controls
- - Retro Synth overview
  - Filter controls
  - Filter types
  - Amp and effect controls
  - Global and controller settings
  - MIDI mono mode parameters
- - Sample Alchemy overview
  - Interface overview
  - Add source material
  - Save a preset
  - Edit mode
  - Play modes
  - Source overview
  - Synthesis modes
  - Granular controls
  - Additive effects
  - Additive effect controls
  - Spectral effect
  - Spectral effect controls
  - Filter module
  - Low, bandpass, and highpass filters
  - Comb PM filter
  - Downsampler filter
  - FM filter
  - Envelope generators
  - Mod Matrix
  - Modulation routing
  - Motion mode
  - Trim mode
  - More menu
- Sampler
- - Sculpture overview
  - Interface overview
  - - Pickup parameters
    - Amplitude envelope parameters
  - MIDI controllers
- - Studio Bass overview
  - Studio Bass Main view
  - Studio Bass Details view
  - Studio Bass keyswitch mapping
  - Studio Bass string and position MIDI channels
- - Studio Horns overview
  - Details parameters
  - Keyswitch mapping
  - Section MIDI channel assignments
- Studio Piano
- - Studio Strings overview
  - Details parameters
  - Keyswitch mapping
  - Section MIDI channel assignments
- - Utility instruments overview
  - External Instrument
  - Klopfgeist
  - Test Oscillator
- - Vintage B3 Organ overview
- - Vintage Clav overview
  - Clavinet models
  - Model characteristics
  - Pickups parameters
  - Color parameters
  - Misc parameters
  - MIDI Mono Mode
  - - D6 Clavinet history
    - D6 mechanical details
- - Vintage Electric Piano overview
  - Main controls
  - - Rhodes models
    - Hohner and Wurlitzer models
  - MIDI controller assignments
- - Vintage Mellotron overview
  - Main controls
- - Intro to synthesizers
  - Synthesizer fundamentals
Copyright

Choose takes and comps in Logic Pro for iPad

You can switch takes or comps in Logic Pro for iPad and then play back the project to hear them. For information about how to record multiple takes, see Record multiple audio takes and Record multiple software instrument takes.

Choose a take or comp

In Logic Pro, tap the take folder to select it, tap it again, tap Takes and Folders, then choose a take or comp.

The chosen take or comp is now active, and its information is shown in the top left of the take folder. Play back the project to hear it.

Download this guide: PDF

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